The Necks
Background information
OriginSydney, New South Wales, Australia
Genres
Years active1987 (1987)–present
Labels
Members
Websitethenecks.com

The Necks are an Australian avant-garde jazz trio formed in 1987 by founding mainstays Chris Abrahams on piano and Hammond organ, Tony Buck on drums, percussion and electric guitar, and Lloyd Swanton on bass guitar and double bass. They play improvisational pieces of up to an hour in length that explore the development and demise of repeating musical figures. Their double LP studio album Unfold was named by Rolling Stone as "one of the top 20 avant albums of 2017."[1]

In 2020, the Necks were listed at number 49 in Rolling Stone Australia's "50 Greatest Australian Artists of All Time" issue.[2]

History

The Necks were formed in 1987 in Sydney by Chris Abrahams on piano and Hammond organ, Tony Buck on drums, percussion and electric guitar, and Lloyd Swanton on bass guitar and double bass.[3][4] In 1983 Abrahams (ex-Laughing Clowns) on keyboards and Swanton on bass guitar were founders of the Benders, a jazz group, with Dale Barlow and Jason Morphett on saxophones, and Louis Burdett on drums; which disbanded in 1985.[3][4]

Abrahams had formed the Sparklers in 1985, a dance pop band, with Bill Bilson on drums (ex-Sunnyboys), Gerard Corben on guitar (ex-Lime Spiders), Ernie Finckh on guitar, Melanie Oxley on lead vocals (ex-Sweet Nothing), and her older brother Peter Oxley on bass guitar (ex-Sunnyboys).[3][4] Abrahams left in 1987 before that group's first album, Persuasion (October 1988).[3][4] Buck had been a member of a number of groups: Great White Noise (1983), Women and Children First, Tango Bravo and Pardon Me Boys; prior to forming the Necks.[4] In 1986 Swanton had been a member of Dynamic Hepnotics.[4]

According to Australian musicologist, Ian McFarlane, the Necks "issued several albums of abstract, improvised, jazzy mood music."[3] François Couture of AllMusic described how they "usually start playing a very basic melodic and rhythmic figure, and then keep going at it for an hour, gradually introducing microscopic changes and variations. Some critics have compared them to Krautrock groups like Can and Faust. Others find similarities in the works of minimalist composers like LaMonte Young, Tony Conrad, even Philip Glass."[5] The band has been described as "offending (successfully) against tradition for the past quarter of a century, [doing so] mostly by occupying the spaces between accepted positions and obstinately refusing to obey genre rules".[6]

The group issued their debut album, Sex on the Spiral Scratch label in 1989.[3][7] It consists of a single track of the same name, which is just under an hour long.[7] Couture noticed that "The difference between Sex and the many other CDs they would record afterwards is the purity: The trio's hypnotic repetitive piece relies only on piano, bass, and drums; no electronics, extra keyboards, samples, or lengthy introduction."[7]

Aside from their work within the group each member has undertaken side projects, recording session work or as a touring band musician.[3][4] Abrahams formed an ongoing duo with Melanie Oxley (1989–2003), which has released four "moody, emotive soul/pop albums" from Welcome to Violet (October 1992) to Blood Oranges (April 2003).[3][4] All three have worked for Stephen Cummings, both collectively and individually.[4]

Live performance

Buck, Swanton and Abrahams performing in Aarhus, Denmark, November 2015

The Necks performances are always improvised, with the instrumentation of piano, double bass, and drums/percussion (with the occasional exception, e.g., when Chris Abrahams played the Melbourne Town Hall pipe organ instead of piano[8]). Geoff Winston of London Jazz News described how "Each performance by [the Necks] begins with a blank page which one of the trio will start to fill in to commence the journey, an uninterrupted set of around forty to sixty minutes. There are no rules, no agreements about who will take that lead and about how the discourse will evolve. The only criteria that apply are those of their own impeccably high standards."[9] Typically a live performance will begin very quietly with one of the musicians playing a simple figure. One by one, the other two will join with their own contributions–all three players independent yet intertwined. As the 'piece' builds through subtle micro-changes, the interaction of their instruments creates layers of harmonics and prismatic washes of sound that lead some to apply the genre label 'trance jazz'.

The Quietus' Kate Hennessy found that "any Necks' show is a make or break experience. Some find it cathartic, others buckle and ever the twain shall chafe in the washout. The trio's routine is to play two improvised sets using just piano, double bass and drums: one set relatively calm; the other dispensing sound of escalating intensity for a long hour. Jazz by name but not by nature – if jazz denotes songs that spark at intervals into fine displays of musicianship and tricky timing, after which one claps, drinks, and feels pretty good about the world and the talent in it. No, The Necks plunge listeners to the kinds of violent psychological depths few other bands can achieve at all, let alone all acoustically."[10]

Studio albums

Studio albums by The Necks are also based on improvisations, but the recording process can involve multiple takes and sections which are then edited together into a single composition.[11] Studio recordings often involve extra instrumentation beyond the core piano, bass and drums, including samples, organ (Abrahams), electric guitar (Buck) and appearances by guest musicians.

