Tom Graves
BornThomas Alan Graves
(1954-07-07) July 7, 1954
Memphis, Tennessee, U.S.
OccupationAuthor, Educator
CitizenshipUnited States
EducationJournalism (B.A. 1976), Creative Nonfiction (M.F.A. 1998)
Alma materUniversity of Memphis
GenreFiction, Non-fiction
Notable awardsKeeping the Blues Alive Award in Literature, Emmy Award
Children1
Website
authortomgraves.com

Thomas Alan Graves (born July 7, 1954) is an American journalist, nonfiction writer, and novelist. He is best known as the author of Crossroads, a biography of blues musician Robert Johnson.[1] He is also known for his work as a producer and writer for the film Best of Enemies.[2] He is co-owner of the independent publishing company The Devault-Graves Agency and is a tenured Assistant Professor of English at LeMoyne–Owen College in Memphis.[3]

Education and early career

In 1976, Graves graduated with a B.A. degree in Journalism from the University of Memphis.[4] [5] After graduation, he worked as an advertising and public relations writer while also writing as a freelancer for small literary magazines such as Fiction Texas,[6] The Chouteau Review,[7] Southern Exposure,[8] and The New Leader.[9][10][11][12]

In 1979, Graves interviewed novelist Harry Crews for The Paris Review. The Paris Review did not publish the interview, and instead, it became the book Getting Naked With Harry Crews (1999).[13] Graves interviewed several other notable figures during his career, including Louise Brooks and Frank Zappa.

He has published articles in several publications, including Rolling Stone,[14] Goldmine (magazine), The New York Times,[15] and The Washington Post,[16][17] among others.

In 1987, he founded and published Rock & Roll Disc magazine, a small-circulation publication that reviewed and rated newly released compact discs.[3] Among many veteran music writers for the magazine were Dave Marsh, Ed Ward, Rich Kienzle, and Stanley Booth. Rock & Roll Disc magazine ceased publication in 1992.

Graduate degree and further career

Graves started out working as a part of several public relations and communications firms. He decided to return to the University of Memphis to earn an M.F.A. in Creative Writing, which would allow him to teach at the college level. He entered the M.F.A. program in 1995 as the first student to specialize in Creative Nonfiction. In 1998 he published his first book, the novel Pullers.[18] The novel was published by Hastings House of Connecticut, although the book was originally signed by a subsidiary of Hastings House, Rosset-Morgan Books, one of whose owners was the publisher Barney Rosset of Grove Press fame. Although sales were relatively modest, Pullers received good reviews and blurbs from the likes of Harry Crews, Charles Gaines, and Dave Marsh. It remains a cult favorite for fans of tough Southern grit-lit.[19]

Following his graduation in 1998 from the University of Memphis with the first M.F.A. degree in Creative Nonfiction in the Creative Writing program, Graves began to teach as an adjunct professor at the University of Memphis and at Mid-South Community College in West Memphis, Arkansas. He accepted an instructorship at a historically black college in Memphis, LeMoyne-Owen College, in 2007, where he teaches English, Humanities, and Journalism. He received tenure at the college in 2016 and retired from teaching in 2020.[20]

In 2007 Graves published a biography of bluesman Robert Johnson, Crossroads: The Life and Afterlife of Blues Legend Robert Johnson with DeMers Books of Spokane, Washington. Now considered by many blues scholars the definitive book on the subject, Graves debunked many of the myths surrounding Johnson including the taken-as-gospel tale that Johnson was poisoned with strychnine by a jealous husband. He also corrected the legend of the crossroads and reiterated that the crossroads myth was intended for bluesman Tommy Johnson and not Robert Johnson. The book was hailed by numerous blues and music magazines, blues societies, and blues fans including a ringing endorsement from the notoriously negative Steve LaVere, who controlled the Robert Johnson estate. The book won the Blues Foundation's prestigious Keeping the Blues Alive Award (formerly known as the Handy Awards) in Literature for 2010.[21]

