Yoichi Ochiai
Ochiai in 2023
Born (1987-09-16) September 16, 1987
Minato, Tokyo, Japan
Alma materTsukuba University
University of Tokyo
Parent
  • Nobuhiko Ochiai (father)
AwardsPrix Ars Electronica Honorary Mention
World Technology Award
MIT Technology Review Innovators Under 35 Japan
Laval Virtual Award
SXSW Creative Experience ARROW Awards
PMI Future 50
40 UNDER 40 ART AND TECH by Apollo Magazine
WebsiteOfficial website

Yoichi Ochiai (落合 陽一, Yoichi Ochiai, born 16 September 1987) is a Japanese academic[1] and media artist.[2][3] He has a doctorate from the University of Tokyo. He is also an associate professor at the University of Tsukuba Library, as well as an Information and Media Associate Professor[4] and Director of the Centre for Digital Nature Development and Research.[5] Specially-appointed professor at Digital Hollywood University, visiting professor at Osaka University of Arts and Kyoto City University of Arts,[6] Visiting Professor at Kanazawa College of Art.[7]

Main activity

As a media artist

He has been working as a media artist since around 2010. As a media artist, he has several solo[8] and group exhibitions[9] per year, as well as an international communication of Japanese culture.[10]

Ochiai's activities range from research to social implementation and are not limited to the expression of electronic technology. Ochiai states, "The vernacular, popular art and production process for local consumption, using something from the 'natural' environment to create a work of art, has not changed since ancient times, whether it is Japanese or Western painting"[11] and considers media art as "Vernacular Art of Digital Nature".[12]

As a researcher

Engaged in research with a vision of digital nature,[13] he has been running his own 'Digital Nature Laboratory' at the University of Tsukuba since 2015,[14] and has also been the director of the "Digital Nature Development Research Centre" since 2020.[15][16] He specialises in media arts as well as 'human computer interaction' and applied fields using 'intelligent technology' and 'audio-visual technology'. application areas.[17]

His publications in the laboratory are in the fields of human-computer interaction,[17] virtual reality, aerial displays and spatial graphics,[18] in the field of research on collaboration and co-creation between artificial intelligence and human intelligence,[19] and in the fields of accessibility and diversity.[20] As a researcher, he has received the World Technology Award and the Laval Virtual Award from Laval Virtual, Europe's largest VR festival, five times in four consecutive years.

xDiversity

JST CREST "Social Implementation of Spatial Viewing and Tactile Technology Based on Super AI Infrastructure for a Computational Diversity-enabled Society" xDiversity (cross-diversity) research representative , and as a general incorporated association xDiversity,[21] working on projects to realise a diverse society that embraces the differences in human physical abilities.[22] Projects such as automated wheelchairs, diversity-enabled entertainment (Concerts without Hearing by Ear)[23] and walking with prosthetic legs (Otome Prosthetic Legs Project)[24] and other projects aiming to adapt machine learning techniques to various bodily diversities.[25]

Pixie Dust Technologies

Digital transformation of space[26] and social implementation of university-originated technologies[27] Pixie Dust Technologies Ltd[28] was founded for the purpose of.[29] Through research and development of human interface technology and computer simulation technology, the company has developed tactile speaker technology[30] and metamaterial technology,[29] digital transformation of construction sites[31] and social implementation of technology, including BCP solutions for corona protection.[32]

