Out of Africa
Theatrical release poster
Directed by	Sydney Pollack
Screenplay by	Kurt Luedtke
Based on	Out of Africa by Isak Dinesen Isak Dinesen: The Life of a Story Teller by Judith Thurman Silence Will Speak by Errol Trzebinski
Produced by	Sydney Pollack Kim Jorgensen
Starring	Robert Redford Meryl Streep Klaus Maria Brandauer
Cinematography	David Watkin
Edited by	Fredric Steinkamp William Steinkamp Pembroke Herring Sheldon Kahn
Music by	John Barry
Production company	Mirage Enterprises
Distributed by	Universal Pictures
Release date	December 18, 1985 (1985-12-18)
Running time	161 minutes
Country	United States
Languages	English Swahili
Budget	$31 million[1]
Box office	$227.5 million[2]

Out of Africa is a 1985 American epic romantic drama film directed and produced by Sydney Pollack, and starring Meryl Streep and Robert Redford. The film is based loosely on the 1937 autobiographical book Out of Africa written by Isak Dinesen (the pseudonym of Danish author Karen Blixen), with additional material from Dinesen's 1960 book Shadows on the Grass and other sources.

The book was adapted into a screenplay by the writer Kurt Luedtke, and filmed in 1984. Streep played Karen Blixen, Redford played Denys Finch Hatton, and Klaus Maria Brandauer played Baron Bror Blixen. Others in the film include Michael Kitchen as Berkeley Cole, Malick Bowens as Farah, Stephen Kinyanjui as the Chief, Michael Gough as Lord Delamere, Suzanna Hamilton as Felicity, and the model and actress Iman as Mariammo. The film received generally positive reviews from critics. It was also a commercial success and won seven Academy Awards including Best Picture and Best Director for Pollack.

Plot

Karen Blixen recalls her life in Africa, where she moved in 1913 as an unmarried, wealthy Dane.

After having been spurned by her Swedish nobleman lover, she asks his brother whom she is good friends with, Baron Bror Blixen, to marry out of mutual convenience, and they move to the vicinity of Nairobi, British East Africa. Using her funds, he is to set up a dairy ranch, with her joining him a few months later, at which time they will marry. En route to Nairobi, her train is hailed by a big-game hunter named Denys Finch Hatton, who knows her fiancé and entrusts his haul of ivory to her.

She is greeted at the railway station by Farah, the Somali headman hired by Bror, who is nowhere to be found. She is taken to the recently founded Muthaiga Club. She enters the men-only salon to ask for her husband and, because of her gender, is asked to leave. Karen and Bror marry before the day is out, and she becomes Baroness Blixen.

She then learns that Bror has changed their agreed-upon plan and has spent her money to establish a coffee farm. She quickly learns that the farm is at too high an elevation to offer much of a chance of success. She needs Bror's help in building and managing this farm, but his interest is more in guiding game hunting safaris than in farming.

Karen comes to love Africa and the African people, and is taken in by the breathtaking view of the nearby Ngong Hills and the Great Rift Valley beyond. She looks after the Kikuyu people who are squatting on her land, establishes a school for them, helps with their medical needs, and arbitrates their disputes. Meanwhile, she also attempts to establish a formal European homelife on par with the other upper class colonists in the area. She becomes friends with a young woman, Felicity (whose character is based on a young Beryl Markham). Eventually, Karen and Bror's feelings for one another deepen and they consummate their marriage. However, despite his genuine feelings for Karen, Bror continues to pursue other sexual relationships. To fill her evenings, Karen makes up imaginative stories to entertain her visitors.

As the First World War reaches East Africa, the colonists form a militia led by the colonial patriarch Lord Delamere, which includes Denys and Bror among their number. A military expedition sets out in search of the forces from the neighboring German colony of German East Africa. Responding to the militia's need for supplies, Karen leads a difficult expedition to find them and returns safely.

