Susana Cook is an Argentinean-born, New York City-based experimental performance artist who has been writing and producing original work for over 20 years.[1][2]

Cook began studying drama and performing in Argentina, before moving to New York City in 1993.[1]

Works

  • The Fury of the Gods (2010)
  • The unPatriotic Act: Homeland Insecurities (2007)
  • The Idiot King (2006)
  • The Values Horror Show (2005)
  • 100 Years of Attitude (2004)
  • Dykenstein: Sex, Horror and the Tragedy of the Straight Brain (2003)
  • Hamletango: Prince of Butches (2002)
  • Spic for Export (2002)
  • The Fraud (2001)
  • Gross National Product (2000)
  • Conga Guerilla Forest (1999)
  • Hot Tamale (1999)
  • We are Faking our National Orgasm (1999)
  • Bitches are a Girl’s Best Friend (1998)
  • Parable of the Sour (1998)
  • Rats: The Fantasy of Extermination (1998)
  • Butch Fashion Show in the Femme Auto Body Shop (1997)
  • Post Colonial Butches: Post Patriarchal Femmes and other Blessings (1997)
  • Gender Acts (1996)
  • Tango Lesbiango (1996)
  • The Service Economy Vaudeville (1996)
  • The Title: A Parody of Opera, Angels and Tango (1994)
  • Las Tres Américas (1992)

References

  1. 1 2 Costa, Maria Dolores (25 Sep 2008). "Latina Lesbian Writers and Performers". Journal of Lesbian Studies. 7 (3): 5–27. doi:10.1300/J155v07n03_02. PMID 24816051. S2CID 149030062.
  2. ↑ Goddard, Amy Jo (2007). "Staging Activism: New York City Performing Artists as Cultural Workers". Social Justice. 34 (1): 97–116. JSTOR 29768424.


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