Sylvie (1853) is a novella by French Romanticist Gérard de Nerval. It was first published in the periodical La Revue des Deux Mondes in 1853, and as a book in Les Filles du feu in 1854, just a few months before Nerval killed himself in January 1855.

Background

The novel contains autobiographical elements.[1] As in the story, Nerval often traveled to Germany and to the east. Nerval had an unhappy love for a real actress, Jenny Colon.[2] He had a female childhood friend named Adrienne, whom he unhappily lost earlier in life.[2] These unattainable and lost female figures are represented in the story, as well in his other works. In real life, Nerval lost his mother at an early age.[2]

Guillaume Apollinaire relates (in La Vie Anecdotique) that while writing Sylvie, Nerval spent a week in Chantilly solely to study a sunset that he needed for it.

Plot

An idyll written in the form of a reminiscence, the story is about a hero's love for three women, all of whom he loses – a hymn to unattainable, unrequited love. The story begins when a paragraph in a newspaper plunges the narrator into his memories as a younger man. The perspective seems to shift back and forth between the past and present, so the reader is never entirely sure if the narrator is recounting past events from memory, or retelling current events as they happen. Critics have praised the writing for its lucid and lyrical style. The narrator, of noble status and who has recently come into an inheritance, decides to leave Paris, where he is living a debauched life of theater and drink, and return to the love of his youth, a peasant girl named Sylvie who has classic features and brunette hair, a "timeless ideal". She sews gloves for a living and ends up marrying another man more equal to her class. The narrator also loves a seductive actress in Paris named Aurélia, who has many suitors who tell her empty idylls of love, but none love her for who she really is – including the narrator, who sees her as a lovely illusion that fades in the daylight of reality. The narrator also loves Adrienne, of noble birth, tall with blonde hair; she is an "ideal beauty", but she lives in a convent, and dies an early death. In the end, he loves all three but obtains none, seemingly for reasons both beyond and within his making.

Sylvie has many features of Romanticism, including flowing descriptions of a beautiful but lost natural world, appreciation for the architecture and traditions of the Middle Ages, and Greek traditions. The use of color appears to be unique, with binary oppositions serving as a simplifying mechanism to make distant memories emerge more strikingly from the mist.[3]

Reception

Sylvie is often considered to be Nerval's prose masterpiece,[4][5] and has been a favorite of Marcel Proust, André Breton, Joseph Cornell and Umberto Eco.[5][6][7] Julien Gracq wrote of Sylvie in 1966: "I know of no more enchanted narrative in our language" ("Je ne connais aucun récit plus enchanté dans notre langue"). Harold Bloom included it in The Western Canon (1994).[8]

Notes

  1. ↑ Whitall, pg.11
  2. 1 2 3 Christopher John Murray (2004). Encyclopedia of the romantic era, 1760–1850: Volume 2, Page 797-798.
  3. ↑ Thompson, Peter. "Sylvie: The Method of Myth." Nineteenth Century French Studies Vol XII Fall/Winter, 1983
  4. ↑ Whitall, pg.10
  5. 1 2 Marcel Proust. "Gérard de Nerval" in Contre Sainte-Beuve, pp. 233-242. Proust called it a "masterpiece".
  6. ↑ Gérard de Nerval. Selected Writings, Penguin Classics, "Introduction".
  7. ↑ Umberto Eco. Interpretation and Overinterpretation. Cambridge University Press, 1992. Pg. 147
  8. ↑ The Western Canon, list of works, as given by Harold Bloom in his book The Western Canon
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