Karen discovers that Bror has given her syphilis. As she is unable to receive proper treatment in Nairobi, she returns to Denmark for treatment and recuperation. Bror agrees to manage the farm while she is away. When she returns, now unable to bear children, Bror resumes his safari work, and they begin to live separately.

The relationship between Karen and Denys develops, and he comes to live with her. Denys acquires a Gipsy Moth biplane and often takes Karen flying. Karen and Bror divorce when Bror finds another woman he wants to marry. This causes Karen to confront Denys regarding the status of their relationship which she would like to solidify, whereas he would rather maintain his autonomy. When Karen learns that Denys plans to take Felicity on a private safari, she confronts Denys for not sharing her desire for a monogamous, domestic relationship. He assures her he wants to be with only her and states that a marriage is immaterial to how he feels about her. Eventually, this drives them apart and, refusing to meet Karen's ultimatum not to take Felicity flying, he moves out.

The farm eventually yields a good harvest, but a fire destroys much of the farm and factory, forcing her to sell out. She prepares for her departure from Kenya to Denmark by appealing to the incoming governor to provide land for her Kikuyu workers to allow them to stay together, and by selling most of her remaining possessions at a rummage sale. Denys visits the now-empty house and Karen comments that the house should have been (empty) all-along and, as with her other efforts, the returning of things to their natural state is as it should be. Denys says that he was just getting used to her things and that he no longer feels comfortable alone now that he has realized his feelings for her have changed him. He asks to join her on her journey back to Mombasa.

As he is about to depart for a safari scouting trip in his airplane, they agree that the following Friday he will return and fly her to Mombasa; with Karen then continuing on to Denmark. Friday comes and Denys does not appear. Bror then arrives to tell her that Denys' biplane has crashed and burned in Tsavo. During Denys' funeral, Karen recites an excerpt of a poem by A. E. Housman about a lauded athlete dying young who, as with Denys, is not fated to decline into old age. Later, as she is about to depart for good, she goes to the Muthaiga Club to complete arrangements for forwarding any mail. The members, having come to admire her, invite her into the men-only salon for a toast. At the railway station, she gives Farah the compass that Denys had given to her and asks him to say her name, so she can hear his voice one last time. Sometime later, Farah writes to Karen in Denmark, telling her of a pair of lions that often visit Denys' grave.

As the movie ends, the on-screen narrative notes that Karen later became a published author under the pen name Isak Dinesen. Among her work is the memoir about her experiences in Africa, Out of Africa, the first line from which is used to introduce this film. She never returned to Africa.

Cast

Production

The film tells the story as a series of six loosely coupled episodes from Karen's life, intercut with her narration. The final two narrations, the first a reflection on Karen's experiences in Kenya and the second a description of Finch Hatton's grave, were taken from her book Out of Africa, while the others were written for the film in imitation of her very lyrical writing style. The pace of this film is often rather slow, reflecting Blixen's book, "Natives dislike speed, as we dislike noise..."^[3]

Klaus Maria Brandauer was director Sydney Pollack's only choice for Bror Blixen, even having trouble to pick a replacement when it appeared that Brandauer's schedule would prevent him from participating. Robert Redford became Finch Hatton, with Pollack thinking Redford had a charm no British actor could convey. Meryl Streep landed the part by showing up for her meeting with the director wearing a low-cut blouse and a push-up bra, as Pollack had originally thought the actress did not have enough sex appeal for the role.^[4]Before it went to Meryl Streep, the role of Karen Blixen was offered to Audrey Hepburn.^[5]

Out of Africa was filmed using descendants of several people of the Kikuyu tribe who are named in the book, including the grandson of chief Kinyanjui who played his grandfather. Much of it was filmed in the Karen / Lang'ata area near the actual Ngong Hills outside Nairobi. The Chyulu Hills stood in for the less picturesque Ngong Hills. As Karen's farmhouse was at the time of filming a part of a local nursing school, the filming took place in her nearby first house "Mbogani", which is a dairy today. Her actual house, known as "Mbagathi" is now the Karen Blixen Museum. A substantial part of the filming took place in the Scott house and in a recreation of 1910s Nairobi built in an area of unoccupied land in Langata.