Artworks

Solo exhibitions

  • Image and Matter (Dec. 2016 - Jan. 2017 / Kuala Lumpur, Malaysia)[33]
  • Imago et Materia (Mar. - Apr. 2017 / Roppongi, Tokyo)[34]
  • Japanese Technium Exhibition (Apr. - May. 2017 / Kioicho, Tokyo)[35]
  • Yoichi Ochiai: Beauty of Natural Resolution End to End Transformation of Material Things Digital Nature (Apr. - Jun. 2018 / Omotesando, Tokyo)[36]
  • Sehnsucht nach Masse 2019 (Jan. 24 - Feb. 6, 2019 / Higashi-Shinagawa, Tokyo)[37]
  • Ruminating with the Spirituality 2019 (Sep. 5 - Oct. 12, 2019 / Tokyo, Ginza Leica Store)[38]
  • Rinkou Suru Reisei (Oct. 5 - Oct. 27, 2019 / Tokyo, The Shop Yohji Yamamoto)[39]
  • Reminiscence of the Unknown, Image and Matter || Digitally Natural, Naturally Digital || Sehnsucht nach Masse (Jul. 23 (Thu) - Aug. 31 (Sun), 2020 / Shibuya Modi, Tokyo)[40]
  • Bukka: Transformation of Material Things (Feb. 5 - Feb. 28, 2021 / Experimental Gallery, Hong Kong Arts Centre, Hong Kong)[41]
  • Perspective of umwet Time and Space, Digital Nature and Arts (Apr. 28 - May. 30, 2021 / Kitakyushu Museum of Life and Travel)[42]
  • The transformation of material things into a living forest -Digital Nature- Exhibition in Daigoji Temple (Nov. 21 - Dec. 5, 2021 / Kyoto, Daigoji Temple)[43]
  • Special project for the 55th anniversary of the Kusakabe Mingeikan Kick-off event for Yoichi Ochiai's exhibition 'Media and Mingei - Nodal point seen in the post-corona'. (Dec. 13 - Dec. 26, 2021 / Gifu, Kusakabe Folk Museum)[44]
  • Re-Digitalisation of Waves (Jan. 28 - Feb. 13, 2022 / Osaka, Osaka Kansai International Art Festival]])[45]
  • Yoichi Ochiai Ubiquitous Existence of Bodies, Interwoven Time and Space - Returning to the Ring, Carbon, Digital, Ideological and Narrative Forms - (Apr.9 - May.22,2022 /Gifu, Kusakabe Mingeikan)[46]
  • Nakedness and Materiality (Apr.16 - May.1, 2022 / Tokyo, Kitamura Photography Studio])[47]
  • "Null soku ze shiki shiki soku ze nuru" (Sep.28 - Oct.11, 2022 / Hankyu Men's Building, Tokyo).[48]
  • Yoichi Ochiai "Hare Tokidoki Leica ── Gyakugyaku-takari-koudou"（Sep.1 - Oct.29, 2023 /Tokyo, Leica Gallery Tokyo） [49]
  • Yoichi Ochiai "Hare Tokidoki Leica ── Shituryou-heno-syoukei, Ramen-wa-kazenoyouni"（Sep.2 - Oct.29, 2023 / Kyoto, Leica Gallery Kyoto）[50]
  • Phantom Resonance: Nocturnal Assembly of Ethereal Beings and Digital Nature（Sep.3 - Oct.15, 2023 / Kyoto, Daigoji Temple） [51]
  • Digital Nature, Existence from null to null: Encoded Eternity, Object-Oriented Primal Vow（Sep.17 - Nov.5, 2023 / Gifu, Kusakabe Folk Museum]） [52]
  • From null, all phenomena randomly emerge: As vessels bridge waters, so null becomes form, as light dispels darkness, so reveals digital nature.（Nov.29 - Oct.15, 2023 - Jan. 14, 2024 /Tokyo・Light Seed Gallery） [53]

