"Wildest Dreams"
Cover artwork of "Wildest Dreams", a black and white photo of Swift sitting
Single by Taylor Swift
from the album 1989
ReleasedAugust 31, 2015 (2015-08-31)
Studio
  • MXM (Stockholm)
  • Conway (Los Angeles)
Genre
Length3:40
LabelBig Machine
Songwriter(s)
Producer(s)
  • Max Martin
  • Shellback
Taylor Swift singles chronology
"Bad Blood"
(2015)		 "Wildest Dreams"
(2015)		 "Out of the Woods"
(2016)
Music video
"Wildest Dreams" on YouTube

"Wildest Dreams" is a song by the American singer-songwriter Taylor Swift and the fifth single from her fifth studio album, 1989 (2014). She wrote the song with its producers Max Martin and Shellback. "Wildest Dreams" has an atmospheric balladic production incorporating programmed drums, Mellotron-simulated and live strings, and synths; the rhythm interpolates Swift's heartbeat. Music critics described it as synth-pop, dream pop, and electropop. In the lyrics, Swift pleads with a lover to remember her even after their relationship ends. Big Machine in partnership with Republic Records released "Wildest Dreams" to radio on August 31, 2015.

When it was first released, some critics found the production and Swift's vocals alluring but others found the track derivative and compared it to the music by Lana Del Rey. Retrospectively, critics have considered "Wildest Dreams" one of Swift's most memorable songs. The single peaked within the top five on charts of Australia, Canada, Poland, and South Africa. It was certified eight-times platinum in Australia and platinum in Canada, Portugal, and the United Kingdom. In the United States, "Wildest Dreams" peaked at number five and became 1989's fifth consecutive top-ten single on the Billboard Hot 100; it peaked atop three of Billboard's airplay charts. The Recording Industry Association of America (RIAA) certified the track four-times platinum.

Joseph Kahn directed the music video for "Wildest Dreams". Set in 1950s Africa, it depicts Swift as a classical Hollywood actress who falls in love with her co-star but ends the fling upon completion of their film project. Media publications praised the production as cinematic but accused the video of glorifying colonialism, a claim that Kahn dismissed. Swift included "Wildest Dreams" in the set lists for two of her world tours: the 1989 World Tour (2015) and the Eras Tour (2023–2024). Following the dispute regarding the ownership of Swift's masters in 2019 and the viral popularity of "Wildest Dreams" on the social media site TikTok in 2021, Swift released the re-recorded version "Wildest Dreams (Taylor's Version)" on September 17, 2021.

Background and production

Portrait of Mattias Bylund dressed in black
Mattias Bylund played, arranged, and edited the strings in "Wildest Dreams".

The singer-songwriter Taylor Swift had identified as a country musician until her fourth studio album, Red, which was released on October 22, 2012.[1] Red incorporates eclectic pop and rock styles beyond the country stylings of Swift's past albums, which led to critics questioning her country-music identity.[2][3] Swift began writing songs for her fifth studio album in mid-2013 while touring on the Red Tour.[4] Inspired by 1980s synth-pop, she named the album 1989 after her birth year to signify an artistic reinvention: she described it as her first "official pop album".[5][6] On 1989, Swift and the Swedish producer Max Martin served as executive producers.[7] For the standard edition, Martin and his frequent collaborator Shellback produced seven out of 13 songs; one such song is "Wildest Dreams".[8]

Swift wrote "Wildest Dreams" with Martin and Shellback, who both produced and programmed the song and played the keyboards. The former played the piano, and the latter played the electric guitar and percussion.[8] The Swedish arranger Mattias Bylund joined the production of "Wildest Dreams" after Martin played the track to him. Bylund played and arranged the strings, and he recorded and edited his performance at his home studio in Tuve, Sweden.[7] Michael Ilbert and Sam Holland, assisted by Cory Bice, recorded the track at MXM Studios in Stockholm and Conway Recording Studios in Los Angeles. It was mixed by Serban Ghenea at MixStar Studios in Virginia Beach and mastered by Tom Coyne at Sterling Sound in New York.[8]