Best of Enemies film and Emmy award

In 2010 Graves acquired a video set of the 12 acrimonious debates between Gore Vidal and William F. Buckley Jr. that aired on television in 1968 as a part of the ABC network's Presidential convention coverage. Graves had over several decades attempted to acquire the videos from ABC which consistently turned him down. Graves had wanted to write about the debates ever since he was a freshman in college and had never let the idea slip away. He learned that an associate of Vidal's had wangled a set of the tapes from ABC, but they were to be exclusively for Vidal's usage. Graves convinced Vidal's associate of his good intentions and was allowed to duplicate the tapes. Once received, Graves was even more sure of the value of these now-forgotten debates.[2] He approached the Memphis Brooks Museum of Art about a special screening of the videos, and was accepted. Hoping for at least 100 interested attendees, the show sold out and there was standing room only. Bloggers quickly reported the news that the debates still existed and that the screening had received an eager audience.[22][23]

Graves' long-time friend, fellow Memphian and writer/filmmaker Robert Gordon, contacted him about viewing the Buckley-Vidal videos. Gordon asked Graves if the debates might make a good documentary, Graves responded enthusiastically and teamed with Gordon to make the film. Gordon also enlisted his frequent filmmaking partner, Morgan Neville, and the three began interviewing subjects for the project. The film, which later was titled Best of Enemies,[24] took five years to complete and premiered at The Sundance Film Festival in 2015 to laudatory reviews. It was purchased by Magnolia Films and had a successful theatrical run. The film was shown on the PBS show Independent Lens in 2016 and won a News and Documentary Emmy Award in the category Outstanding Historical Documentary in 2017.[25] Graves was credited as Consulting Producer for the film, but, along with Robert Gordon and Morgan Neville, was a writer for the film, but uncredited as a writer.

The Devault-Graves Agency and J.D. Salinger book of short stories

In 2012 Graves and his friend Darrin Devault, at the time a professor of Journalism at the University of Memphis, formed a partnership as an independent publishing company, The Devault-Graves Agency.[26] They wanted to explore the emerging market for ebooks but soon became equally interested in publishing print books and audiobooks. In 2013 they debuted an annotated edition of one of Jack Kerouac's most prominent novels, Big Sur, and followed with two more Kerouac novels Maggie Cassidy and Tristessa. A year later The Devault-Graves Agency made world literary news by publishing the first legitimate J.D. Salinger book in over 50 years, Three Early Stories.[27][28] The book collected the first two short stories ever published by Salinger and a later one published during his World War II period. The agency discovered through research that those three Salinger stories, unbeknownst to the Salinger estate according to some reports, had fallen into the public domain. However, The Devault-Graves Agency applied for and received a copyright for the book as a unique anthology, thus protecting its Three Early Stories book from others publishing the three stories collectively.[29]

Three Early Stories was also published in six foreign-language editions. The Devault-Graves Agency brought suit against the Salinger Trust for what they termed as interference with their foreign marketing of the book.[30][31][32][33][34] The agency dropped the lawsuit when they felt that the Salinger Trust would no longer interfere with the book's marketing in those countries where the copyright of Three Early Stories was upheld.[35][36] The agency also claimed they would not try to market the book in countries where the Salinger Trust still held copyright to the three stories in question. The copyright issues involved in the case have caused it to become an important case in the area of international copyright law.[37]

Bibliography

The Devault-Graves Agency continues to publish a wide variety of books. In 2015, Graves published an anthology of his best articles and interviews, Louise Brooks, Frank Zappa, & Other Charmers & Dreamers. Also in 2015, Graves, with Darrin Devault, published a photography book, Graceland Too Revisited documenting the ill-fated roadside attraction Graceland Too in Holly Springs, Mississippi.[38]

In another project, Graves adapted 25 of the best-known Aesop's Fables, updating them for contemporary audiences, and recruited Colin Hay, the former frontman for the Australian rock group Men At Work, to narrate the tales. Hay agreed to voice the audiobook and worked with Graves in a recording studio in Memphis. The result was Aesop's Fables with Colin Hay, published in audiobook and ebook formats, in 2017.[39]

In 2016 Graves began to take cooking lessons from a veteran African-American soul food cook, Larthy Washington. He turned the experience into a book, Cooking With Ms. Larthy, which he is currently completing.