Group exhibitions

  • SIGGRAPH Art Gallery 2014 (July, 2014 / Canada, Vancouver) [54]
  • Ars Electronica Festival 2015 (September, 2015 / Austria, Linz)
    • ~ 2016 (September, 2016 / Austria, Linz) [55]
    • ~ 2017 (September, 2017 / Austria, Linz) [56]
    • ~ 2018 (September, 2018 / Austria, Linz) [57]
    • ~ 2019 (September, 2019 / Austria, Linz) [58]
    • ~ 2020 (September, 2020 / online) [59]
    • ~ 2021 (September, 2021 / Austria, Linz) [60]
  • KENPOKU ART 2016 (Sep.17－Nov.20, 2016 / Japan, Ibaraki) [61]
  • Media Ambition Tokyo 2017 (Feb.11 - Mar.12, 2017 / Tokyo) [62]
    • ~ 2018 (Feb.9 - Feb.25, 2018 / Tokyo) [63]
    • ~ 2019 (Feb.23 - Mar.3, 2019 / Tokyo) [64]
    • ~ 2020 (Feb.28 - Mar.8, 2020 / Tokyo) [65]
    • ~ 2021 (Apr.27 - May 23, 2021 / Tokyo) [66]
  • AI More Than Human (May 2019 / London, Barbican Centre) [67]
  • Cherish, your imagination (Jul.18－ Sep.27, 2020 / Japan, Museum of Contemporary Art Tokyo) [68]
  • The Material -Its Form and Spirit (November, 2020 / gallery de kasuga) [69]
  • Fluctuation -be with light- (May 14 - Jun.22, 2022 / kōjin kyoto)[70]
  • Sunbeam of null in forest（Sunbeam of null in forest）(Jun.9 - Jul.8, 2022 / Tokyo, Otemachi)[71]
  • Yoichi Ochiai x Shinichi Wakasa, Guwa Guwa Null Null: Circumscribing the Invisible Borderline From the Forest (Sep.1 - Sep.25, 2022 / Tokyo・Commons Tokyo) [72]
  • Fuji Textile Week 2022（Nov.23 - Dec.11, 2022 / Japan, Fujiyoshida-City）[73]
  • Study:Osaka Kansai International Art Festival 2023 (Jan.28 - Feb.13, 2023 / Osaka) [74]
  • elective affinities Part I (Jan.28 - Mar.5, 2023 / Tokyo, agnès b. b.Gallery Boutique) [75]
  • Utsutsu - A Liminalism Of Japanese Contemporary Art (Feb.24 - Apr.30, 2023 / Boston, Pellas Gallery) [76]
  • Harmonics of the Unseen: Phantom Resonance in Higashi-Osaka (Nov.3 - 4, 2023 / Osaka) [77]
  • Akihabara UDX winter illumination 2023 Reflector∞:Resonance of Electrical Echoes (Nov.15, - Dec.25, 2023 / Tokyo・AkihabaraUDX) [78]

Books

Paper

  • Google Scholar Yoichi Ochiai[79]

Single author

  • MAHONOSEIKI (PLANETS, 2018)

From the 'Century of Film' to the 'Century of Magic'. It is more than 70 years since the invention of the computer, prompted by the Second World War. The 'Century of Film', in which people are connected by sharing the reality on the screen, has come to an end, and the 'Century of Magic', in which media integrated into the environment are ubiquitous, has arrived. Yoichi Ochiai, a 28-year-old researcher and media artist who has attracted international attention, brings to light the essence of the decisive changes taking place in the world today, from the perspective of both technology and art. What is the shape of the 'coming future' brought about by computers that have begun to interfere with things outside the screen? ......?[80]

  • digital nature: seitaikei wo nasu hanshinkasita keisanki ni yoru wabi to sabi (PLANETS, 2018)

A sufficiently advanced computational group is indistinguishable from nature--. Digital Nature, that is the vision and manifesto of the future proposed by Yoichi Ochiai. Postmodernity and Singularity are only one element of this 'new nature'. Human beings and society are undeniably being renewed. It will bring about a redefinition of happiness, of the economy and of democratic politics. The new paradigm starts here: ......! 'We can create a world without 'gates' and 'seams', replace standardisation with diversity, and transcend the obsessions of human nature, such as individual happiness and insecurity, through technology. All we need is a vision and a passion for the future towards which technology is heading." (From the Afterword)[81]