Music and lyrics

The track is a power ballad that interpolates Swift's heartbeat in its rhythm.[8][9] It incorporates programmed drums, pulsing synths, and staccato strings generated with a Mellotron.[7][10][11] In the chorus, the melody is accentuated by live strings with what Bylund described as "Coldplay-type rhythm chords".[7] Swift sings with breathy vocals.[10][12][13] According to Jon Caramanica from The New York Times, she sings "drowsily" in the verses and "skips up an octave" in the bridge.[14] Jem Aswad of Billboard said that she "[flits] between a fluttery soprano and deadpan alto".[15] Music critics characterized the genre as synth-pop,[16][17] dream pop,[9] and electropop,[18] with elements of chillwave.[19] Although the synths and drums were a stark contrast to Swift's earlier music, the musicologist James E. Perone said that the composition retained some mutual elements with her previous country songs: the "heavy use" of the pentatonic scale in the melody and the move between major and minor chords in the chorus.[11]

In the lyrics, Swift's character pleads with a lover to remember her after their relationship ends, although she is still in love with him.[13][20] The first verse sees her observing how the lover makes her feel the lust: "He's so tall, and handsome as hell/ He's so bad, but he does it so well/ I can see the end as it begins."[21][22] She expresses her desire to live on in the lover's memory as a woman in red lips, "standing in a nice dress, staring at the sunset".[23][24] She cautions the lover that she will haunt him: "Say you'll see me again even if it's just in your wildest dreams."[25] The bridge is set in double time and sees Swift's character affirming, "You see me in hindsight/ Tangled up with you all night/ Burnin' it down."[26][27]

Various critics described the sound as sultry, sensual, and dramatic; they said that both the production and the theme about failed romance resembled the music of the singer-songwriter Lana Del Rey.[12][24][28][29][30] Slate's Forrest Wickman thought that Swift's character was a femme fatale,[25] and The Guardian's Alexis Petridis felt that the song abandoned Swift's previous "persona of the pathetic female appendage snivelling over her bad-boy boyfriend" and instead portrayed the man as her victim.[20] Robert Leedham of Drowned in Sound wrote that the lyrics portrayed her arrogance and confidence to move on to better things, contrasting with the victim mentality on her past songs.[30]

Release and commercial performance

Big Machine Records released 1989 on October 27, 2014; "Wildest Dreams" is number nine on the standard edition's track listing.[8][31] It debuted at number 76 on the US Billboard Hot 100 in November 2014.[32] On August 5, 2015, Swift shared on Twitter that "Wildest Dreams" would be the fifth single from 1989, following four Hot 100 top-10 singles: "Shake It Off", "Blank Space", "Style", and "Bad Blood".[33] In the United States, Big Machine and Republic Records released "Wildest Dreams" to hot adult contemporary radio on August 31, 2015,[34] and contemporary hit radio on September 1, 2015.[35] Big Machine released a remix by R3hab for download via the iTunes Store on October 15, 2015.[36] Universal Music released it to Italian radio on October 30, 2015.[37]

On the Billboard Hot 100, "Wildest Dreams" re-entered at number 15 on the chart dated September 19, 2015, after its single release.[38] It reached number 10 on October 10, 2015, and became 1989's fifth consecutive top-10 single.[39] In the Billboard issue dated November 7, 2015, the single peaked at number five on the Hot 100 and became 1989's fifth consecutive number-one hit on two Billboard's airplay charts: Pop Songs and Adult Pop Songs; 1989 became the album with the most Adult Pop Songs number ones, tying with Katy Perry's Teenage Dream (2010).[40] On Billboard's Dance/Mix Show Airplay chart, supported by the R3hab remix, "Wildest Dreams" was Swift's first number one and made her the first female artist to have five top-10 songs in a calendar year.[41] "Wildest Dreams" was certified four times platinum by the Recording Industry Association of America (RIAA) and had sold two million digital copies in the United States by November 2017.[42]

