THE VISUAL ARTS PORTAL

Introduction

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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Arts Club of Chicago is a private club and public exhibition space located in the Near North Side community area of Chicago, a block east of the Magnificent Mile, that exhibits international contemporary art. It was founded in 1916, inspired by the success of the Art Institute of Chicago's handling of the Armory Show. Its founding was viewed as a statement that art had become an important component of civilized urban life. The Arts Club is said to have been pro-Modernist from its founding. The Club strove to break new ground with its shows, rather than collect the works of established artists as the Art Institute does.

The club presented Pablo Picasso's first United States showing. In addition, the 1951 exhibition by Jean Dubuffet and his "Anticultural Positions" lecture at the Arts Club were tremendous influences on what would become the mid-1960s Imagist movement. Another important presentation in the history of the Arts Club was the Fernand Léger showing of Le Ballet Mecanique. (Full article...)
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Selected picture

Cuevas de las Manos
Cuevas de las Manos
Cuevas de las Manos
Credit: Mariano Cecowski
Hand paintings at the Cueva de las Manos on Río Pinturas in Santa Cruz Province, Argentina. These were made by the indigenous inhabitants (possibly forefathers of the Tehuelches) some 9,000 years ago.

Selected quote


The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
Marcel Duchamp, The Creative Act (1957)


Selected biography

The smaller of two pieces making up Han's Seeds (2006), at the National Museum of Singapore

Han Sai Por (Chinese: 韓少芙; born 19 July 1943) is a Singaporean sculptor. A graduate of the Nanyang Academy of Fine Arts (NAFA), East Ham College of Art, Wolverhampton College of Art (now the School of Art and Design of the University of Wolverhampton) and Lincoln University, New Zealand, she worked as a teacher and later as a part-time lecturer at NAFA, the LASALLE-SIA College of the Arts, and the National Institute of Education, Nanyang Technological University, before becoming a full-time artist in 1997.

Han has participated in exhibitions locally and abroad, including events in China, Denmark, Japan, Malaysia, New Zealand and South Korea. Her first solo exhibition, entitled Four Dimensions, was held at the National Museum Art Gallery in 1993. Her sculptures can be found around the world, in Osaka and Shōdoshima, Kagawa Prefecture, in Japan; Kuala Lumpur and Sarawak in Malaysia; and Washington, D.C. In Singapore, sculptures commissioned from her can be seen at Capital Tower, the Defence Science Organisation National Laboratories, the Esplanade – Theatres on the Bay, the National Museum of Singapore, Revenue House, Singapore Changi Airport Terminal 3, Suntec City Mall, and Woodlands Regional Library. In 2001, Han was the founding President of the Sculpture Society (Singapore) and remains its Honorary President. She was the first artist in residence at the Society's Sculpture Pavilion at Fort Canning Park in 2009, where she worked on sculptures made from the trunks of tembusu trees. (Full article...)
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