References

  1. ↑ "[Researcher data]Yoichi Ochiai| Breeder (Exotic Shorthair).)". Japanese-research.com. BioImpact. Retrieved 2021-09-01.
  2. ↑ ""I like Char very much" Yoichi Ochiai talks about his love of Gundam What is your most favourite series?". Nikkan Sports. 2021-06-15. Retrieved 2021-06-15.
  3. ↑ ""Future VISION", a special feature commemorating the Yahoo Line management integration". Yahoo. Archived from the original on 2021-03-15. Retrieved 2021-09-01.
  4. ↑ "落合 陽一 (Yoichi Ochiai) - マイポータル - researchmap". researchmap.jp.
  5. ↑ "Ochiai, Yoichi (落合陽一; Ochiai, Yoichi)|trios". University of Tsukuba. Retrieved 2021-07-29.
  6. ↑ "Ochiai Yoichi". Kyoto City University of Arts. Retrieved 2022-07-10.
  7. ↑ "University organisation". Kanazawa College of Art. Retrieved 2022-07-10.
  8. ↑ "落合陽一の4年間の活動を俯瞰。「未知への追憶」展が渋谷モディでスタート". 美術手帖.
  9. ↑ "Behance". www.behance.net. November 2016.
  10. ↑ "【落合陽一×京都】日本文化の世界発信". NewsPicks.
  11. ↑ "落合陽一が『美術手帖』6月号に登場。作品から読み解くこれからの「自然」と「環境」". 美術手帖.
  12. ↑ "ポストコロナに向けた往復書簡（1）：落合陽一から長谷川先生へ". 美術手帖.
  13. ↑ "計算機と自然、計算機の自然". 日本科学未来館 (Miraikan).
  14. ↑ University of Tsukuba, Strategic Research Platform towards Digital Nature Powered by Pixie Dust Technologies Inc. "Digital Nature Group". Digital Nature Group.
  15. ↑ "筑波大デジタルネイチャー開発研究センター". 日本経済新聞. October 7, 2020.
  16. ↑ https://www.sanrenhonbu.tsukuba.ac.jp/wp/wp-content/uploads/2020/06/9911d661ed02cb5321769cf0e9dfc71c.pdf
  17. 1 2 "Yoichi Ochiai (落合陽一)". scholar.google.co.jp.
  18. ↑ Gibney, Elizabeth (November 13, 2019). "Star Wars-style 3D images created from single speck of foam". Nature. 575 (7782): 272–273. Bibcode:2019Natur.575..272G. doi:10.1038/d41586-019-03454-y. PMID 31723299. S2CID 207991097 – via www.nature.com.
  19. ↑ "落合 陽一 (Yoichi Ochiai) - 人間知能と機械知能との間に創造的な協調関係を生む制作手法論の構築 日本学術振興会 科学研究費助成事業 挑戦的研究(萌芽) - 共同研究・競争的資金等の研究課題 - researchmap". researchmap.jp.
  20. ↑ "落合 陽一 (Yoichi Ochiai) - 波動とデジタルファブリケーションを組み合わせた知能化技術 国立研究開発法人 科学技術振興機構（ＪＳＴ） 戦略的創造研究推進事業 - 共同研究・競争的資金等の研究課題 - researchmap". researchmap.jp.
  21. ↑ "「一般社団法人xDiversity」設立のお知らせ | xDiversity". xDiversity [クロス・ダイバーシティ].
  22. ↑ "XDIVERSITYで目指す「社会の包摂性をテクノロジーで拡張」、その実現に必要なもの ――落合陽一 - astavision". astavision(アスタビジョン) - あなたの知らない、未来が見つかる。. Feb 22, 2018. Retrieved May 9, 2023.
  23. ↑ https://blog.global.fujitsu.com/jp/2019-07-19/01/
  24. ↑ . http://peopledesign.or.jp/fukushi/symposium/351/
  25. ↑ "「xDiversity（クロス・ダイバーシティ）」プロジェクト | 研究・調査". 日本科学未来館 (Miraikan). 10 December 2020.