"Wildest Dreams" reached the top 10 on the singles charts of Canada (4),[43] South Africa (5),[44] Venezuela (6),[45] Iceland (8),[46] New Zealand (8),[47] Slovakia (8),[48] and Scotland (9).[49] It received platinum certifications in Canada,[50] Portugal,[51] and the United Kingdom.[52] The track also received gold certifications in New Zealand[53] and the European countries Denmark,[54] Germany,[55] Italy,[56] and Norway.[57] In Australia, the single peaked at number three on the singles chart[58] and was certified eight-times platinum by the Australian Recording Industry Association (ARIA).[59]

Critical reception

When it was first released, "Wildest Dreams" received mixed reviews from music critics. On a positive side, Petridis found it "hugely cheering" that Swift employed a new perspective in her songwriting.[20] Caramanica said that the song had the "most pronounced vocal tweak" on 1989 that demonstrated Swift's new ways of expressing in her music.[14] The Arizona Republic's Ed Masley described the track as "haunting" and Swift's vocals as "seductive".[18] Sam Lansky of Time described the production as "lush" and a "cinematic grandeur".[21] Writing for Hot Press, Paul Nolan picked it as the album's best track for its combination of chillwave and "sweeping, singalong choruses".[19] The song helped Swift win the Songwriter of the Year Award at the 2016 BMI Pop Awards[60] and was recognized at the 2017 ASCAP Awards.[61]

Less positive reviews opined that the track was influenced by Lana Del Rey to an extent that it erased Swift's authenticity.[62] Aswad said that it was "hard to tell if the song is homage or parody",[15] and Wickman and Mikael Wood of the Los Angeles Times opined that Swift's songwriting lost its distinctive quality.[10][25] Shane Kimberline from MusicOMH and Lindsay Zoladz from Vulture deemed "Wildest Dreams" one of the album's weakest tracks and took issue with the Del Rey resemblance in Swift's vocals and lyrics.[12][63] Slant Magazine's Annie Galvin said Swift's vocals complemented the narrative lyrics but described the song as a "misguided imitation" of Del Rey with a predictable storyline.[22] In The Atlantic, Kevin O'Keeffe argued that the Del Rey comparisons were "unfair", and Emma Green praised the storytelling lyrics and contended that they were "unabashed, all-consuming, earnest nostalgia, anticipating", which she deemed distinct from Del Rey's "performative, cool-girl nostalgia".[13]

Retrospectively, Rob Sheffield of Rolling Stone wrote that the song "sounds stronger and stronger over the years".[64] NME's Hannah Mylrae called it a "beauty",[16] and Nate Jones from Vulture considered it one of Swift's 10 best songs and specifically lauded the "invigorating double-time bridge".[26] The bridge was ranked 66th on Billboard's 2021 list of the 100 Greatest Song Bridges of the 21st Century.[27] Alex Hudson and Megan LaPierre of Exclaim! included "Wildest Dreams" in their list of the best 20 songs by Swift, saying that she "totally nails" the Del Rey resemblance.[65] Jane Song from Paste lauded the "dark Lana Del Rey-esque pop" production and opined that the lyrics about memory made the song have "more staying power than you'd expect".[66] Petridis ranked it 18th out of 44 singles Swift had released by April 2019, and he said that the song employed a Del Rey-inspired songwriting trope with a "smart, pleasing twist".[67]

Music video

Development and synopsis

Joseph Kahn directed the music video for "Wildest Dreams";[68] it marked the third time he directed a music video for a 1989 single after "Blank Space" and "Bad Blood".[69] Filming primarily took place in Botswana and South Africa. Inspired by The Secret Conversations (2013), a memoir of the actress Ava Gardner,[70][71] Swift's premise for the video was a love story between two actors in an isolated place within Africa and, without social media, they can talk only to each other because there is no other means of communication, resulting in an illicit love affair.[72] Kahn took inspiration from many classical Hollywood films such as The African Queen (1951), Out of Africa (1985), and The English Patient (1996).[73]