The Necks have never attempted live performance of studio recordings. When they were approached to perform their debut album Sex as part of a series of "classic albums" concerts Chris Abrahams pointed out "That's not how we make music. It would make no sense."[12]

Soundtracks

Their soundtrack for The Boys (1998) was nominated for ARIA Best Soundtrack Album, AFI Best Musical Score and Australian Guild of Screen Composers Award. They have also recorded soundtracks for What's The Deal? (1997) and In the Mind of the Architect (three one-hour ABC-TV documentaries, 2000).

Discography

Studio albums

  • Sex (Spiral Scratch, 1989)
  • Next (Spiral Scratch, 1990)
  • Aquatic (Fish of Milk/Shock, 1994)
  • Silent Night (Fish of Milk/Shock, 1996)
  • Hanging Gardens (Fish of Milk/Shock.ReR Megacorp,1999)
  • Aether (Fish of Milk/Shock/ReR Megacorp, 2001)
  • Drive By (Fish of Milk/Shock/ReR Megacorp, 2003)
  • Mosquito/See Through (Fish of Milk/ReR Megacorp, 2004)
  • Chemist (Fish of Milk/Shock?ReR Megacorp, 2006)
  • Silverwater (Fish of Milk/ReR Megacorp, 2009)
  • Mindset (Fish of Milk/ReR Megacorp, 2011)
  • Open (Fish of Milk/ReR Megacorp, 2013)
  • Vertigo (Fish of Milk/ReR Megacorp, 2015)
  • Unfold (Ideologic Organ, 2017)
  • Body (Fish of Milk/Northern Spy, 2018)[13]
  • Three (Fish of Milk/Northern Spy/ReR Megacorp, 2020)
  • Travel (Northern Spy, 2023)

Live albums

Soundtrack albums

  • The Boys (original soundtrack) (Wild Sound/MDS, 1998)
  • Strade Trasparenti (Staubgold/2011)

Other appearances

  • "Royal Family" on Beyond El Rocco (Vox, 1993) – soundtrack to Kevin Lucas' documentary on Australian Jazz
  • "Chemist" (live performance) on Highlights From The ABC TV Series Studio 22 (ABC Music, 2002)
  • "Hall" on split-single 7" with Hards-Ons (We Empty Rooms, WER#25, 2014)
  • Drift project by Underworld (2018 - 2019) - appear on "A Very Silent Way", "Appleshine Continuum" and "Altitude Dub Continuum"
  • Leaving Meaning by Swans (Young God & Mute, 2019) - appear on the songs "Leaving Meaning" and "The Nub"

Awards and nominations

APRA Awards

The APRA Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA).[16]

Year Nominee / work Award Result
2005"Drive By" (Lloyd Swanton, Christopher Abrahams, Anthony Buck)Most Performed Jazz Work[17]Won
2006"Chemist" (Swanton, Abrahams, Buck)Most Performed Jazz Work[18]Won
2019[19] "Body" (Chris Abrahams, Tony Buck, Lloyd Swanton) Song of the Year Shortlisted

ARIA Music Awards

The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. The Necks have won two awards from six nominations.[20]

Year Nominee / work Award Result
1998 The Boys Best Original Soundtrack/Cast/Show Album Nominated
2003 Athenaeum, Homebush, Quay & Raab Best Jazz Album Nominated
2004 Drive By Best Jazz Album Won
2005 Mosquito/See Through Best Jazz Album Nominated
2006 Chemist Best Jazz Album Won
2010 Silverwater Best Jazz Album Nominated

Helpmann Awards

The Helpmann Awards is an awards show, celebrating live entertainment and performing arts in Australia, presented by industry group Live Performance Australia since 2001.[21] Note: 2020 and 2021 were cancelled due to the COVID-19 pandemic.

Year Nominee / work Award Result Ref.
2009 FOOD COURT (with Back to Back Theatre) Helpmann Award for Best New Australian Work Nominated [22]
FOOD COURT (The Necks, Chris Abrahams, Tony Buck & Lloyd Swanton) Helpmann Award for Best Original Score Nominated

National Live Music Awards

The National Live Music Awards (NLMAs) are a broad recognition of Australia's diverse live industry, celebrating the success of the Australian live scene. The awards commenced in 2016.

