Quentin Bruno is a singer, dancer and actor from Paris, France. He was a candidate on The Voice: la plus belle voix as part of Team Mika.

Biography

Bruno was a candidate on The Voice: la plus belle voix on the 4th season of the French version of the reality television singing competition The Voice.

Following the blind audition with his rendition of Wonderwall, for which he accompanied himself on the piano,[1] Bruno was selected to be on the team of the Lebanese-born British singer and songwriter Mika[2] He was eliminated during the battle rounds which featured French pop star Julien Doré as the guest coach.[3]

He played role of Luke in the 2015 Paris premiere of the American Musical Theatre Live production of the Salzman and Cunningham musical Next Thing You Know.[4][5] He was the choreographer for the premiere of the French musical Hashtags written by Alyssa Landry and Thierry Boulanger.[6]

Bruno adapted Eric Chantelauze's theatrical piece C-o-n-t-a-c-t for English. Exploring themes of mental health and anxiety, an immersive, outdoor production will commence in August 2020 in London.[7]

References

  1. Verdrel, Jean-Marc (February 1, 2015). "The Voice" : Quentin Bruno interprète " Wonderwall " de Oasis" (in French). Coulisses de la TV.
  2. Morin, Fabien (February 2, 2015). "The Voice : Quentin Bruno, le protégé de Mika se confie" (in French). Le Figaro.
  3. Verdrel, Jean-Marc (February 28, 2015). "The Voice : la Battle Law' / Quentin Bruno sur « Chou Wasabi de Julien Doré" (in French). Coulisses de la TV.
  4. Morin, Fabien (June 11, 2015). "Les stars des télécrochets prennent d'assaut les comédies musicales" (in French). Le Figaro.
  5. Honoré , Patrick (June 2, 2015). "Next Thing You Know – American Musical Theatre Live! Paris". Musical Theatre Review.
  6. Kong, Stephany (May 29, 2015). "#Hashtags, le musical d'Alyssa Landry et Thierry Boulanger La Générale" (in French). Musical Avenue.
  7. "Across the Pond: C-o-n-t-a-c-t Casting, Doppler Goes Digital, Gate Theatre's Letters on Zoom". 17 August 2020.
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