Peter Zizka (born 16 December 1961) is a German designer and conceptual artist.

Peter Zizka
Peter Zizka giving a design talk in Berlin
Born (1961-12-16) 16 December 1961
NationalityGerman
EducationHochschule für Gestaltung Offenbach
Städelschule
Bruce McLean
Known forconceptual art
Notable workThe Virtual Minefield
MEMORY 1–24
MovementMEMORY
ElectedGerman Designers Club

Life

Zizka is the younger son of the social politician Walburga Zizka (Christian Democratic Union of Germany) and Cyril Zizka, of Czech descendant. Initially trained as an art restorer, Peter Zizka went to study graphics, design, and visual communication at the Hochschule für Gestaltung Offenbach in 1983. At the same time, he attended the Städelschule in Frankfurt and studied under Bruce McLean, among others.

In 1989, together with Achim Heine and Michael Lenz, Zizka founded the design company Heine/Lenz/Zizka.[1]

Parallel, in the early 1990s, Zizka and Olaf Rahlwes explored the interface between art and design with their MEMORY conceptual art exhibitions.

After leaving MEMORY, Zizka worked on design projects that were socially relevant. In his work, Zizka adopts a less agitative position than that of a communication guerrilla or an adbuster such as Banksy. The most well known of his work from this series is The Virtual Minefield,[2][3] the first floor-based installation spanning art and design. Zizka won the gold award from the European Art Directors Club for The Virtual Minefield. It was shown at the Kunsthal Rotterdam, the Foreign Office in Berlin and the Hygiene Museum Dresden among others.

In 2008, Zizka won the design competition for the Kiel Week corporate design,[4] following the likes of Wim Crouwel (1998), Fons Hickmann (2002), and Klaus Hesse (2006).

2010 he starts an art Project in Burundi to render weapons of the Hutu Tutsi conflict harmless in real terms and at the same time initiate a process, by means of aesthetisation, which is relevant to society to open up a discussion on the issue of small arms tangible on a broad communication level.

2011 he received the fellowship of the Deutsche Akademie Rom Villa Massimo.

Zizka writes about design for the Swiss Bilanz magazine[5] and is a freelance curator for the Museum für angewandte Kunst Frankfurt.

Peter Zizka works and lives in Frankfurt am Main und Berlin. His brother, Georg Zizka, is the Head of Botany and Molecular Evolution of the Senckenberg Institute in Frankfurt.[6]

Curated exhibitions

celebrations of 25 years German reunification, typographic Installation of Peter Zizka on the St. Paul's Church, Frankfurt

2016

Selected solo and group exhibitions

2016

2015

  • »Secret Compartments«, Museum für angewandte Kunst Frankfurt, Frankfurt
  • »Favourites. Favourite pieces from the private collections of Beckers and Landau«, Galerie Braubachstrasse9, Frankfurt

2013

  • »Symbiosis - 1,5 Tonnen globale Verwicklung«, Kunsthalle E-werk, Freiburg
  • »For a mine-free world«, United Nations, Main Gallery, New York
  • »Open View«, Nassauischer Kunstverein, Wiesbaden[10]

2012

  • »Night of the Villa Massimo«, Martin-Gropius-Bau, Berlin[11]
  • »Abwehr. Überlebensstrategien in Natur, Wirtschaft, Politik und Alltag«, Stiftung Charles und Agnes Vögele, Zürich-Pfäffikon

2011

2009

2005

  • »De soldaat die nooit slaapt«, Kunsthal, Rotterdam
  • »The virtual Minefield«, Stadthalle (Freiburg im Breisgau), Freiburg
  • »The virtual Minefield«, Schauspiel Frankfurt, Frankfurt
  • Lew Kopelew Forum, Cologne

2004

1997

  • »Memory« with Olaf Rahlwes, Kunst Halle St. Gallen, St. Gallen

Further exhibitions of the »Memory«-Group from 1985-1994 include Fisherman’s Studios, London, Kunstraum Konstantin Adamopulos, Frankfurt, Galerie AK, Hans Sworowski, Frankfurt, Galerie Lukas & Hoffmann, Berlin, Galerie Single 74, Amsterdam, Galerie Vorsetzen, Hamburg und Galerie Schneider, Konstanz.

Works

  • MEMORY 1-24
  • Der Frankfurter Bankstuhlgang (performance)
  • Bois de Boulogne (fotoinstallation)
  • The Virtual Minefield (installation)
  • IPRAY (2006)
  • Outliner (2008, installation)
  • Symbiosis/Burundi (2010/11, installation) constructed from weapons which have been rendered unusable [13]

Bibliography

  • Memory 30 – a book, Walther König: Frankfurt
  • ROGUE, Konstantin Adamopoulos: MEMORY, a sign of intelligence
  • Page Designmagazin 10/95 a perfect triangle, Page Verlag
  • FrancoForte, Verlag: Schaden u. Schaden ISBN 3-932187-31-8
  • Horizont 18/2002 colors of taste
  • Horizont 23/2002 Das Werkzeug als Auge sensibler Stars
  • Welt am Sonntag, 24. November 2002 Objektive Schönheit
  • TAZ, 2. Dezember 2004 Der falsche Tritt kann tödlich sein
  • Gestalte / Create – Design Medien Kunst, Hrsg. v. Bernd Kracke 2007,HFG of–main, Wir die Kommunikationannimateure ISBN 3-89986-092-6
  • Hundert t-Variationen, editor Jan Teunen, Verlag Hermann Schmidt Mainz, ISBN 3-87439-544-8
  • form 213, Hasta la Vista Baby!, Verlag Form ISBN 3-936560-50-1
  • Padamm, Verlag otto Lembeck, die Zweiweltenoper, ISBN 978-3-87476-520-6
  • Design Walk, Psyrri, Greek Graphic Designers Association
  • Page Designmagzine 06/07 Wertvolles Dazwischen, Page Verlag
  • Form 219/2008 "Peter Zizkas Graphic blows" ISBN 3-7643-8615-0
  • Beef 03/2008 (interview) Designer geben den Takt vor ISSN 1866-1890
  • Lookbook 2.0 2009 Simple, Multiple
  • Designing the Brand Experience, ISBN 981-245-732-1
  • Revision 1/2009 "Design-lotto easy going"
  • Egokollektiv. Peter Zizka«, edited by Anna Duque y González and Matthias Wagner K, Verlag der Buchhandlung Walther König, Köln 2018, ISBN 978-3-96098-364-4.

References

  1. ↑ Heine/Lenz/Zizka
  2. ↑ Deutsche Welle about the virtual minefield
  3. ↑ virtual minefield
  4. ↑ Kiel Week 2008
  5. ↑ swiss bilanz magazine contributor peter zizka
  6. ↑ Archived 2016-05-10 at the Wayback Machine Senckenberg Research Institute and History Museum
  7. ↑ Museum für angewandte Kunst Frankfurt, Happy Show
  8. ↑ New Everything! Museum für angewandte Kunst Frankfurt, A Century of New Typography and New Graphic Design in Frankfurt am Main
  9. ↑ Under Arms. Museum Angewandte Kunst in Frankfurt am Main, Fire & Forget 2
  10. ↑ Kunstverein Wiesbaden »Open View«
  11. ↑ Villa Massimo, »Night of the Villa Massimo«,,
  12. ↑ Center for Art and Media Karlsruhe, »Symbiosis – 1.5 Tons of Global Entanglement«
  13. ↑ theater PAN.OPTIKUM about »symbiosis«
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