Old Gray Cemetery
McGhee obelisk
Old Gray Cemetery is located in Tennessee
Old Gray Cemetery
Old Gray Cemetery is located in the United States
Old Gray Cemetery
Location543 N. Broadway
Knoxville, Tennessee
Coordinates35°58′26″N 83°55′29″W / 35.97389°N 83.92472°W / 35.97389; -83.92472
Built1850
MPSKnoxville and Knox County MPS
NRHP reference No.96001402
Added to NRHPDecember 4, 1996

Old Gray Cemetery is the second-oldest cemetery in Knoxville, Tennessee, United States. Established in 1850, the 13.47-acre (5.45 ha) cemetery contains the graves of some of Knoxville's most influential citizens, ranging from politicians and soldiers, to artists and activists. The cemetery is also noted for the Victorian era marble sculpture and elaborate carvings adorning many of the grave markers and headstones.[1] In 1996, the cemetery was added to the National Register of Historic Places.

Named for English poet Thomas Gray (1716–1771), Old Gray Cemetery is an example of a so-called garden cemetery, a mid-19th-century style that sought the transition of graveyards from urban churchyards to quiet suburban plots. Unlike its crowded predecessor, the First Presbyterian Church Cemetery, Old Gray features spacious graves, grand monuments, and extensive vegetation, and its layout bears more resemblance to a public park. Playwright Tennessee Williams mentions Old Gray in his short story, "The Man in the Overstuffed Chair,"[2] and Pulitzer Prize-winning novelist Peter Taylor alludes to the cemetery in his book, In the Tennessee Country.[3] The cemetery was simply known as "Gray Cemetery" until 1892, when "New" Gray Cemetery was established about a mile away.[4]

History

Marble sculpture atop Ora Brewster monument

By the 1840s, the garden cemetery movement, driven largely by the fame of Paris's Père Lachaise Cemetery, had gained popularity in France, England, and the United States, as planners in various large cities began building larger, more elaborate cemeteries in their respective cities' outskirts and suburbs. During this period, Knoxville's leaders sought such a cemetery for Knoxville, as many had incorrectly believed the First Presbyterian Church Cemetery (near the center of town) had caused a deadly epidemic in 1838.[1] In February 1850, a board of trustees, led by East Tennessee University president William B. Reese, was appointed to buy land and sell lots for a new cemetery.[4]

The site of Old Gray Cemetery was previously pastureland located just outside Knoxville's northwestern city limits. Only a mile from the city's downtown area, it was considered ideal for a suburban cemetery. The first land for the cemetery was purchased in December 1849, and landscape architect Frederick Douglass was hired to come up with a groundplan. At the suggestion of Reese's wife, Henrietta, the cemetery was named after English poet Thomas Gray, author of Elegy Written in a Country Churchyard.[4]

The cemetery was dedicated on June 1, 1852, with the sale of the first 40 grave lots.[4] The first burial had, however, occurred on July 15 of the previous year, after a local man named William Martin died of wounds from a cannon explosion during the city's Fourth-of-July celebration. Martin's grave was not marked, but a small marble memorial in the northwest section of the cemetery recalls the incident.[5]

Many of the cemetery's early burials were victims of Knoxville's 1854 cholera epidemic. The cemetery also contains several dozen victims of the New Market train wreck of 1904. In 1912, the cemetery witnessed one of the largest funeral processions ever conducted in the South, when some 40,000 mourners attended the burial of former Tennessee governor Robert "Fiddlin' Bob" Taylor (Taylor's grave has since been moved to Johnson City.)[6]

Layout

The southwest section of Old Gray in Autumn

Old Gray Cemetery is shaped like an awkward pentagon, with a "handle" opening toward its main (eastern) entrance on Broadway. Secondary entrances are located in the northern corner along Tyson Street and in the western corner along Cooper Street. A paved avenue connects all three entrances, and paved roadways twist and turn throughout the cemetery. Roads, trees, and grave plots all follow the natural topography. The National Register-listed St. John's Lutheran Church stands opposite the cemetery's main entrance.

