The Hebrides
Die Hebriden
Concert overture by Felix Mendelssohn
Sketch of a landscape in Scotland by Felix Mendelssohn, in his letter of 1 August 1829 to his sister Fanny
KeyB minor
Opus26
DedicationFrederick William IV of Prussia
Published1833 (1833)

The Hebrides (/ˈhɛbrɪdiːz/; German: Die Hebriden) is a concert overture that was composed by Felix Mendelssohn in 1830, revised in 1832, and published the next year as Mendelssohn's Op. 26. Some consider it an early tone poem.[1][2]

It was inspired by one of Mendelssohn's trips to the British Isles, specifically an 1829 excursion to the Scottish island of Staffa, with its basalt sea cave known as Fingal's Cave. It was reported that the composer immediately jotted down the opening theme for his composition after seeing the island. He at first called the work To the Lonely Island or Zur einsamen Insel, but then settled on the present title. However, in 1834, the year after the first publication, Breitkopf & Härtel issued an edition with the name Fingalshöhle (Fingal's Cave) and this title stuck, causing some confusion.

Fingal's cave is a spot on the Hebridan Isle of Staffa, some fifty miles off the Scottish coast. According to legend the cave is the site of what was once the royal castle of Fion na Gael (anglicized to "Fingal"), ruler of the kingdom of Morven anf father of the celebrated third-cemtury warrior and bard known as Ossian. Every trace of the structure of the supposed castle has vanished and its floor has given way to the sea.

Being a concert overture, The Hebrides does not precede a play or opera, but is instead a standalone composition in a form common for the Romantic period. Dedicated to Frederick William IV of Prussia, then Crown Prince of Prussia, the B minor work became part of the standard orchestral repertoire and retains this position to the present day. The original handwritten score for the overture was purchased by the Bodleian Library on the 400th anniversary of its founding in 2002 for £600k.[3]

As an indication of the esteem in which it is held by musicians, Johannes Brahms once said "I would gladly give all I have written, to have composed something like the Hebrides Overture".[4]

Background

Mendelssohn's first visited England in 1829 following invitations from Sir George Smart and the Philharmonic Society.[5] Following his tour of England, Mendelssohn proceeded to Scotland, where he began work on his Symphony No. 3, Scottish.[6] He was engaged on a tour of Scotland with his travelling companion Karl Klingemann when he sent a letter to his family with the opening phrase of the overture written on it. In a note to his sister Fanny, he said: "In order to make you understand how extraordinarily the Hebrides affected me, I send you the following, which came into my head there."[7] The cave at that time was approximately 35 feet (11 m) high and over 200 feet (61 m) deep, and contained black basalt pillars.[7]

The work was completed on 16 December 1830[8] and was originally entitled Die einsame Insel (The Lonely Island). However, Mendelssohn later revised the score and renamed the piece Die Hebriden (The Hebrides). Despite this, the title of Fingal's Cave was also used: on the orchestral parts he labelled the music The Hebrides, but on the score Mendelssohn labelled the music Fingal's Cave.[7] This revision of the overture was premiered on 14 May 1832 in London[8] in a concert conducted by Thomas Attwood, that also featured Mendelssohn's Overture to A Midsummer Night's Dream. The final revision was completed by 20 June 1832.[8] and premiered on 10 January 1833 in Berlin under the composer's own baton.[9]

Description

Initial sketch for the theme, found in a letter dated 7 August 1829 to his sister Fanny (original in the Music Division of the New York Public Library for the Performing Arts)

The music, though labelled as an overture, is intended to stand as a complete work. Although programme music, it does not tell a specific story and is not "about" anything; instead, the piece depicts a mood and "sets a scene", making it an early example of such musical tone poems.[10] The overture consists of two primary themes; the opening notes of the overture state the theme Mendelssohn wrote while visiting the cave, and is played initially by the violas, cellos, and bassoons.[11] This lyrical theme, suggestive of the power and stunning beauty of the cave, is intended to develop feelings of loneliness and solitude. The second theme, meanwhile, depicts movement at sea and "rolling waves".[7]

The piece is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.

Performances of the overture typically last between 10½ and 11 minutes. The autograph manuscript of the work is held in the Bodleian Library, Oxford.[12]

See also

References

  1. ↑ See "Symphonic poem" in the online Encyclopedia Britannica, accessed 2017-10-02.
  2. ↑ See "Symphonic Poem" in the MUS 101 music lesson series by Elliott Jones, accessed 2017-10-02.
  3. ↑ Oxford Mail
  4. ↑ Wilfrid Blunt, On Wings of Song (1974), p. 108
  5. ↑ Sir George Smart, Leaves from the Journal of Sir George Smart, London, 1907, p. 64, pp. 207-10.
  6. ↑ See "The Journey North" in Mendelssohn in Scotland website, accessed 2015-01-09.
  7. 1 2 3 4 David R. Glerum (2006-09-30). "Orlando Philharmonic Orchestra Program Notes" (PDF). pp. 4–5. Archived from the original (PDF) on 2007-09-27. Retrieved 2006-11-08.
  8. 1 2 3 Geoff Kuenning. "Program Notes: Mendelssohn: "Hebrides" Overture". Archived from the original on 2007-09-14. Retrieved 2006-11-03.
  9. ↑ The Hebrides, digital library of the Mendelssohn Foundation, accessed 2018-02-22.
  10. ↑ Dr. Richard E. Rodda. "Program Notes: Overture, "The Hebrides" ("Fingal's Cave"), Op. 26". Hartford Symphony Orchestra. Retrieved 2006-11-03.
  11. ↑ "Overture to "Fingal's Cave"". Music With Ease. Retrieved 2006-11-03.
  12. ↑ "MS of Hebrides Overture (purchased at Sotheby's)". The National Archives. Retrieved 2020-05-19.
  13. ↑ Wojcik, Pamela Robertson and Knight, Arthur (eds.) (2001) . Soundtrack Available: Essays on Film and Popular Music, p. 46. Duke University Press
  14. ↑ Goldmark, Daniel and Taylor, Yuval (eds.) (2002). The Cartoon Music Book, p. 54. Chicago Review Press
  15. ↑ "Division of radiophysics (1949)".
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