The scenes depicting the Government House were shot at Nairobi School with the administration block providing a close replica of British colonial governors' residences.^[6] The train sequences were filmed along a section of abandoned track some 97 km (60 mi) from Nairobi. The scenes set in Denmark were actually filmed in Surrey, England.

Historical differences

Although bearing the name of Dinesen's book, the picture was actually taken from two other books (not written by her) as well. It quotes the start of the Dinesen's book, "I had a farm in Africa, at the foot of the Ngong Hills" [p. 3], and Karen recites, "He prayeth well that loveth well both man and bird and beast" from The Rime of the Ancient Mariner, which becomes the epitaph inscribed on Finch Hatton's grave marker [p. 370].

The film omits much of Dinesen's book, such as a devastating locust swarm, some local shootings, and her writings about the German army. The production also plays down the size of her 4,000 acres (16 km²) farm, which had 800 Kikuyu workers and an 18-oxen wagon. Scenes show Karen as owning only one dog, but actually, she had two similar dogs named Dawn and Dusk.

The movie also takes liberties with Denys and Karen's romance. They met at a hunting club, not in the plains. Denys was away from Kenya for two years on military assignment in Egypt, which is not mentioned. Denys took up flying and began to lead safaris after he moved in with Karen. The film also ignores that Karen was pregnant at least once with Finch Hatton's child but suffered from miscarriages. Furthermore, Denys was an English aristocrat and son of 13th Earl of Winchilsea, but this fact was minimized by the hiring of the actor Robert Redford, an inarguably all-American actor who had previously worked with Pollack. When Redford accepted the contract to play, he did so fully intending to play him as an Englishman. Pollack, however, felt an English accent would be distracting for the audience, and told Redford to use his real accent. In fact, Redford reportedly had to re-record some of his lines from early takes in the filming, in which he still spoke with a trace of English accent.

The title scenes of the film show the main railway, from Mombasa to Nairobi, as traveling through the Kenyan Rift Valley, on the steep back side of the actual Ngong Hills. However, the real railway track is located on the higher, opposite side of the Ngong Hills. The passenger car was actually a small combination office/sleeper that was originally used by supervisors during the building of the Uganda Railway and was the actual car from which a man was taken and killed by a marauding lioness.

Soundtrack

The music for Out of Africa was composed and conducted by veteran English composer John Barry. The score included a number of outside pieces such as Mozart's Clarinet Concerto and African traditional songs. The soundtrack garnered Barry an Oscar for Best Original Score and sits in fifteenth place in the American Film Institute's list of top 25 American film scores.^[7] The soundtrack was first released through MCA Records in 1985 and features 12 tracks of score at a running time of just over thirty-three minutes. In 1987 a Special Edition was issued that included the song "The Music of Goodbye (Love Theme)" by Melissa Manchester & Al Jarreau. A rerecording conducted by Joel McNeely and performed by the Royal Scottish National Orchestra was released in 1997 through Varèse Sarabande and features eighteen tracks of score at a running time just under thirty-nine minutes.^[8]

Technical notes

In the Director's Notes on the DVD of Pollack's 2005 film The Interpreter,^[15] Pollack himself stated that he filmed Out of Africa and his later films of that decade in 1.85:1 widescreen; and that it "...probably was one I should have had in widescreen" (i.e. anamorphic 2.39:1 widescreen). In his director's notes, Pollack stated that prior to the filming of Out of Africa, he made motion pictures exclusively in the anamorphic 2.39:1 widescreen format and style, and that he did not resume the anamorphic 2.39:1 widescreen format, due to the rise of pan and scan which had affected the compositions of many anamorphic movies, until his last movie, The Interpreter, in 2005.

Release

References

External links

• Out of Africa at IMDb
• Out of Africa at the TCM Movie Database
• Out of Africa at AllMovie
• Out of Africa at Box Office Mojo
• Out of Africa at Rotten Tomatoes