William Weeks Hall
Born(1895-10-31)October 31, 1895
Orleans Parish, Louisiana, U.S.
DiedJune 27, 1958(1958-06-27) (aged 63)
Louisiana, U.S.
EducationPennsylvania Academy of the Fine Arts
Parents
  • Gilbert Lewis Hall (father)
  • Mary "Lily" Weeks (mother)
Shadows-on the-Teche plantation (1938), New Iberia, Louisiana

William Weeks Hall[1] (1894–1958), was an American artist, photographer and art critic.[1] He was the last individual owner of the Shadows-on-the-Teche, a historic house and former sugar cane plantation.

Biography

William Weeks Hall was born in October 31, 1894 in Orleans Parish; to parents Gilbert Lewis Hall and Mary "Lily" Weeks.[1][2] His maternal grandparents David and Mary Conrad Weeks had built the Shadows-on-the-Teche plantation in 1834.

Hall attended the Pennsylvania Academy of the Fine Arts (PAFA).[3] Around 1917, Hall won a scholarship through PAFA to travel to Europe.[4] His early paintings were abstract.[3] He lived in Paris for a few years after college.[3] During World War I (1914–1918), Hall served in the Office of Naval Intelligence.[3]

In 1920, Hall returned to New Iberia and in 1922 he started to restore the Shadows-on-the-Teche.[3][5] He had many notable guests and friends in the arts that would come visit him in New Iberia including D. W. Griffith,[6] Henry Miller,[7][8] Cecil B. DeMille,[8] among others. A New Iberian local musician Al E. Dieudonne dedicated his song, "Shadows-on-the-Teche" to Hall in 1930.[9]

In 1927, Hall was a charter member of the New Orleans Art League.[10] He injured his arm in 1937, and was forced to give up painting, and around this time he started to focus more on photography.[3]

Death and legacy

Hall died on June 27, 1958, and was initially buried at the Rose Hill Cemetery.[3] In 1961, his body was moved to the family plot at Shadows-on-the-Teche cemetery.[3] He never married.[1] Hall left the Shadows-on-the-Teche to the National Trust for Historic Preservation after his death.[11]

Hall's art work is including in public museum collections at the Pennsylvania Academy of the Fine Arts.[12] In Henry Miller's book, The Air-Conditioned Nightmare (1945), includes information about his time in New Iberia and Hall is quoted (page 97).[13]

References

  1. 1 2 3 4 "Weeks Hall Rites Held In Iberia". Newspapers.com. The Crowley Post-Signal. June 28, 1958. p. 2. Retrieved May 22, 2021.
  2. ↑ "William Weeks Hall in the New Orleans, Louisiana, U.S., Birth Records Index, 1790-1915". Ancestry.com. State of Louisiana, Secretary of State, Division of Archives, Records Management, and History. Vital Records Indices. Baton Rouge, LA. October 31, 1894.
  3. 1 2 3 4 5 6 7 8 "William Weeks Hall Has A Final Resting Place At The Shadows". Newspapers.com. The Daily Advertiser. June 27, 1961. p. 9. Retrieved May 22, 2021.
  4. ↑ "Art Scholarship". Newspapers.com. The Morning News. May 28, 1917. p. 3. Retrieved May 22, 2021.
  5. ↑ Smith, George Everard Kidder (1996). Source Book of American Architecture: 500 Notable Buildings from the 10th Century to the Present. Princeton Architectural Press. p. 178. ISBN 978-1-56898-025-6.
  6. ↑ "D. W. Griffith Films "The White Rose" At New Iberia". Newspapers.com. Abbeville Meridional. February 24, 1923. p. 4. Retrieved May 22, 2021.
  7. ↑ Warren, Mark (July 28, 2009). "Acadiana: The Most Un-American Place in America". Esquire. Retrieved May 22, 2021.
  8. 1 2 "Shadows-on-the-Teche - New Iberia LA". AAA.com. Retrieved May 22, 2021.
  9. ↑ "New Iberia Man Has Song Published". Newspapers.com. The Eunice News. October 3, 1930. p. 4. Retrieved May 22, 2021.
  10. ↑ "New Orleans Art League". 64 Parishes. Retrieved May 22, 2021.
  11. ↑ Griffin, Bob (August 4, 1978). "Let's Talk Travel, From New Iberia to New York". Newspapers.com. The Shreveport Journal. p. 10. Retrieved May 22, 2021.
  12. ↑ "Museum collection". Pennsylvania Academy of the Fine Arts (PAFA). Retrieved May 22, 2021.
  13. ↑ Donnelly, Jessica Foy (2002). Interpreting Historic House Museums. Rowman Altamira. p. 309. ISBN 978-0-7591-0251-4.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.