Native Sense - The New Duets | ||||
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Studio album by | ||||
Released | October 1997 | |||
Recorded | June 1997 | |||
Genre | Jazz | |||
Length | 64:11 | |||
Label | Stretch | |||
Producer | Chick Corea, Ron Moss | |||
Chick Corea chronology | ||||
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Gary Burton chronology | ||||
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Native Sense - The New Duets is an album by vibraphonist Gary Burton and the pianist Chick Corea, released in 1997 on the Concord label. The album is the fourth studio recording by the duo following Crystal Silence (1972), Duet (1978) and Lyric Suite for Sextet (1982). The album peaked number 25 in the Billboard Top Jazz Albums chart.[1]
Reception
The AllMusic review by Richard S. Ginell stated: "This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries".[2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Track listing
All compositions by Chick Corea except where noted.
- Native Sense" – 6:29
- "Love Castle" – 7:25
- "Duende" – 8:03
- "No Mystery" – 9:05
- "Armando's Rhumba" – 3:43
- "Bagatelle #6" (Béla Bartók) – 1:14
- "Post Script " – 5:44
- "Bagatelle #2" (Béla Bartók) – 2:46
- "Tango '92" – 4:58
- "Rhumbata" – 9:34
- "Four in One" (Thelonious Monk) – 5:10
Personnel
- Other credits
- Gildas Boclé – photography
- Evelyn Brechtlein – production coordination
- Jordan d'Alessio – assistant engineer
- Bernie Kirsh – engineer, Mixing
- Darren Mora – assistant engineer
- Ron Moss – executive producer
- Robert Read – assistant engineer
- Alan Yoshida – mastering
Chart performance
Year | Chart | Position |
---|---|---|
1997 | Billboard Top Jazz Albums | 25[1] |
References
- 1 2 "Native Sense: The New Duets - Chick Corea | Awards | AllMusic". allmusic.com. Retrieved 25 April 2014.
Top Jazz Albums
- 1 2 Ginell, Richard S. "Native Sense: The New Duets - Chick Corea | Songs, Reviews, Credits, Awards | AllMusic". allmusic.com. Retrieved 25 April 2014.
This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries.
- ↑ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 306. ISBN 978-0-141-03401-0.
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