  26. ↑ "ピクシーダストテクノロジーズ、空間のデジタルトランスフォーメーションを促進する空間開発事業KOTOWARI (TM)（コトワリ）を提供開始". ASCII.jp.
  27. ↑ "第2回IP BASE AWARD受賞者を表彰します！ （METI/経済産業省）". www.meti.go.jp.
  28. ↑ "落合陽一率いる、ピクシーダストテクノロジーズが総額48億円の資金調達。大学発・先進技術の社会実装を推進 | Forbes JAPAN 公式サイト（フォーブス ジャパン）". forbesjapan.com.
  29. 1 2 "TechCrunch".
  30. ↑ "【次世代オーディオデバイス技術特集】 ピクシーダストテクノロジーズの音響技術". 電波新聞デジタル. October 14, 2020.
  31. ↑ company, eiicon (27 January 2021). "ピクシーダストテクノロジーズ×鹿島建設 | デジタルツイン基盤「鹿島ミラードコンストラクション（TM）」を共同開発". TOMORUBA (トモルバ) - 事業を活性化するメディア.
  32. ↑ "デジタル技術による感染拡大防止と経済回復の両立 – ピクシーダストテクノロジーズ | インタビュー | MUGENLABO Magazine – オープンイノベーション情報をすべての人へ". mugenlabo-magazine.kddi.com. 23 December 2020.
  33. ↑ 大日本印刷, DNP. "大日本印刷 研究者・メディアアーティスト 落合陽一氏の初の個展をマレーシアで開催 | ニュース | DNP 大日本印刷". DNP 大日本印刷株式会社.
  34. ↑ "ART & SCIENCE gallery lab AXIOM". ART & SCIENCE gallery lab AXIOM.
  35. ↑ "落合陽一によるアート作品22点を紹介 『ジャパニーズテクニウム展』がYahoo! JAPANのオフィスにて開催に | SPICE - エンタメ特化型情報メディア スパイス". SPICE（スパイス）｜エンタメ特化型情報メディア スパイス.
  36. ↑ "落合陽一、山紫水明∽事事無碍∽計算機自然 | ART & GALLERY | GYRE". gyre-omotesando.com.
  37. ↑ ""Photographer" Yoichi Ochiai's yearning for analogue: "I want to photograph dead flowers rather than beautiful flowers" [solo exhibition]". goetheweb.jp. Retrieved 2020-05-05.
  38. ↑ "落合陽一がライカで撮影した作品を展示、1日限定でプラチナプリントのワークショップも". FASHIONSNAP [ファッションスナップ]. Aug 31, 2019. Retrieved May 9, 2023.
  39. ↑ HEADLINE, FASHION. "落合陽一の写真展開催、ザ ショップ ヨウジヤマモトの期間限定リアル店舗がオープン | FASHION". FASHION HEADLINE.
  40. ↑ "落合陽一展 未知への追憶｜マルイ". マルイウェブサイト.
  41. ↑ 香港藝術中心, Hong Kong Arts Centre. "物化: Transformation of Material Things". HKAC.
  42. ↑ "落合陽一ら29組がアートで持続可能性を探る。「北九州未来創造芸術祭 ART for SDGs」が開幕". 美術手帖.
  43. ↑ "【終了】「落合陽一 物化するいのちの森 – 計算機と自然 – 醍醐寺Exhibition」".
  44. ↑ "催事とスケジュール | 飛騨高山「日下部民芸館」". www.kusakabe-mingeikan.com.
  45. ↑ https://www.osaka-kansai.art/ochiaiyoichi
  46. ↑ "【岐阜・高山】日下部民藝館 55周年記念特別展 | 落合陽一 『遍在する身体 交錯する時空間』". 日下部民藝館.
  47. ↑ "【期間延長】落合陽一写真展「裸性と身体性」 | イベント | 新宿 北村写真機店". www.kitamuracamera.jp.
  48. ↑ "落合陽一「ﾇﾙ即是色色即是ﾇﾙ」 | tagboat".
  49. ↑ "【ライカギャラリー東京】落合陽一 写真展 「晴れときどきライカ」". August 2023.
  50. ↑ "【ライカギャラリー京都】落合陽一 写真展 「晴れときどきライカ」".
  51. ↑ "PhantomResonance:「百鬼夜行と計算機自然」～落合陽一". Retrieved 2023-10-12.
  52. ↑ "日下部民藝館令和 5 年度特別展 落合陽一「ヌル即是計算機自然:符号化された永遠, オブジェクト指向本願」開催のお知らせ". August 2023.
  53. ↑ "落合陽⼀展 万象是乱数トﾇﾙ". Retrieved 2023-11-29.
  54. ↑ "Yoichi Ochiai: Looking Glass Time – ACM SIGGRAPH ART SHOW ARCHIVES". digitalartarchive.siggraph.org. Retrieved 2023-05-09.
