The Lost People | |
---|---|
Directed by | |
Written by | Bridget Boland |
Based on | Cockpit by Bridget Boland |
Produced by | Gordon Wellesley |
Starring | |
Cinematography | Jack Asher |
Edited by | Gordon Hales |
Music by | John Greenwood |
Production company | |
Distributed by | General Film Distributors |
Release date | 22 August 1949 |
Running time | 89 minutes |
Country | United Kingdom |
Language | English |
Box office | £80,000 (by 1953)[1] |
The Lost People, also known as Cockpit, is a 1949 British drama film directed by Muriel Box and Bernard Knowles and starring Dennis Price, Mai Zetterling and Richard Attenborough.[2] It is based on the 1948 play Cockpit by Bridget Boland.[3]
Plot
After the Second World War, some British soldiers are guarding a theatre in Germany containing various refugees and prisoners trying to work out what to do with them. However, the displaced people, after uniting against fascism for five years, begin to disintegrate into their own ancient feuds: Serb against Croat, Pole against Russian, resistance fighter against collaborator and everyone against the Jews. Two people, Jan and Lily, begin a romance and decide to wed. However, one of the refugees is diagnosed with bubonic plague.[4]
Cast
- Dennis Price as Ridley
- Mai Zetterling as Lily
- Richard Attenborough as Jan
- Siobhán McKenna as Marie
- Maxwell Reed as Peter
- William Hartnell as Barnes
- Gerard Heinz as Professor
- Zena Marshall as Anna
- Olaf Pooley as Milosh
- Harcourt Williams as priest
- Philo Hauser as Draja
- Jill Balcon as Rebecca
- Grey Blake as Saunders
- Marcel Poncin as Duval
- Nelly Arno as old woman in box
- George Benson as driver
- Peter Bull as Wolf
- Paul Hardtmuth as Jiri
- Tutte Lemkow as Jaroslav
- Pamela Stirling as young woman in box
- Charles Hawtrey as prisoner
- Herbert Lom as guest
Production
It was shot partly at Denham Studios outside London with sets designed by the art directors John Elphick and George Provis. The film's costumes were designed by Julie Harris.
Associate producer Alfred Roome called the film "terrible ... we shot for ages, then it stopped and started again and got terribly boring ... it actually had two or three directors who came and went."[5]
Critical reception
The Monthly Film Bulletin wrote:
There is nothing wrong with the theme (though it has lost its topicality), but everything wrong with the way in which it is handled: the subject demands deep sympathy and comprehension, but the too-familiar Gainsborough treatment gives it vulgar novelette stature and a blundering insularity. The attempts to be serious and to point a moral give the effect of talking down, as if to an audience of idiots, from the complacent and insulting point of view that foreigners exist merely to get into difficulties from which the British have to extricate them. The script is deplozably crude and stilted, but a greater disaster comes with the direction. Technically incompetent, flat and lifeless, it achieves climaxes solely by loud, emphatic bursts of background music over clumsily-handled crowd movements. The crowds of extras wear their rags and foreign accents uneasily, as might be expected: of the leading players, Mai Zetterling (impeccably made up throughout) gives almost a caricature of her familiar refugee role, Dennis Price is ineffectual and anonymous, Richard Attenborough bewildered, and Siobhan McKenna tries hard to graft Irish charm on to a French communist agitator. One can only hope, at least, that the film will never be shown abroad.[6]
References
- ↑ Andrew Spicer, Sydney Box Manchester Uni Press 2006 p 211
- ↑ "The Lost People". British Film Institute Collections Search. Retrieved 24 December 2023.
- ↑ "The Lost People (1950) - Muriel Box,Bernard Knowles - Synopsis, Characteristics, Moods, Themes and Related - AllMovie".
- ↑ "The Lost People". BFI. Archived from the original on 13 January 2009. Retrieved 16 July 2015.
- ↑ McFarlane, Brian (1997). An autobiography of British cinema : as told by the filmmakers and actors who made it. p. 499. ISBN 9780413705204.
- ↑ "The Lost People". The Monthly Film Bulletin. 16 (181): 157. 1 January 1949 – via ProQuest.