The White Doe or The Doe in the Woods is a French literary fairy tale written by Madame d'Aulnoy. Andrew Lang included it in The Orange Fairy Book.

Alternate names

James Planché, author and dramatist, translated the tale as The Hind in the Woods.[1]

Further English translations renamed it The Story of the Hind in the Forest,[2] The Enchanted Hind,[3] The Hind of the Forest.[4] and The White Fawn.[5]

French illustrator Edmund Dulac included another version in his book Fairy Tales of the Allied Nations, entitled, The Hind of the Wood.[6]

Synopsis

A crab (or lobster, in some translations) brought a childless queen to a fairy palace, where she was revealed as the fairy of the spring and took the form of a little old lady. The fairies promised the queen that she would soon birth a daughter that should be named Desirée. The crab took offense for being the only one not to be invited to the princess's christening. The crab would not be placated by the excuses of the fairies for the slight, warned them that the princess was in danger but did not explain the curse, should sunlight touch Desiree in the first fifteen years of her life.

On the advice of the other fairies, the king and queen built a subterranean castle for the princess to live in. When her fifteenth birthday approached, the queen had her portrait made and sent it to all the neighboring princes. One fell so in love with her that he often shut himself up with the portrait and talked to it. When the king, his father, learned this, the prince persuaded him to break a betrothal with the Black Princess and send an ambassador to Desirée. The fairy Tulip, who loved Desiree best, warned not to let the ambassador see her before the birthday. At his suit, however, they agreed to bring the portrait to the princess, who was much taken by it, and to hold the wedding in three months, after her birthday.

The prince was so love-sick that the king sent messages to implore them to put forward the wedding.

Meanwhile, the Black Princess was deeply offended. Though she declared that he had his freedom, because she could not love a dishonorable man, she implored the aid of her fairy godmother, the fairy of the spring, who was reminded of the injury and resolved to harm Desirée.

The enchanted doe approaches the prince, asleep by the stream. Illustration from a 1908 publication.

Hearing that the prince was dying for love of her, Desirée proposed that she travel by closed carriage, and open it for food only at night. When this was put into effect, the mother of a jealous lady-in-waiting , persuaded by her daughter, cut open the coach and let light on the princess. She instantly turned into a white doe and bounded off. The fairy of the spring created a thunderstorm that frightened off the servants. A faithful lady-in-waiting chased the doe, and the jealous disguised herself as the princess and went on. She pleaded the thunderstorm for her condition, but her ugliness astounded the prince. He left the palace rather than endure such a marriage, and went to the forest with only the ambassador.

The fairy Tulip led the faithful lady-in-waiting to the doe and after witnessing their reunion, appeared. She could only turn the princess back to a woman by night and direct them to a hut where they might stay. An old woman took them in there; somewhat later, the ambassador found it, and the old woman gave him and the prince shelter. The next day, the prince saw the doe and shot at it, but the fairy Tulip protected her. The day after, the doe avoided where he had shot, and the prince hunted long for her, until he, exhausted, slept. The doe came upon him and, seeing she had the advantage of him, studied him. She woke him, and he chased her until she was exhausted and let him catch her. He treated her as a fond pet, but she escaped before nightfall, for fear that her change would shock him. The next day, the prince wounded her and was much distressed, but took her back by force to the hut. The lady-in-waiting objected and the prince had to give up the doe. The ambassador told him that he had seen the lady-in-waiting at Desiree's court. They had made a hole in the partition between the rooms, and saw the princess and heard her laments. They were joyously united. At dawn, she did not retransform into a doe.

An army of his father's came, and the prince went out to explain what he had learned. The prince married the princess, and the ambassador married the lady-in-waiting.

Legacy

The tale was one of many from d'Aulnoy's pen to be adapted to the stage by James Planché, as part of his Fairy Extravaganza.[7][8][9] The tale was retitled as The Prince of Happy Land, or, The Fawn in the Forest when he translated it to the stage.[10][11]

The tale is classified in the Aarne-Thompson-Uther Index as tale type ATU 403, "The White and Black Bride".[12]

See also

References

  1. ↑ Planché, James Robinson. Fairy Tales by The Countess d'Aulnoy, translated by J. R. Planché. London: G. Routledge & Co. 1865. pp. 398-431.
  2. ↑ Wiggin, Kate Douglas Smith; Smith, Nora Archibald. Magic Casements: a second fairy book. Garden City, N.Y.: Doubleday, Doran & Co.. 1931. pp. 194-229.
  3. ↑ Valentine, Laura. The Old, Old Fairy Tales. New York: Burt 1889. pp. 100-130.
  4. ↑ Craik, Dinah Maria Mulock. The fairy book: the best popular fairy stories. London: Macmillan. 1913. pp. 345-363.
  5. ↑ Vredenburg, Edric, Capt. My Book of Favourite Fairy Tales: retold by the editor and others. London and Paris: Raphael Tuck & Sons. pp. 48-59.
  6. ↑ Dulac, Edmund. Edmund Dulac's fairy-book: fairy tales of the Allied nations. New York: G.H. Doran. 1916. pp. 43-61.
  7. ↑ Feipel, Louis N. "Dramatizations of Popular Tales." The English Journal 7, no. 7 (1918): p. 444. Accessed June 25, 2020. doi:10.2307/801356.
  8. ↑ Buczkowski, Paul. "J. R. Planché, Frederick Robson, and the Fairy Extravaganza." Marvels & Tales 15, no. 1 (2001): 42-65. Accessed June 25, 2020. http://www.jstor.org/stable/41388579.
  9. ↑ MacMillan, Dougald. "Planché's Fairy Extravaganzas." Studies in Philology 28, no. 4 (1931): 790-98. Accessed June 25, 2020. http://www.jstor.org/stable/4172137.
  10. ↑ Adams, W. H. Davenport. The Book of Burlesque. Frankfurt am Main, Germany: Outlook Verlag GmbH. 2019. p. 74. ISBN 978-3-73408-011-1
  11. ↑ Planché, James (1879). Croker, Thomas F.D.; Tucker, Stephen I. (eds.). The extravaganzas of J. R. Planché, esq., (Somerset herald) 1825-1871. Vol. 4. London: S. French. pp. Vol 4, pp. 171-172.
  12. ↑ Trinquet, Charlotte. Le conte de fées français (1690-1700): Traditions italiennes et origines aristocratiques. Narr Verlag. 2012. p. 218. ISBN 978-3-8233-6692-8

Further reading

  • Velten, Harry V. "Le conte de la fille biche dans le folklore français". In: Romania, tome 56 n°222, 1930. pp. 282-288. [DOI: https://doi.org/10.3406/roma.1930.3994] ; www.persee.fr/doc/roma_0035-8029_1930_num_56_222_3994

Works related to The Hind in the Wood at Wikisource

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.