Tom Graves' autobiography White Boy: A Memoir was published on June 1, 2019.[40][41][42][43][44]

Works

  • Pullers, Hastings House, 1998. ISBN 978-0803894242
  • Crossroads: The Life and Afterlife of Blues Legend Robert Johnson, 2008. Marquette/DeMers Books, 2008. ISBN 978-1942531258
  • Louise Brooks, Frank Zappa, & Other Charmers & Dreamers, Devault-Graves Digital Editions, 2015. ISBN 978-1942531081
  • Graceland Too Revisited (with Darrin Devault – photography) Devault-Graves Digital Editions, 2015. ISBN 978-1942531029
  • Aesop's Fables with Colin Hay, Devault-Graves Digital Editions, 2017. ASIN B06XDSTFBV
  • Best of Enemies (film – as Writer and Consulting Producer), Magnolia Films, 2015.
  • White Boy: A Memoir, Devault-Graves Digital Editions, 2019. ISBN 978-1942531319

References

  1. Crossroads, retrieved 2018-04-14
  2. 1 2 Herrington, Chris. "Blast From the Past". Memphis Flyer. Retrieved 2018-04-14.
  3. 1 2 "Anthology collects Memphis author Tom Graves' profiles of movie stars, musicians". Retrieved 2018-04-08.
  4. "Memphis Rising: Profiles of Four Emerging Writers". Brightleaf Review: 40–41. September 1, 1997.
  5. "His Deluxe Self: Prince Mongo and the Kingdom of Eastmoreland". Memphis Magazine: 43–45. August 1976.
  6. "Short Story: "On This Solid Rock I Stand"". Fiction Texas: 13–28. Spring 1980.
  7. "Interview: Dead On With Harry Crews". Chouteau Review: 62–78. Winter 1980–81.
  8. "Article: "Harry Crews, An Interview."". Southern Exposure: 151–152. May 1979.
  9. "Criticism: The Frog Who Dared To Croak by Richard Sennett". The New Leader: 19–20. October 18, 1982.
  10. "Criticism: White Mischief by James Fox". The New Leader: 17–18. June 13, 1983.
  11. "Criticism: Meditations In Green by Stephen Wright". The New Leader: 14–15. November 28, 1983.
  12. Busbee, James (April 1997). "Author! Author!". Memphis Magazine: 138–144.
  13. Graves, Tom (2015). Louise Brooks, Frank Zappa, & Other Charmers & Dreamers. Devault-Graves Digital Editions. pp. 119–159. ISBN 978-1942531081.
  14. "Review: Anything Can Happen by Leon Russell". Rolling Stone. May 28, 1992. p. 54.
  15. "Review: Midnight Riders by Scott Freeman". The New York Times Book Review: 22. February 12, 1995.
  16. "Review: Bill Graham Presents by Bill Graham and Robert Greenfield". The Washington Post Book World: 1, 14. October 18, 1992.
  17. "Full Page of Reviews: Dancing In the Street by Martha Reeves; Rotten by John Lydon; Mid-Life Confidential edited by Dave Marsh; K.D. Lang by Victoria Starr; Yakety Yak by Scott Cohen". The Washington Post Book World: 8. August 21, 1994.
  18. Beifuss, John (November 8, 1998). "Talk About A Gripping Story". The Commercial Appeal. pp. H1-3.
  19. Baker, Matt (21 July 2016). "A forgotten classic". Arkansas Times. Retrieved 2018-04-08.
  20. The Magician, LeMoyne-Owen College, May 2016.
  21. Herrington, Chris. "Local author nabs blues award". Memphis Flyer. Retrieved 2018-04-14.
