"Mad Dog" by Busby, 1826

Thomas Lord Busby (baptized 10 November 1782, buried 5 May 1838), sometimes spelt Busbey, was an English portrait artist, etcher, and engraver.

A Londoner, Busby exhibited at the Royal Academy and published collections of costume engravings, but little is known of his life outside his work.

Life and work

Christened into the Church of England in November 1782 at St Mary's Church, Whitechapel, Middlesex, Busby was the son of William and Lucy Busbey of Leman Street, Whitechapel.[1]

Although Busby left a large body of work, little is known of his life. The British Museum says of him "Painter, etcher and humorous illustrator: active in London."[2]

The Benezit Dictionary of British Graphic Artists and Illustrators notes that Busby exhibited portraits at the Royal Academy and the Suffolk Street Gallery of the Royal Society of British Artists between 1804 and 1837 and adds that he is "probably the same person as the T. L. Busby who exhibited portrait miniatures at the Royal Academy between 1804 and 1821".[3]

Busby published several collections of etchings and engravings, including Costume of Hartlepool, an interesting Town in the North of England (1819),[4] which contained six engravings to illustrate The History of Durham.[5] On his Costume of the Lower Orders of London (1819),[6] a critic has commented

Busby’s Americans give it folkloric pathomorphic and philosophical twists. These foreigners never can be assimilated because… they specialize in exoticism itself.[7]

His Costumes of the Lower Orders in Paris, which had in it twenty-nine coloured etchings, appeared in 1820,[8] and The Cries of London: Drawn from Life in 1823.[7] In 1824, the first issue of Busby’s Civil and Military Costume of the City of London was published and was dedicated by permission to King George IV.[9]

Billy Waters in Derby porcelain
Billy Waters by Busby

Busby’s portrait of the one-legged black busker Billy Waters was the inspiration of many Derby porcelain and Staffordshire pottery figures.[10] This was one of the American figures appearing in his London collection of 1819 and was also in his Cries of London (1823).[7]

In February 1831, The Gentleman's Magazine noted a new engraving by Busby of William Kidd’s “The Traveller disturbed”.[11]

Busby was buried in the parish of Paddington in 1838, when his age was stated in the parish register as fifty-six and his abode as Streatham.[1]

Published works

  • The Elements of Flower and Fruit Painting: illustrated with engravings by T. L. Busby; from studies after nature by Madame Vincent (London: R. Ackermann at his Repository of Arts, 1814), with Adelaide Vincent[12]
  • Costume of the Lower Orders of the Metropolis (London: 1816)
  • Costume of Hartlepool, an interesting Town in the North of England, the Subjects designed and engraved by T. L. Busby (1819)[4]
  • Costume of the lower orders of London painted and engraved from nature by T. L. Busby (London: Baldwin and Co. for T. L. Busby, 1819)
  • Costumes of the Lower Orders in Paris (London, 1820)
  • The Cries of London: Drawn from Life (London, 1823)[7]
  • Civil and Military Costume of the City of London (London: Jennings, 1824)
  • Busby's Street Scenes: Images of Street Hawkers and Criers in 19th-century London and Paris (new edition by Bird & Bull Press, 2013)

Notes

  1. 1 2 Register of Baptisms, St Mary’s, Whitechapel, Thomas Lord Busbey, 10 November 1782; Burials in the Parish of Paddington in the County of Middlesex, "No. 1081, Thomas Lord Busby, Abode Streatham Surrey, Age 56", 5 May 1838, ancestry.co.uk, accessed 30 July 2021 (subscription required)
  2. ↑ "Thomas Lord Busby", britishmuseum.org, accessed 30 July 2021
  3. ↑ "BUSBY, Thomas Lord", in Stephen Bury, ed., The Benezit Dictionary of British Graphic Artists and Illustrators (Oxford University Press, 2012), p. 198
  4. 1 2 "Literary Intelligence" in The British Critic, March 1819, Vol. 12, p. 336
  5. ↑ Scots Magazine, Vol. 83 (1819), p. 357
  6. ↑ Costume of the Lower Orders of London, vam.ac.uk, accessed 10 August 2021
  7. 1 2 3 4 Sean Shesgreen, Images of the Outcast: The Urban Poor in the Cries of London (2002), p. 181
  8. ↑ The Year's Art (London: Hutchinson & Co., 1906), p. 30
  9. ↑ The Museum of Foreign Literature, Science and Art, vol. 5 (1824), p. 207
  10. ↑ Oskar Cox Jensen, The Ballad-Singer in Georgian and Victorian London (Cambridge University Press, 18 February 2021), p. 45
  11. ↑ The Gentleman's Magazine, February 1831, in Volume 101, p. 161
  12. ↑ The elements of flower and fruit painting, WorldCat
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