The video's narrative focuses on an illicit affair between an American actress (Swift) and her male co-star (Scott Eastwood) who shoot a film in 1950s Africa.[74][75] Kahn compared the affair to the romance between Elizabeth Taylor and Richard Burton.[73] The pair gets involved romantically off-screen, as the video features shots of wildlife such as giraffes, zebras, and lions in a broad savanna.[76] The affair turns sour after a fight on set.[75] As the romance ends, the pair is seen shooting in front of a savanna backdrop in a California studio.[74] At the film's premiere, Swift's character sees her co-star with another woman. During the screening, Swift's character flees the theater and gets into a waiting limousine, as the co-star runs into the street and watches her leave.[77]

Release and reception

The video premiered on television during the pre-show of the 2015 MTV Video Music Awards on August 31.[78] Swift donated all of the proceeds from the video to the African Parks Foundation of America for wild animal conservation causes.[72] Rolling Stone's Brittany Spanos commented that Swift and Eastwood channeled "retro Hollywood glamour",[79] and Billboard's Natalie Weiner deemed Elizabeth Taylor an influence on Swift's fashion in the video.[80] ABC News described the video as visually powerful,[81] and Wickman found the production cinematic and the narrative "a lot more engaging" than the music video for "Style".[82] Mike Wass of Idolator said that although Swift and Eastwood did not have a strong "chemistry", the African scenery and narrative "all [hang] together rather nicely".[83] The video was nominated for Best Fresh Video at the 2016 MTV Italian Music Awards.[84]

Controversy

Many online blogs and publications accused the video of glorifying "white colonialism" for featuring a white cast in Africa.[85] Critics opined that it portrayed a romanticized nostalgia for colonial Africa held by white people and neglected the struggles of the African peoples during the European colonization.[86][87][88] The African studies professor Matthew Carotenuto wrote that the storyline depicted "pith-helmet-and-khaki-clad men as civilizing heroes and the women who joined them roughing it in tents wearing lingerie".[89] The authors in the book Mistaking Africa wrote that "Wildest Dreams" reinforced the stereotypes associated with the continent and "the mistaken perception held by many Americans that large game are found everywhere in Africa and that all parts of Africa are identical".[90] Kahn defended the video and said that featuring a black cast would be historically inaccurate for the 1950s settings.[91] Lauretta Charlton of Vulture felt that the accusations were overblown: although she acknowledged that the video's depiction of Africa was problematic, she regarded it as "antiquated" and recommended the audience to focus on the "modern-day colonialism of Africa" that demanded urgent attention.[92]

Some journalists and academics analyzed the video in the context of Swift's celebrity and the historical Hollywood depictions of Africa. Carotenuto opined that Swift was part of a "Lion King generation",[89] and The Atlantic's Spencer Kornhaber wrote that her generation was when "certain symbols of white dominance [...] have been glorified".[23] Carotenuto contended that Swift's upbringing led her to think of Africa as "nothing more than a rich tapestry of flora and fauna, with actual Africans fading onto the periphery", an idea that had been propagated by Hollywood films and popular American culture.[89] For Kornhaber, "Wildest Dreams" was in line with Swift's artistic vision of "a powerful but vague nostalgia, defined less by time period than by particular strains of influence that just happen to be affiliated with a certain skin color".[23] Kornhaber and Tshepo Mokoena from The Guardian argued that the criticism was not meant to portray Swift as racist; the former contended that it was a "lesson" for Swift about "how nostalgia can be inherently political",[23] while the latter dismissed the allegations that Swift had political implications but argued that they blemished her "America's sweetheart" reputation.[88]

Live performances

Swift in a rhinestoned blue dress onstage
Swift performed "Wildest Dreams" on the Eras Tour.

