The Pen butai (ペン部隊, lit. "Pen corps" or "Pen brigade") was a Japanese government organisation which existed between 1938 and 1942.[1] It was composed of Japanese authors who travelled the front during the Second Sino-Japanese War to write favourably of Japan's war efforts in China.[2]

History

The Pen butai was formed in 1938 after a meeting between the Cabinet Intelligence Department and writers Kan Kikuchi, Masao Kume, Eiji Yoshikawa, Riichi Yokomitsu, Haruo Satō, Nobuko Yoshiya and Fumio Niwa.[2] The aim was to have popular authors travel the Sino-Japanese front and write favourably of their experiences in form of stories, novels, plays, poems and personal journals for propagandistic purposes.[3] Those who participated were offered free travel, accommodation and food, access to off-limits war areas and the possibility to interview important military figures.[3] The invitation sent out by the government met with such an enthusiastic response that not all writers who wished to join could be accommodated.[4][5][6] 22 men and two women were flown overseas in September 1938, a smaller group followed two months later.[4] Members of these groups included Kikuchi, Kume, Yoshikawa, Yoshiya, Fumiko Hayashi, Matsutarō Kawaguchi, Kunio Kishida, Masajirō Kojima and Tadao Kumei.[3][5][7][8]

The subsequently published works by the writers involved were supportive of the war as had been expected,[4] and only very few exceptions dared to present its brutal reality.[3] Tatsuzō Ishikawa's[lower-alpha 1] Ikite iru heitai ("Soldiers alive"), which depicted the war in a realistic manner, was censored.[2][9]

In 1942, the Pen Butai was assimilated by the Nihon bungaku hōkokukai ("Patriotic Association for Japanese Literature"), led by Sohō Tokutomi and Kume, and a subordinate of the Cabinet Intelligence Bureau.[1][10]

Notelist

  1. Ishikawa travelled the Sino-Japanese front for the magazine Chūō Kōron, not as member of the Pen butai.[9]

Reflist

  1. 1 2 "ペン部隊". Kotobank (in Japanese). Retrieved 24 July 2023.
  2. 1 2 3 Hutchinson, Rachael; Morton, Leith Douglas, eds. (2019). Routledge Handbook of Modern Japanese Literature. Routledge. pp. 128–129. ISBN 9780367355739.
  3. 1 2 3 4 Brandon, James R. (2009). Kabuki's Forgotten War 1931-1945. University of Hawaii Press. p. 83. ISBN 9780824832001.
  4. 1 2 3 Kuroshima, Denji (2005). "Introduction". A Flock of Swirling Crows And Other Proletarian Writings. University of Hawaii Press. p. 8. ISBN 9780824829261.
  5. 1 2 Bradley Horton, William (2014). "Tales of a Wartime Vagabon: Hayashi Fumiko and the Travels of Japanese Writers in Early Wartime Southeast Asia". In Buchheim, Eveline; Futselaar, Ralf (eds.). Under Fire: Women and World War II. Verloren Publishers. p. 40. ISBN 9789087044756.
  6. Cipris, Zeljko (24 November 2005). "Responsibility of Intellectuals: Kobayashi Hideo on Japan at War". The Asia-Pacific Journal: Japan Focus. Retrieved 24 July 2023.
  7. Robertson, Jennifer (2002). "Yoshiya Nobuko: Out and Outspoken in Practice and Prose". In Walthall, Anne (ed.). The Human Tradition in Modern Japan. SR Books. p. 169. ISBN 9780842029124.
  8. Dollase, Hiromi Tsuchiya (2013). "Kawabata's wartime message in Beautiful Voyage (Utsukushii tabi)". In Hutchinson, Rachael (ed.). Negotiating Censorship in Modern Japan. Routledge. p. 88. ISBN 9780415520782.
  9. 1 2 Askew, David (28 September 2005). "Living Soldiers/Dying Soldiers: War and Decivilization in Ishikawa Tatsuzo's Soldiers Alive". The Asia-Pacific Journal: Japan Focus. Retrieved 24 July 2023.
  10. "日本文学報国会". Kotobank (in Japanese). Retrieved 24 July 2023.
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