  22. Buckley, William F.; Vidal, Gore (31 July 2015). Buckley vs. Vidal : the historic 1968 ABC News debates. Memphis, Tennessee. ISBN 9781942531128. OCLC 920570853.{{cite book}}: CS1 maint: location missing publisher (link)
  23. "Screen Visions: Memphis-connected 2015 films now available for home-viewing". The Commercial Appeal. Retrieved 2018-04-17.
  24. Gordon, Robert; Neville, Morgan (2015-07-31), Best of Enemies: Buckley vs. Vidal, Gore Vidal, William F. Buckley, Dick Cavett, retrieved 2018-04-09
  25. "Winners at the 38th Annual News & Documentary Emmy Awards" (PDF). p. 18. Retrieved April 9, 2018.
  26. "The Devault-Graves Agency, LLC". The Devault-Graves Agency. Retrieved 2018-04-15.
  27. "J.D. Salinger: Three early short stories are released by Devault-Graves Agency". Christian Science Monitor. 2014-07-23. ISSN 0882-7729. Retrieved 2018-04-09.
  28. Charles, Ron (2014-07-23). "Old J.D. Salinger stories revived by new illustrations". Washington Post. ISSN 0190-8286. Retrieved 2018-04-15.
  29. "Indie Publisher Releases First Salinger E-book". PublishersWeekly.com. Retrieved 2018-04-09.
  30. "Salinger Legal Case Surfaces in Memphis Federal Court - Memphis Daily News". www.memphisdailynews.com. Retrieved 2018-04-15.
  31. "Memphis Publisher Sues Salinger Estate". PublishersWeekly.com. Retrieved 2018-04-15.
  32. "Memphis publisher files suit against J.D. Salinger estate". www.bizjournals.com. Retrieved 2018-04-15.
  33. "J.D. Salinger lawsuit filed by Memphians changes venue". www.bizjournals.com. Retrieved 2018-04-09.
  34. "Devault-Graves Agency, LLC, Plaintiff, v. Colleen M. Salinger, as Trustee of the J.D. Salinger Literary Trust, et al., Defendants. Order Partially Granting and Partially Denying Defendant's Motion to Dismiss and Transferring the Case to the District Court of New Hampshire Pursuant to 28 U.S.C. § 1406". casetext.com. Retrieved 2018-04-09.
  35. "J.D. Salinger Copyright Suit is Dropped". PublishersWeekly.com. Retrieved 2018-04-15.
  36. "Salinger lawsuit concludes". www.bizjournals.com. Retrieved 2018-04-09.
  37. Gard, E. Townsend (2017-06-22). "J.D. Salinger and copyright's rule of the shorter term". Vanderbilt Journal of Entertainment and Technology Law. 19 (4).
  38. "Click magazine | People, Places, Parties of the Mid-South". Click magazine | People, Places, Parties of the Mid-South. Retrieved 2018-04-08.
  39. Beifuss, John (June 2, 2017). "Man at Work: Colin Hay proves absolutely fable-ous for Memphis publisher". www.commercialappeal.com.
  40. Russell, Lawrence (April 2019). "Tom Graves: White Boy". Retrieved May 13, 2019.
  41. Davis, Jesse (24 May 2019). "Tom Graves' White Boy". Memphis Flyer. Retrieved 26 May 2019.
  42. Donovan, Diane (3 Jun 2019). "MBR Bookwatch June 2019". The Midwest Book Review. Retrieved 3 Jun 2019.
  43. "Memphian Tom Graves's Latest Book: White Boy, A Memoir". Smart City Memphis. 31 May 2019. Retrieved 3 Jun 2019.
  44. "WHITE BOY by Tom Graves". Kirkus Reviews. 6 Jun 2019. Retrieved 17 Jun 2019.
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