On the 1989 World Tour (2015), Swift performed the song as part of a mashup with "Enchanted", a song from her 2010 studio album Speak Now.[93] Playing a sparkling grand piano, she first sang "Wildest Dreams" and, after the second chorus, proceeded with "Enchanted". The rendition built up with accompanying synths and backing vocals.[94][95] She finished the mashup by changing costumes from a sparkling tulle skirt to a bodysuit for the next number.[95] The Ringer's Nora Princiotti in March 2023 deemed it Swift's best live performance, praising it as an "epic five-and-a-half-minute medley [that] is fundamentally simple".[95]

Swift performed "Wildest Dreams" as a "surprise song" outside the regular set list twice on her Reputation Stadium Tour in 2018: at the first show in Santa Clara, California, on May 11, and at the second show in Tokyo, Japan, on November 21.[96] At the Philadelphia concert of the Reputation Stadium Tour on July 14, she sang "Wildest Dreams" a cappella after a stage device malfunctioned.[97] On the Eras Tour (2023–2024), a tour that Swift described as a tribute to all of her albums, she performed the song as part of the 1989 act as the screen projected scenes of a couple in bed.[98]

Swift performed "Wildest Dreams" as part of other concerts. On September 30, 2015, she performed a stripped-down rendition on an electric guitar as part of the "Taylor Swift Experience" exhibition at the Grammy Museum at L.A. Live.[99] She held a private concert for 100 fans in Hamilton Island, Australia, as part of Nova's "Red Room" series; she sang "Wildest Dreams" on an acoustic guitar.[100] Swift included the "Wildest Dreams"/"Enchanted" mashup in the set lists of two concerts: at the Formula One United States Grand Prix in Austin on October 22, 2016,[101] and at the Super Saturday Night, a pre-Super Bowl event, on February 4, 2017.[102]

Ryan Adams cover

The singer-songwriter Ryan Adams released his track-by-track cover album of 1989 on September 21, 2015.[103] Adams said that Swift's 1989 helped him cope with emotional hardships and he wanted to sing the songs from his perspective "like it was Bruce Springsteen's Nebraska".[104] Prior to the album's release, Adams previewed his cover of "Wildest Dreams" online in August.[105] He switches and adjusts pronouns in some places; for example, "Standing in a nice dress" becomes "Standing in your nice dress".[106] His version combines country rock, alternative country, and jangle pop.[107][108][109] It uses acoustic instruments of live drums and guitar strums.[110][111][112]

Adams's "Wildest Dreams" peaked at number 40 on Billboard's Hot Rock & Alternative Songs chart.[113] Kornharber found the cover "undeniably lovely",[114] Jeremy Winograd of Slant Magazine deemed it a tasteful incorporation of 1980s rock,[108] and Marc Burrows of Drowned in Sound preferred Adams's cover to Swift's version.[107] Sarah Murphy in Exclaim! labeled the cover "an equally impressive feat" that could resonate with Swift's fans who lamented her departure from country music.[109] In The Guardian, Michael Cragg said that there were no substantial additions on Adams's cover,[112] and Rachel Aroesti found it "comical" that failed to match the original.[115] Caramanica said that the lyrical alterations brought "no real effect".[116]

Credits and personnel

Credits are adapted from liner notes of 1989.[8]

Charts

Certifications

Certifications for "Wildest Dreams"
Region CertificationCertified units/sales
Australia (ARIA)[59] 8× Platinum 560,000‡
Canada (Music Canada)[50] Platinum 80,000*
Denmark (IFPI Danmark)[54] Gold 45,000‡
Germany (BVMI)[55] Gold 200,000‡
Italy (FIMI)[56] Gold 50,000‡
New Zealand (RMNZ)[53] Gold 7,500*
Norway (IFPI Norway)[57] Gold 30,000‡
Portugal (AFP)[51] Platinum 20,000‡
United Kingdom (BPI)[52] Platinum 600,000‡
United States (RIAA)[159] 4× Platinum 4,000,000‡