  55. ↑ "Ars Electronica Festival 2016: Artist Lab Yoichi Ochiai". Satoshi Hashizume / University of Tsukuba. 8 September 2016. Retrieved 2023-05-09.
  56. ↑ "Ars Electronica Festival 2017". Satoshi Hashizume / University of Tsukuba. 26 September 2017. Retrieved 2023-05-09.
  57. ↑ Inc, University of Tsukuba, Strategic Research Platform towards Digital Nature Powered by Pixie Dust Technologies (2018-09-06). "Ars Electronica 2018". Digital Nature Group. Retrieved 2023-05-09. {{cite web}}: |last= has generic name (help)CS1 maint: multiple names: authors list (link)
  58. ↑ "The Form of Digital Nature". Out of the Box. Retrieved 2023-05-09.
  59. ↑ "TOKYO GARDEN". tokyogarden.jmaf-promote.jp. Retrieved 2023-05-09.
  60. ↑ "Transformation of Scenery". A New Digital Deal. Retrieved 2023-05-09.
  61. ↑ "茨城県北芸術祭情報サイト#KENPOKU". 茨城県北芸術祭情報サイト#KENPOKU. Retrieved 2023-05-09.
  62. ↑ http://mediaambitiontokyo.jp/2017/
  63. ↑ http://mediaambitiontokyo.jp/2018/
  64. ↑ http://mediaambitiontokyo.jp/2019/
  65. ↑ https://www.asahi.com/and_M/20200311/10450262/
  66. ↑ "Media Ambition Tokyo 2021". Media Ambition Tokyo 2021. Retrieved 2023-05-09.
  67. ↑ "AI: More than Human | Barbican". www.barbican.org.uk. Retrieved 2023-05-09.
  68. ↑ "おさなごころを、きみに | 展覧会". 東京都現代美術館｜MUSEUM OF CONTEMPORARY ART TOKYO. Retrieved 2023-05-09.
  69. ↑ "新旧の素材に注目。「素材─その形と心」展に落合陽一、内藤礼、宮永愛子など15名が参加". 美術手帖. Retrieved 2023-05-09.
  70. ↑ "ゆらぐbe with light（kōjin kyoto）". 美術手帖. Retrieved 2023-05-09.
  71. ↑ "「大手町の森」に落合陽一のメディア・アート作品が出現。木漏れ日と「計算機自然」の関係性を探る".
  72. ↑ "落合陽一 + 若佐慎一 「ぐわぐわぬるぬる: 森からいづる不可視な境界線を廻って」 （Karimoku Commons Tokyo）". Tokyo Art Beat. Retrieved 2023-05-09.
  73. ↑ "Fuji Textile Week 2023 - フジテキスタイルウィーク 2023".
  74. ↑ "Study：大阪関西国際芸術祭 2023". Retrieved 2023-10-12.
  75. ↑ ""elective affinities" Exhibition Part I". Retrieved 2023-10-12.
  76. ↑ "UTSUTSU - A LIMINALISM OF JAPANESE CONTEMPORARY ART". Retrieved 2023-10-12.
  77. ↑ "幽体の共鳴 ーファントムレゾナンスー". Retrieved 2023-11-29.
  78. ↑ "A new feature in the city of Akihabara Yoichi Ochiai's new media art appears at Akihabara UDX". Retrieved 2023-11-29.
  79. ↑ "Yoichi Ochiai (落合陽一)". scholar.google.co.jp. Retrieved May 9, 2023.
  80. ↑ Yoichi, Ochiai (Nov 30, 2015). "MAHONOSEIKI". PLANETS. Retrieved May 9, 2023 – via Amazon.
  81. ↑ yoichi, ochiai (Jun 19, 2018). "digital nature: seitaikei wo nasu hanshinkasita keisanki ni yoru wabi to sabi". PLANETS. Retrieved May 9, 2023 – via Amazon.
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