Early writing and Fox Films

A Yale graduate, Miller began writing stories for silent films in the late 1920s. He worked on Brown of Harvard in technical direction and as a member of the cast.^[4] He signed a three-year contract at Fox Film Corporation in 1927^[5] where his credits included the films, Paid to Love, Two Girls Wanted,^[6] High School Hero, and Wolf Fangs. He also started early work with Howard Hawks on the productions, Fazil and Cradle Snatchers.^[5]

A Girl in Every Port and Howard Hawks

Miller's first big hit was the 1928 film, A Girl in Every Port, directed by Howard Hawks, a crucial film in Hawks' career. He was reunited with Hawks later that year for Fazil then did two Rex Bell 1928 Westerns, The Cowboy Kid and Girl-Shy Cowboy. In 1929, Miller wrote Hawks' first sound film, The Air Circus then did The Far Call for Allan Dwan that same year, following it up in 1930 with The Lone Star Ranger and a comedy, Harmony at Home, then left Fox.

Miller joined Hawks at First National and in 1930 did The Dawn Patrol, working with another team on Today that same year. In 1931 he started work on three movies with Hawks, The Criminal Code at Columbia, and in 1932, both Scarface, and The Crowd Roars.^[7][8] His final works at Fox Films include The Last Mile then adapted the comedy play Once in a Lifetime, both completed in 1932.

Paramount

At Paramount, Miller wrote Hot Saturday (1932) and in 1933, the horror film, Murders in the Zoo,^[9] the Hawks movie The Eagle and the Hawk, and Gambling Ship (1933). During the year he went to Columbia for Master of Men. In 1934, he worked on Come On Marines! for Henry Hathaway, then went back to Fox for Murder in Trinidad, Marie Galante and Charlie Chan's Courage.^[10]

He worked on The Farrell Case for James Cagney and Jack Holt but it was not made.^[11]

Warner Bros

For Warner Bros., Miller wrote The St. Louis Kid (1934) for James Cagney. In 1935, after working on Murder on a Honeymoon for RKO, Warner Bros. asked him to return to work on further Cagney films: G Men, and Frisco Kid. He wrote a sequel to G Men, G Women^[12] that was not made.

Miller continued to write for other studios and in 1936, wrote It Happened in New York for Universal and in 1937, Two in the Dark for RKO and for Republic, The Leathernecks Have Landed.

Miller went back to Warner Bros. in 1937 to do Bullets or Ballots for Edward G. Robinson and Humphrey Bogart.^[13] He stayed at the studio to work on Marked Woman, San Quentin, Back in Circulation, and Kid Galahad. He wrote Kit Carson for Wayne Morris but it as not made.^[14]

In 1938, Miller worked on the Errol Flynn vehicle, The Adventures of Robin Hood, which was a big success. He was put on another Flynn film, a remake of The Dawn Patrol.^[15] Miller wrote Valley of the Giants that year and following in 1939, two productions with John Garfield, Dust Be My Destiny and Castle on the Hudson.^[16]

He officially left Warners in July 1939 after four years.^[17] but did another Flynn swashbuckler, The Sea Hawk in 1940.^[18] He also wrote a Western for Flynn, Tombstone^[19] but it was not made.

Post-Warners

At Universal he adapted I James Lewis but it does not appear to have been made.^[20] At Columbia he cowrote Here Comes Mr. Jordan (1941), which won him an Oscar, following it up with a Universal production, This Woman is Mine (1942). Warners' Secret Enemies (1942) was based on his story.^[21]

20th Century Fox

Miller went to Fox, where in 1942 he worked on My Gal Sal and The Black Swan.^[22] Working briefly for Columbia, he adapted the play Heart of City for Merle Oberon^[23] but it was not made.

Paramount: Turning Producer

Miller signed a contract with Paramount to write and produce. He started with Ministry of Fear (1944), directed by Fritz Lang.^[24] He was assigned The Griswold Story but it was not made.^[25] Miller also produced The Bride Wore Boots (1946).^[26]

He had written a script of Two Years Before the Mast for Edward Small in 1939.^[27] The project was bought by Paramount, and Miller also produced. It was directed by John Farrow and he and Miller made two more films together, California (1947), and Calcutta (1947).^[28][29]

Warners & Universal

Miller sold his script for Singapore to Universal in 1947. It was later remade as Istanbul (1957).^[30] In August 1947, he signed with Warner Bros to write and produce. He was to start with Colt 45 starring Wayne Morris.^[31] It was not made. Instead he wrote and produced Fighter Squadron (1948).^[32]

1950s independent writer and studio works

In the 1950s, Miller wrote either independently or for various studios. In 1950, Miller wrote The Man Who Cheated Himself, originally known as The Gun,^[33] and associate produced The Sound of Fury.^[34] Early in that year he formed a company with Irvin Rubin.^[35]

He wrote and produced Queen for a Day (1951) at United Artists^[36] and wrote an adaptation of Island in the Sky^[37] but is not credited on the final film. Miller wrote The Mississippi Gambler (1953) and in 1954, the Bengal Brigade for Universal and The Shanghai Story for Republic.

In 1955, he sold a Western script, The Staked Plains to Henry Fonda.^[38] He wrote scripts for a Dennis O'Keefe TV series Hart of Honolulu.^[39] He wrote The Willie Gordon Story for Ray Milland in 1957, meant to be shot in England but it was not made.^[40] That same year, he sold a story Pete's Dragon for the Disney company to make as a vehicle for Kevin Corcoran.^[41] The eventual film was not made for another two decades.

Miller was credited on the remake of The Last Mile (1959).^[42]. He closed out the decade by writing Death Valley Days and creating a series, Rogue for Hire.

Later career

His later credits span into the 1970s, including Knife for the Ladies (1974) and an unpublished story of his was filmed as Pete's Dragon (1977).