* Sales figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

Release dates and formats for "Wildest Dreams"
Region Date Format(s) Label(s) Ref.
United States August 31, 2015 Adult contemporary radio [34]
September 1, 2015 Contemporary hit radio [35]
Various October 15, 2015
(R3hab remix)		 Big Machine [36]
Italy October 30, 2015 Radio airplay Universal [37]

"Wildest Dreams (Taylor's Version)"

"Wildest Dreams (Taylor's Version)"
Taylor Swift standing under the sunlight, looking to her left, wearing sunglasses and a horizontally stripped T-shirt.
Promotional single by Taylor Swift
from the album 1989 (Taylor's Version)
ReleasedSeptember 17, 2021 (2021-09-17)
StudioKitty Committee (London)
GenreSynth-pop
Length3:40
LabelRepublic
Songwriter(s)
Producer(s)
Audio video
"Wildest Dreams (Taylor's Version)" on YouTube

Swift departed from Big Machine and signed a new contract with Republic Records in 2018. She began re-recording her first six studio albums in November 2020.[160] The decision followed a public 2019 dispute between Swift and the talent manager Scooter Braun, who acquired Big Machine Records, including the masters of Swift's albums that the label had released.[161][162] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine–owned masters.[163] She denoted the re-recordings with an additional "Taylor's Version" subtitle.[164]

The re-recording of "Wildest Dreams" is "Wildest Dreams (Taylor's Version)". Its snippets were featured in the trailers for the 2021 animated film Spirit Untamed by DreamWorks Animation during March–May.[165][166][167] On September 17, 2021, Swift released "Wildest Dreams (Taylor's Version)" onto digital and streaming platforms. The release preceded a viral success of the original song on the video-sharing platform TikTok, which made it resurge in streams and popularity.[168][169] "Wildest Dreams (Taylor's Version)" is included as part of 1989 (Taylor's Version), the re-recorded version of 1989, which was released on October 27, 2023.[170]

Production and reception

"Wildest Dreams (Taylor's Version)" is a synth-pop song that remains faithful to the original production.[17][169][171] Swift produced the song with Shellback and Christopher Rowe, a Nashville-based vocal engineer who had produced her re-recorded album Fearless (Taylor's Version).[172] Although Martin did not return as producer, the musicians were those from Swift's backing band during the 1989 sessions.[17] In The Guardian, Rachel Aroesti remarked that the re-recorded version was almost identical to the original but was "sometimes bassier".[173] Robin Murray of Clash said that it contained "subtle stylist shifts"[174] and Stereogum's Tom Breihan found it more "muted".[17] Mary Siroky from Consequence appreciated that the production took "great care to capture the sound of the original, right down to a riff in the second chorus".[171] Murray and Siroky praised Swift's vocals as improved.[171][174]

Within less than four hours, "Wildest Dreams (Taylor's Version)" amassed over two million streams on Spotify, surpassing the original version's biggest single-day streaming tally on the platform.[175] In the United States, it debuted at number 37 on the Billboard Hot 100 for the week ending September 23, 2021.[176] In both Ireland and the United Kingdom, "Wildest Dreams (Taylor's Version)" surpassed the peak positions of the original version (15–39 and 25–40).[177][178] After 1989 (Taylor's Version) was released, "Wildest Dreams (Taylor's Version)" peaked at number 19 on the Billboard Global 200[144] and re-entered and peaked at number 19 on the Hot 100 chart dated November 11, 2023.[136][179] The song reached the top 10 in Malaysia (10) and Singapore (5).[180][181] It peaked in the top 40 in Australia (14),[182] the Philippines (15),[183] Canada (18),[43] Hungary (29),[184] and New Zealand (30).[185] It was certified platinum in Australia,[59] gold in New Zealand and Greece,[186][187] and silver in the United Kingdom.[188]

Credits and personnel

Credits are adapted from Tidal.[189]