The cemetery's administrative office is located just inside the main gate. Beyond the entrance, the main avenue splits around a circle, which once contained the 20-foot (6.1 m) Albers Fountain.[4] The cemetery's perimeter is partially surrounded by a low stone wall, and partially by an iron fence, with double-iron gates and marble posts at the main entrance, and walk-through gates at the secondary entrances. The cemetery's northwest wall is shared with the adjacent Knoxville National Cemetery.

Monuments

Horne monument

Unlike many modern cemeteries, where the gravemarkers are carved from granite (which is more durable), most of the decorative monuments at Old Gray are carved from marble. While not as durable as granite, marble is softer, and thus lends itself to more elaborate designs. Victorian angels—guardians of the dead—are the most common type of sculpture. Obelisks—which were popular grave monuments during the late 19th-century—are also found throughout the cemetery. Other notable markers include Woodmen of the World monuments—carved to depict undressed tree logs—where were given to the order's members as part of a life insurance policy.[1] Elaborate crosses are also common, including several celtic crosses.

One of the most notable sculptures is the Horne monument, which is a near life-size statue of a Confederate soldier guarding the graves of Confederate veterans William and John Horne. A statue carved by Italian sculptor Antonio Bebelotti graces the graves of the parents of art collector Eleanor Swan Audigier, who obtained the statue while living in Rome. The obelisk of Frank S. Mead, carved by Knoxville sculptor D. H. Geddes, was used on advertisements by Mead's marble company.[1]

Notable interments

Parson Brownlow obelisk

For years, visitors to the Old Gray Cemetery have commented on the various "adversaries" buried within sight of one another. Among the most well-known of these are Knoxville businessman Joseph Alexander Mabry, Jr., his son Joseph Alexander Mabry III, and Mechanics' National Bank president Thomas O'Connor, all three of whom were killed in an 1882 shootout discussed in Mark Twain's Life on the Mississippi.[7] The family plots of two bitter Civil War rivals, pro-Unionist William "Parson" Brownlow and pro-secessionist John Hervey Crozier, are separated only by a roadway. Two other Civil War adversaries, Union Army major Eldad Cicero Camp and Confederate colonel Henry Ashby, are also buried at Old Gray, the latter having been killed in a scuffle with Camp in downtown Knoxville in 1868.[8]

Cornelius Coffin Williams (1879–1957), father of playwright Tennessee Williams, is buried in the cemetery, and his funeral is discussed in Williams's "The Man in The Overstuffed Chair."[2] Eliza Boond Hodgson (1810–1870), mother of author Frances Hodgson Burnett, is also buried at Old Gray, her grave being one of the few surviving relicts of Burnett's years in the city.[9] Author Peter Taylor mentions a 1916 funeral at a "Knoxville cemetery" for a fictitious politician in his novel, In the Tennessee Country, which may be an allusion to the lavish funeral of his grandfather, Governor Robert Love Taylor, which took place at Old Gray in 1912 (Lot 407).[3]

Frank S. Mead monument

References

  1. 1 2 3 4 Jack Neely, The Marble City: A Photographic Tour of Knoxville's Graveyards (Knoxville, Tenn.: University of Tennessee Press, 1999), pp. xvii–xxii, 3–7.
  2. 1 2 Tennessee Williams, "The Man In the Overstuffed Chair." Collected Stories (New York: New Directions Books, 1985), p. xvi.
  3. 1 2 Jack Neely, Knoxville's Secret History (Scruffy Books, 1995), pp. 56–57.
  4. 1 2 3 4 5 Old Gray Cemetery – History. 3 September 2008. Retrieved: 2 May 2010.
  5. ↑ Information obtained from William Martin monument, Old Gray Cemetery, April 2010.
  6. ↑ Jack Neely, The Marble City, p. 15.
  7. ↑ Jack Neely, The Marble City, p. 30.
  8. ↑ Jack Neely, The Marble City, p. 32.
  9. ↑ Jack Neely, The Marble City, p. 17.
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