Alebrijes' father, Pedro Linares López
Mexican Artist Pedro Linares López, father of Alebrijes, wearing a suit (for the first time in his life) holds and shows a medal that symbolize the National Prize for Science and Arts (Mexico) 1990
Artist Pedro Linares López, the father of Alebrijes shows National Prize for Science and Arts (Mexico) 1990
Born(1906-06-29)June 29, 1906
Mexico City, Mexico
DiedJanuary 25, 1992(1992-01-25) (aged 85)
NationalityMexican
OccupationArtist
Known forCoining the word and concept Alebrije and its plural form Alebrijes
AwardsNational Prize for Arts and Sciences (1990)

Pedro Linares López (29 June 1906 – 25 January 1992) was a Mexican artist born in Mexico City known for coining the word and the concept Alebrije and its plural form Alebrijes that are zoomorphic Cartonería figures.

Career

Pedro Linares began his career as a maker of the effigies known as Judas figures, traditionally made of carton during the Catholic Easter season in Mexico, and by making figurines for Diego Rivera, Frida Kahlo and other artists from the Academia de San Carlos School of Fine Arts in Mexico City. The "Alebrije" were created by Linares when he was 30 years old at 1936, allegedly after he suffered high fever and unconsciousness caused by peritonitis. The Alebrijes originated from feverish hallucinations, which depicted his death and rebirth in a mountainous setting inhabited by these creatures who were the animals that Pedro saved in the past, but that time, when he needed help, they came back and saved his life.

After peritonitis subsided, Linares began to materialize his vision and the art of making alebrijes was born. He wanted his family and others to know about the animals he dreamt of by taking a piece of paper and molding the figures from his memory and then painting them as he saw them in his dream.[1]

Pedro Linares gained national and international attention following the 1975 documentary Linares: Artesano de Cartón from Judith Bronowski. Part of a documentary series on Mexican folk craft, it resulted in traveling workshops from the films' subjects. Among them was Manuel Jiménez Ramírez, a wood sculptor who took the concept of alebrijes from Linares and began producing wooden "Oaxacan alebrijes".[2] Besides the material, Oaxacan alebrijes differ in being more realistic representations of animals[2] and incorporating ideas of the nahual.[3]

In 1990, Linares was awarded the National Prize for Arts and Sciences (Premio Nacional de Ciencias y Artes) in the Popular Arts and Traditions category, the highest decoration to artisans granted by the federal government of Mexico.

The work done by Linares for Diego Rivera is now displayed at the Anahuacalli Museum in Mexico City.[3]

In the United States, exhibitions of his work were held at the Smithsonian Institution, The Children's Museum of Indianapolis, the Craft Contemporary, the Museum of Us and the Fullerton Museum Center.[4]

Death

Linares died at the age of 85 in 1992.[4]

His three children and later grandchildren helped preserve Linares' name with the refined art of cartonería. Alebrijes continue to be produced by the Linares family and in other workshops across Mexico.[5][6]

See also

References

  1. ↑ "Google honors artist Pedro Linares López with a new Doodle". UPI. Retrieved 29 June 2021.
  2. 1 2 "Los auténticos creadores de los alebrijes no son de Oaxaca, se apellidan Linares". México Desconocido (in Spanish). 27 May 2019. Retrieved 29 June 2021.
  3. 1 2 Ochoa, Andrea (28 October 2020). "Conoce el origen de los alebrijes, las figuras fantásticas del arte popular". AD Magazine México y Latinoamérica (in Mexican Spanish). Architectural Digest. Retrieved 29 June 2021.
  4. 1 2 Oliver, Myrna (1 February 1992). "Pedro Linares, 85; Mexican Folk Artist". Los Angeles Times. Retrieved 29 June 2021.
  5. ↑ Bercovitch, Helyn (7 September 2001). "In memory of Don Pedro: Alebrije art from a master artist". MexConnect. Retrieved 29 June 2021.
  6. ↑ Masuoka, Susan N. (1994). En Calavera: The Papier-Mâché Art of the Linares Family. Los Angeles: UCLA Fowler Museum of Cultural History. ISBN 978-0930741419.
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