music to someone's ears

From music (“any interesting or pleasing sounds”).[1]

• (Received Pronunciation) IPA^(key): /ˈmjuːzɪk tə ˌsʌmwʌnz ˈɪəz/
• (General American) IPA^(key): /ˈmjuzɪk tə ˌsʌmwʌnz ˈɪɚz/

• Audio (AU)

  (file)

• Rhymes: -ɪə(ɹ)z
• Hyphenation: mus‧ic to some‧one’s ears

music to someone's ears (uncountable)

1. (idiomatic) A spoken expression or a sound which is pleasing; specifically, some good news, or welcome information or remarks.
   • c. 1580 (date written), Philippe Sidnei [i.e., Philip Sidney], “[The Second Booke] Chapter 17”, in Fulke Greville, Matthew Gwinne, and John Florio, editors, The Countesse of Pembrokes Arcadia [The New Arcadia], London: […] [John Windet] for William Ponsonbie, published 1590, →OCLC; republished in Albert Feuillerat, editor, The Countesse of Pembrokes Arcadia (Cambridge English Classics: The Complete Works of Sir Philip Sidney; I), Cambridge, Cambridgeshire: University Press, 1912, →OCLC, page 262:

     […] Sweete Princesse of my life (said he) what Trophees, what Triumph, what Monuments, what Historis may ever make my fame yeeld so sweete a Musicke to my eares, […]

   • c. 1594 (date written), William Shakespeare, “The Comedie of Errors”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, →OCLC, [Act II, scene ii], page 89, column 1:

     The time vvas once, vvhen thou vn-vrg'd vvouldſt vovv, / That neuer vvords vvere muſicke to thine eare, / That neuer obiect pleaſing in thine eye, / That neuer touch vvell vvelcome to thy hand, / That neuer meat ſvveet-ſauour'd in thy taſte, / Vnleſſe I ſpake, or look'd, or touch'd, or caru'd to thee.

   • 1653, Iz[aak] Wa[lton], chapter I, in The Compleat Angler or The Contemplative Man’s Recreation. Being a Discourse of Fish and Fishing, […], London: […] T. Maxey for Rich[ard] Marriot, […], →OCLC; reprinted as The Compleat Angler (Homo Ludens; 6), Nieuwkoop, South Holland, Netherlands: Miland Publishers, 1969, →ISBN, page 25:

     [T]he hearing of ſuch conjugal faithfulneſs, vvill be Muſick to all chaſte ears […]

   • 1838, [James Fenimore Cooper], chapter IX, in Home as Found. […], volume II, Philadelphia, Pa.: [Isaac] Lea & Blanchard, successors to [Henry Charles] Carey & Co., →OCLC, page 139:

     [T]he earnestness and passion with which the young man uttered his feelings, made music to her ears: […]

   • 1906, Mark Twain [pseudonym; Samuel Langhorne Clemens], “Was It Heaven? Or Hell?. Chapter II.”, in The $30,000 Bequest and Other Stories, New York, N.Y., London: Harper & Brothers, →OCLC, page 69:

     People who had an ax to grind, or people who for any reason wanted to get on the soft side of him, called him The Christian—a phrase whose delicate flattery was music to his ears, and whose capital T was such an enchanting and vivid object to him that he could see it when it fell out of a person's mouth even in the dark.

   • 1909, E[rnest] W[illiam] Hornung, “An Inaugural Banquet”, in Mr. Justice Raffles, 1st American edition, New York, N.Y.: Charles Scribner’s Sons, →OCLC, page 2:

     And he led the way from the station, stopping once to gloat over the sunset across Trafalgar Square, and again to inhale the tarry scent of the warm wood-paving, which was perfume to his nostrils as the din of its traffic was music to his ears, before we came to one of those political palaces which permit themselves to be included in the list of ordinary clubs.

   • 2006 October 15, “No Harm Meant, Honest”, in Time‎, New York, N.Y.: Time Warner Publishing, →ISSN, →OCLC, archived from the original on 2010-11-23:

     "We should aim for a lower ambition," [Richard] Dannatt said. […] Not what you might call music to his boss's ears.