| The Maltese Bippy | |
|---|---|
 | |
| Directed by | Norman Panama |
| Written by | Everett Freeman Ray Singer |
| Starring | Dan Rowan Dick Martin Carol Lynley Julie Newmar |
| Cinematography | William H. Daniels |
| Edited by | Homer Powell Ronald Sinclair |
| Music by | Nelson Riddle |
| Distributed by | Metro-Goldwyn-Mayer |
Release date | 1969 |
Running time | 88 minutes |
| Country | United States |
| Language | English |
The Maltese Bippy is a 1969 comedy horror film, directed by Norman Panama and released by Metro-Goldwyn-Mayer.[1] The film is a vehicle for comedy team Dan Rowan and Dick Martin, who had recently found fame in their television show Rowan & Martin's Laugh-In. "Bippy" is a catchphrase from their show.
In the film, two pornography producers are suspects in a murder investigation. One of them considers himself a werewolf, and suspects that his monstrous alter ego performed the murder.
Plot
Business has never been so bad for Sam Smith and Ernest Gray, partners in softcore pornography production. After their film set is busted by the authorities, the hapless pair become prime suspects in a nearby cemetery murder. The mental pressure of near-destitution and criminal investigation becomes overwhelming for Ernest. So much so, he comes to believe he has mutated into America's first werewolf. He begins to question whether he—or rather, his lycanthropic self—might be the culprit responsible for homicide in the neighborhood graveyard.
Cast
- Dan Rowan as Sam Smith
- Dick Martin as Ernest Gray
- Carol Lynley as Robin Sherwood
- Julie Newmar as Carlotta Ravenswood
- Mildred Natwick as Molly Fletcher
- Fritz Weaver as Mischa Ravenswood
- Robert Reed as Lt. Tim Crane
- David Hurst as Dr. Charles Strauss
- Dana Elcar as Sgt. Kelvaney
- Leon Askin as Axel Kronstadt
- Alan Oppenheimer as Adolph Springer
- Eddra Gale as Helga
- Arthur Batanides as Tony
- Pamela Rodgers as Saundra
- Jennifer Bishop as Joanna Clay
- Maudie Prickett as Mrs. Potter
- Garry Walberg as Harold Fenster
- Carol-Jean Thompson as Mona
- Jerry Mann as Joseph Wesling
Reception
In The New York Times, film critic Vincent Canby wrote:
[One] problem that I carried to The Maltese Bippy was an inability to distinguish between Rowan and Martin, something that hasn't mattered much on television where their duties are more or less interchangeable... I've now seen The Maltese Bippy, which opened yesterday at the DeMille and Beekman Theaters, and I'm still not sure of their identities, partly because, as actors, they still are television hosts, and partly because they really do look alike. Although one of them has a mustache, they have the same general contours. Television, the great leveler, has produced the ultimate comedy team, a pair of personalities of similar sex, height, weight and wit, which, I suppose, is the direction in which we've been heading ever since Martin and Lewis convinced us that comedy teams need not be physically grotesque—maybe one man should be slightly Italian and one man slightly Jewish, but not grotesque. On the other hand, The Maltese Bippy is a movie that cheapens everything it touches...[2]
Reviewing the film in the present-day for SFGATE, film critic Mick LaSalle wrote:
...[here's] the surprise. Dick Martin could have had a movie career. If he were around today, he might have been a film star along the lines of Owen Wilson. He could do the full range from goofy to serious, without either end of that spectrum making the other seem less real. He also was enormously appealing, just someone you automatically like and want to look at. He was subtle, too, in a way that his partner wasn’t.[3]
See also
References
- ↑ "The Maltese Bippy". All Movie Guide. Retrieved 3 February 2015.
- ↑ Vincent Canby (June 19, 1969). "The Maltese Bippy". The New York Times.
- ↑ Mick LaSalle. "DVD review: A blast from the past: 'Maltese Bippy'". SFGate.com. SFGATE. Retrieved 11 July 2015.
External links