Charts

Weekly chart performance for "Wildest Dreams (Taylor's Version)"
Chart (2021–2023) Peak

position

Australia (ARIA)[182] 14
Canada (Canadian Hot 100)[43] 18
Canada AC (Billboard)[120] 33
Euro Digital Song Sales (Billboard)[190] 10
France (SNEP)[191] 182
Global 200 (Billboard)[144] 19
Greece International (IFPI)[187] 39
Hungary (Single Top 40)[184] 29
Ireland (IRMA)[192] 15
Lithuania (AGATA)[193] 88
Malaysia (RIM)[180] 10
Netherlands (Single Top 100)[194] 69
New Zealand (Recorded Music NZ)[185] 30
Philippines (Billboard)[183] 15
Singapore (RIAS)[181] 5
South Africa (RISA)[195] 63
Sweden (Sverigetopplistan)[196] 95
UK Singles (OCC)[197] 25
US Billboard Hot 100[136] 19
US Adult Contemporary[137] 23
Vietnam (Vietnam Hot 100)[198] 80

Certifications

Certifications for "Wildest Dreams (Taylor's Version)"
Region CertificationCertified units/sales
Australia (ARIA)[59] Platinum 70,000‡
New Zealand (RMNZ)[186] Gold 15,000‡
United Kingdom (BPI)[188] Gold 400,000‡
Streaming
Greece (IFPI Greece)[187] Gold 1,000,000†

‡ Sales+streaming figures based on certification alone.
† Streaming-only figures based on certification alone.