Year Nominee / work Award Result Ref.
National Live Music Awards of 2019 The Necks Live Jazz Act of the Year Won [23][24]

References

  1. ↑ Weingarten, Christopher R. (2 January 2018). "20 Best Avant Albums of 2017". Rolling Stone. Retrieved 21 September 2018.
  2. ↑ 50 Greatest Australian Artists of All Time – #49: The Necks. Dave Williams, Rolling Stone Australia, 1 February 2021. Retrieved 1 February 2021.
  3. 1 2 3 4 5 6 7 8 McFarlane, Ian (1999). "Encyclopedia entry for 'Chris Abrahams'". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 3 August 2004.
  4. 1 2 3 4 5 6 7 8 9 The Necks related entries at Australian Rock Database:
    • The Necks (1987–present): Holmgren, Magnus. "The Necks". Australian Rock Database (Magnus Holmgren). Archived from the original on 19 March 2004. Retrieved 23 June 2016.
    • Chris Abrahams: Holmgren, Magnus. "Chris Abrahams". Australian Rock Database (Magnus Holmgren). Archived from the original on 14 March 2002. Retrieved 23 June 2016.
    • The Sparklers: Holmgren, Magnus. "The Sparklers". Australian Rock Database (Magnus Holmgren). Archived from the original on 14 March 2002. Retrieved 23 June 2016.
    • Stephen Cummings: Holmgren, Magnus. "Stephen Cummings". Australian Rock Database (Magnus Holmgren). Archived from the original on 1 March 2002. Retrieved 23 June 2016.
    • Dynamic Hepnotics: Holmgren, Magnus. "Dynamic Hepnotics". Australian Rock Database (Magnus Holmgren). Archived from the original on 22 October 2013. Retrieved 23 June 2016.
  5. ↑ Couture, François. "The Necks | Biography & History". AllMusic. Retrieved 23 June 2016.
  6. ↑ Biron, D. 2013. Are The Necks the Best Band in the World? The Conversation, 13 December.
  7. 1 2 3 Couture, François. "Sex – The Necks | Songs, Reviews, Credits". AllMusic. Retrieved 23 June 2016.
  8. ↑ "Heavens, what a soundtrack". The Age. 5 March 2007. Archived from the original on 22 September 2020.
  9. ↑ Winston, Geoff (14 April 2016). "Review: The Necks and James McVinnie at Union Chapel, N1". London Jazz News. Retrieved 24 June 2016.
  10. ↑ Hennessy, Kate (29 December 2014). "Features | Anniversary | 25 Years On: The Necks' Sex Revisited by Kate Hennessy". The Quietus. Retrieved 24 June 2016.
  11. ↑ "THE NECKS The X-Press Interview". X-Press Magazine - Entertainment in Perth. 13 February 2020. Archived from the original on 22 September 2020.
  12. ↑ Williams, Richard (10 June 2010). "The Necks on the line". The Guardian. ISSN 0261-3077. Archived from the original on 22 May 2016.
  13. ↑ "The Necks crane their necks and announce their necks album, "Body"". Tinymixtapes.com. Retrieved 21 September 2018.
  14. ↑ "Townsville". Amazon.com. 25 September 2007. Retrieved 21 September 2018 – via Amazon.
  15. ↑ "The Necks – Townsville". Vortexjazz.co.uk. Archived from the original on 25 October 2007. Retrieved 21 September 2018.
  16. ↑ "APRA History". Australasian Performing Right Association (APRA). Retrieved 6 May 2010.
  17. ↑ "2005 Winners – APRA Music Awards". Australasian Performing Right Association (APRA). Retrieved 17 May 2010.
  18. ↑ "2006 Winners – APRA Music Awards". Australasian Performing Right Association (APRA). Retrieved 6 May 2010.
  19. ↑ "APRA Reveals 2019 Song of the Year Shortlist". Music Feeds. 5 February 2019. Retrieved 26 April 2022.
  20. ↑ "The Necks ARIA Awards". ARIA Awards. Retrieved 4 September 2020.
  21. ↑ "Events & Programs". Live Performance Australia. Retrieved 4 October 2022.
  22. ↑ "2009 Helpmann Awards Nominees & Winners". Helpmann Awards. Australian Entertainment Industry Association (AEIA). Retrieved 8 October 2022.
  23. ↑ "HERE ARE YOUR 2019 NATIONAL LIVE MUSIC AWARDS NOMINEES!". NLMA. 22 October 2020. Retrieved 5 September 2020.
  24. ↑ "AND THE WINNERS OF THE 2019 NATIONAL LIVE MUSIC AWARDS ARE…". NLMA. 5 December 2020. Retrieved 5 September 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.