Torrick Ablack (born January 16, 1965), also known as Toxic, is an American artist who was part of the graffiti movement of the early 1980s in New York City. He transitioned from street art to exhibiting his paintings in galleries and museums internationally.

Life and career

Ablack was born in Bronx, New York on January 16, 1965.[1] His mother was Puerto Rican and his father's family came from Trinidad.[2] In his youth he was given the nickname Toxic Battery, which became his graffiti tag.[1] He began painting graffiti at the age of 13 with A-One and Kool Koor. They joined Rammellzee's graffiti crew Tag Master Killers, which also consisted of Delta2.[3] Each member designed their own style for arming letters based on Rammellzee's theory of Gothic Futurism, which describes graffiti as the weaponization of letters in a battle to reclaim language from a "diseased culture" of social control.[4] In the early 1980s, they were among the graffiti artists bringing original art and music from the Bronx and Queens to the downtown art scene.[5] In 1982, Toxic, A-One, and Kool Koor participated in the group show Camouflaged Panzerism at Fashion Moda in South Bronx.[1]

Toxic met artist Jean-Michel Basquiat soon after Basquiat's exhibition at Annina Nosei Gallery in 1982.[2] Basquiat became his mentor and hired him as an occasional studio assistant.[4] Toxic and Rammellzee accompanied Basquiat to Los Angeles while he prepared for his 1983 show at the Gagosian Gallery.[6][7] While in Los Angeles, where they were struck by how the film industry portrayed African Americans, especially during the Golden Age of Hollywood.[5] In response, they dubbed themselves the Hollywood Africans as a social and political statement to counter the stereotypical portrayals of African Americans in Hollywood. The trio are depicted in Basquiat's paintings Hollywood Africans in front of the Chinese Theater with Footprints of Movie Stars (1983) and Hollywood Africans (1983).[8]

Toxic stayed true to the graffiti spraying technique and worked on canvases pinned to the wall. His work became more abstract than the tags he wrote on subway cars. In 1984, Toxic participated in the group show Arte di Frontiera: New York Graffiti in Italy.[9] He was part of the exhibit Rapid Enamel at the University of Chicago in 2014, which was the first showcasing of graffiti in an American institution.[10] His artwork has since appeared in the collections of major museums, including the Brooklyn Museum, the Groninger Museum and the Museum of the City of New York.[11] In 2013, he was featured in the exhibit Last of the Hollywood Africans: Toxic, Rammellzee and Jean-Michel Basquiat at Londonewcastle Project Space in London.[5] In 2015, he was featured in the group exhibit Le Pressionnisme at Pinacothèque de Paris. That year, he participated in the exhibit Graffiti, New York meets the Dam at the Amsterdam Museum.[1] In 2020, his painting, Ransom Note: CEE (1984), was included in the exhibit Writing the Future: Basquiat and the Hip-Hop Generation at the Museum of Fine Arts, Boston.[12]

Toxic designed a wallpaper, a printed linen, and a wall panel in collaboration with French textile house Pierre Frey.[13][14]

Toxic is based in France but spends his time between Paris, Florence, and New York.[1]

References

  1. 1 2 3 4 5 Niso, Carolina (January 30, 2016). "Asi llego Toxic a galerias de arte y museos". El Tiempo. p. 21.
  2. 1 2 Lark, Jasmine (September 11, 2013). "Toxic / Torrick Ablack". Widewalls. Retrieved January 3, 2021.
  3. ↑ "Rammellzee: Graffiti Writer, Artist and Deity "Racing For Thunder"". Brooklyn Street Art. July 25, 2018. Retrieved January 4, 2021.
  4. 1 2 "Dive into "Writing the Future"". Museum of Fine Arts, Boston. Retrieved January 5, 2021.
  5. 1 2 3 "Last of the Hollywood Africans: Toxic, Rammellzee and Jean-Michel Basquiat". Very Nearly Almost. February 8, 2013. Retrieved January 3, 2021.
  6. ↑ Desmarais, Mary-Dailey; Buchhart, Dieter; Bessieres, Vincent, eds. (2022). Seeing Loud: Basquiat and Music. Paris. p. 92. ISBN 978-2-89192-440-5. OCLC 1338671277.{{cite book}}: CS1 maint: location missing publisher (link)
  7. ↑ Hoffman, Fred (March 13, 2005). "Basquiat's L.A." Los Angeles Times.
  8. ↑ Saggese, Jordana Moore (2014). Reading Basquiat: Exploring Ambivalence in American Art. Univ of California Press. pp. 23–24. ISBN 978-0-520-27624-6.
  9. ↑ "Archivio Ferrari > Ricerca: arte di frontiera". www.genusbononiaearchiviofotografico.it. Retrieved August 18, 2021.
  10. ↑ "Rapid Enamel: The Art of Graffiti | Exhibitions". The Renaissance Society. Retrieved January 3, 2021.
  11. ↑ "Ransom Note: CEE". Brooklyn Museum. Retrieved January 3, 2021.
  12. ↑ Saenger, Peter (October 19, 2020). "Art From the Streets of New York". Wall Street Journal. ISSN 0099-9660. Retrieved January 3, 2021.
  13. ↑ Sherman, Rebecca (December 10, 2015). "A Toxic Win: Graffiti Artist and a Storied French House Unexpectedly Team Up". PaperCity Magazine. Retrieved January 4, 2021.
  14. ↑ Martin, Hannah (December 31, 2014). "Pierre Frey's Favorite Street Artists". Architectural Digest. Retrieved January 4, 2021.
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