See also

References

  1. ↑ Caulfield, Keith (October 30, 2012). "Taylor Swift's Red Sells 1.21 Million; Biggest Sales Week for an Album Since 2002". Billboard. Archived from the original on February 1, 2013. Retrieved February 4, 2019.
  2. ↑ McNutt 2020, p. 77.
  3. ↑ Light, Alan (December 5, 2014). "Billboard Woman of the Year Taylor Swift on Writing Her Own Rules, Not Becoming a Cliche and the Hurdle of Going Pop". Billboard. Archived from the original on December 26, 2014. Retrieved February 27, 2019.
  4. ↑ Talbott, Chris (October 13, 2013). "Taylor Swift Talks Next Album, CMAs and Ed Sheeran". Associated Press. Archived from the original on October 26, 2013. Retrieved October 26, 2013.
  5. ↑ Eells, Josh (September 16, 2014). "Taylor Swift Reveals Five Things to Expect on 1989". Rolling Stone. Archived from the original on November 16, 2018. Retrieved November 16, 2018.
  6. ↑ Sisario, Ben (November 5, 2014). "Sales of Taylor Swift's 1989 Intensify Streaming Debate". The New York Times. Archived from the original on November 11, 2014. Retrieved February 27, 2019.
  7. 1 2 3 4 Zollo, Paul (February 13, 2016). "The Oral History of Taylor Swift's 1989". The Recording Academy. Archived from the original on April 4, 2016. Retrieved March 23, 2016 – via Cuepoint.
  8. 1 2 3 4 5 6 1989 (Compact disc liner notes). Taylor Swift. Big Machine Records. 2014. BMRBD0500A.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  9. 1 2 "Taylor Swift – 'Wildest Dreams' (video) (Singles Going Steady)". PopMatters. September 1, 2015. Archived from the original on December 28, 2017. Retrieved December 27, 2017.
  10. 1 2 3 Wood, Mikael (October 27, 2014). "Taylor Swift Smooths Out the Wrinkles on Sleek 1989". Los Angeles Times. Archived from the original on November 15, 2014. Retrieved November 15, 2020.
  11. 1 2 Perone 2017, p. 62.
  12. 1 2 3 Kimberlin, Shane (November 3, 2014). "Taylor Swift – 1989 | Album Review". MusicOMH. Archived from the original on November 5, 2014. Retrieved February 5, 2019.
  13. 1 2 3 Cruz, Lenika; Beck, Julie; Green, Emma; O'Keeffe, Kevin (October 25, 2014). "Taylor Swift's 1989: First Impressions". The Atlantic. Archived from the original on June 24, 2023. Retrieved December 28, 2023.
  14. 1 2 Caramanica, Jon (October 23, 2014). "A Farewell to Twang". The New York Times. Archived from the original on November 11, 2014. Retrieved August 30, 2015.
  15. 1 2 Aswad, Jem (October 24, 2014). "Album Review: Taylor Swift's Pop Curveball Pays Off With 1989". Billboard. Archived from the original on February 8, 2017. Retrieved August 30, 2015.
  16. 1 2 Mylrea, Hannah (September 8, 2020). "Every Taylor Swift Song Ranked In Order of Greatness". NME. Archived from the original on September 8, 2020. Retrieved September 8, 2020.
  17. 1 2 3 4 Breihan, Tom (September 17, 2021). "Taylor Swift Shares Her Re-Recorded Version of 'Wildest Dreams': Listen". Stereogum. Archived from the original on May 6, 2022. Retrieved May 6, 2022.
  18. 1 2 Masley, Ed (August 12, 2015). "30 Best Taylor Swift Singles Ever (So Far)". The Arizona Republic. Retrieved July 30, 2020.
  19. 1 2 Nolan, Paul (November 13, 2014). "Taylor Swift 1989 – Album Review". Hot Press. Retrieved December 29, 2023.
  20. 1 2 3 Petridis, Alexis (October 24, 2014). "Taylor Swift: 1989 Review – Leagues Ahead of the Teen-Pop Competition". The Guardian. Archived from the original on November 1, 2014. Retrieved February 4, 2019.
  21. 1 2 Lansky, Sam (October 23, 2014). "Review: 1989 Marks a Paradigm Swift". Time. Archived from the original on November 1, 2014. Retrieved December 28, 2023.
  22. 1 2 Galvin, Annie (October 27, 2014). "Review: Taylor Swift, 1989". Slant Magazine. Archived from the original on March 5, 2019. Retrieved October 28, 2014.
  23. 1 2 3 4 Kornhaber, Spencer (September 2, 2015). "The Backlash to Taylor Swift's 'Wildest Dreams' Shows the Danger of Nostalgia". The Atlantic. Archived from the original on December 28, 2023. Retrieved December 28, 2023.
  24. 1 2 Cliff, Aimee (October 30, 2014). "1989". Fact. Archived from the original on June 18, 2020. Retrieved December 28, 2023.
  25. 1 2 3 Wickman, Forrest (October 24, 2014). "Taylor Swift's 1989: A Track-by-Track Breakdown". Slate. Archived from the original on February 14, 2019. Retrieved November 20, 2020.
  26. 1 2 Jones, Nate (August 13, 2020). "Taylor Swift Songs, Ranked from Worst to Best". Vulture. Archived from the original on December 7, 2023. Retrieved November 20, 2020.
  27. 1 2 "The 100 Greatest Song Bridges of the 21st Century: Staff Picks". Billboard. May 13, 2021. Archived from the original on February 28, 2023. Retrieved December 28, 2023.
  28. ↑ Eakin, Marah (October 28, 2014). "With 1989, Taylor Swift Finally Grows Up". The A.V. Club. Archived from the original on May 20, 2017. Retrieved August 30, 2015.
  29. ↑ Zoladz, Lindsay (October 24, 2014). "Did Taylor Swift Rip Off Lorde and Lana Del Rey?". Vulture. Archived from the original on December 28, 2023. Retrieved December 28, 2023.
  30. 1 2 Leedham, Robert (October 27, 2014). "Album Review: Taylor Swift - 1989". Drowned in Sound. Archived from the original on February 14, 2019. Retrieved December 28, 2023.
  31. ↑ Graff, Gary (October 24, 2014). "Taylor Swift to the Haters: 'If You're Upset That I'm Just Being Myself, I'm Going to Be Myself More'". Billboard. Archived from the original on November 2, 2023. Retrieved December 28, 2023.
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