Roman Candle
Studio album by
ReleasedJuly 14, 1994
RecordedLate 1993
Genre
Length30:28
LabelCavity Search
ProducerElliott Smith
Elliott Smith chronology
Roman Candle
(1994)
Elliott Smith
(1995)

Roman Candle is the debut studio album by American singer-songwriter Elliott Smith. It was recorded in late 1993 and released on July 14, 1994, by record label Cavity Search.

Background and recording

Roman Candle was recorded and released while Smith was still in Heatmiser. According to Benjamin Nugent's biography Elliott Smith and the Big Nothing, Smith recorded the album in the basement of the home of then-girlfriend and Heatmiser manager JJ Gonson.

The album was never intended for release, as Smith only expected to get a deal for a 7-inch single; however, after Gonson played the album for Cavity Search, they immediately requested permission to release it in its entirety. Smith at first hesitated, and then allowed permission.[1]

Content

The album has a raw, homemade sound, with Smith playing each instrument and recording it on his four-track recorder.[2] Additionally, he used a Shure SM57 and an inexpensive RadioShack dynamic microphone to capture the sound.

The song Condor Ave may refer to an avenue of the same name in Homestead, Portland, Oregon.

The front cover features a photograph of Neil Gust (of Heatmiser) and friend Amy Dalsimer, taken by Gonson. Smith chose the image because he "liked the way the picture looked as a 'piece of art'".[1]

Release

Roman Candle was released on July 14, 1994.

Roman Candle was reissued on April 6, 2010, by record label Kill Rock Stars. It was remastered by Larry Crane, with the original mixes by Smith remaining intact. On the official press release on Sweetadeline.net, Crane said of the remaster:

The intention that I had was to make the album more listenable. I felt that a lot of the guitar "squeaks" were jarring and very loud, and that many of the hard consonants and "s" sounds were jarring and scratchy sounding. I felt by reducing these noises that the music would become more inviting and the sound would serve the songs better. When I went to Roger Seibel's SAE Mastering, he proceeded to equalize the tracks a small amount and to make the volume slightly louder. We never tried to make this CD as loud as current, over-limited trends, but just to match the volume of the rest of Elliott's KRS catalog in a graceful way. Please note that none of this album is "remixed" from the master tapes – it is still composed of the mixes Elliott created himself.[3]

Reception

Professional ratings
Review scores
SourceRating
AllMusic[2]
American Songwriter[4]
Consequence of Sound[5]
The Guardian[6]
The Irish Times[7]
NME6/10[8]
Pitchfork7.8/10[9]
Record Collector[10]
The Rolling Stone Album Guide[11]
Uncut[12]

According to Nugent, the response to Roman Candle was mixed, with some passing it off as being derivative of Simon & Garfunkel,[1] though Roman Candle has since been well received by critics.

In its retrospective review, BBC Music opined that the album "remains a searingly honest and decisive collection. As a genesis of exceptional talent it is flawless, and heartbreakingly so."[13] Consequence of Sound called the album "far from a genius effort, but nonetheless an important solo performance pointing towards where his many strengths and few weaknesses as a singer and songwriter were."[5] Pitchfork has described the album's musical style as "lo-fi folk".[14]

Track listing

All tracks are written by Elliott Smith, except "No Name #1", written by Smith and JJ Gonson

No.TitleLength
1."Roman Candle"3:37
2."Condor Ave"3:34
3."No Name #1"3:03
4."No Name #2"3:34
5."No Name #3"3:13
6."Drive All Over Town"2:36
7."No Name #4"2:30
8."Last Call"4:38
9."Kiwi Maddog 20/20"3:40

Personnel

  • Elliott Smith – acoustic guitars, vocals, record producer, electric guitar ("Roman Candle", "Last Call", "Kiwi Maddog 20/20"), harmonica ("No Name #2")
Additional personnel
Technical
  • Tony Lash – mixing assistance
  • Neil Gust – sleeve design and photography
  • JJ Gonson – album cover photography
  • Peter Hawkinson – technician

References

  1. 1 2 3 Nugent, Benjamin (2004). Elliott Smith and the Big Nothing. Da Capo Press. ISBN 978-0-306-81447-1.
  2. 1 2 Cater, Darryl. "Roman Candle – Elliott Smith". AllMusic. Retrieved April 13, 2013.
  3. "Roman Candle". Sweet Adeline. Retrieved December 7, 2013.
  4. Schlansky, Evan (April 30, 2010). "Elliott Smith: Roman Candle/From a Basement On The Hill". American Songwriter. Retrieved May 28, 2020.
  5. 1 2 Persson, Jesper (April 23, 2010). "Album Review: Elliott Smith – Roman Candle [Reissue]". Consequence of Sound. Archived from the original on March 23, 2013. Retrieved April 13, 2013.
  6. Sullivan, Caroline (August 7, 1998). "Pretty burns". The Guardian.
  7. Clayton-Lea, Tony (December 24, 2004). "Elliott Smith: Roman Candle / Elliott Smith / Either/Or (Domino)". The Irish Times. Retrieved April 6, 2020.
  8. Martin, Gavin (August 1, 1998). "Elliott Smith – Roman Candle / Elliott Smith". NME. Archived from the original on October 11, 2000. Retrieved December 19, 2018.
  9. Greene, Jayson (March 29, 2010). "Elliott Smith: Roman Candle / From a Basement on the Hill". Pitchfork. Retrieved April 13, 2013.
  10. Kennedy, Jake (May 2010). "Elliott Smith – Roman Candle". Record Collector. No. 375. Retrieved April 13, 2013.
  11. Berger, Arion (2004). "Elliott Smith". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 750–51. ISBN 0-7432-0169-8.
  12. "Elliott Smith: Roman Candle". Uncut. p. 114. In precise, poetically natural language, to the squeaks of finger-picked guitar, he presents love as a series of crime scenes, emotional murders to investigate.
  13. Skinner, James (March 29, 2010). "BBC – Music – Review of Elliott Smith – Roman Candle". BBC. Retrieved April 13, 2013.
  14. LeMay, Matt (May 9, 2007). "Elliott Smith: New Moon". Pitchfork. Retrieved May 28, 2020.
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