Natalie Finnemore (born 1988) is a contemporary visual artist who creates sculptural installations. Finnemore's artistic practice utilises drawing, printmaking, painting and sculpture. Her sculptural work is influenced by design, and explores our expectations or relationship with, form, function and play.[1]
Early life and education
Finnemore studied a Foundation year in Art and Design at the Cumbria Institute of Arts, University of Cumbria, and completed a BA Fine Art degree at Sheffield Hallam University in 2011.[2]
Career
Finnemore was selected to participate in the prestigious touring exhibition Bloomberg New Contemporaries 2012, a yearly platform for promising recent fine art graduates in the UK.[3][4]
Following her degree Finnemore was selected to take part in the S1 Studio Bursary Programme 2011, at S1 Artspace in Sheffield. This was a professional development scheme which included associated artists such as Haroon Mirza, James Clarkson and Simon Bill.[5] Finnemore then become a permanent studio holder at S1 Artspace, and took part in various exhibitions hosted by S1 Artspace including Three Act Structure, 2014,[6] and I Can Read With My Eyes Shut, 2016.[7] Finnemore currently works from Exchange Place Studios, Sheffield, run by Yorkshire Artspace.[8]
In 2019 Finnemore was selected, alongside four other artists, to be awarded a grant and a place on the Associate Artist programme as part of Yorkshire Sculpture International festival 2019, which offered artist development and mentoring.[9] Through this Finnemore teamed up with John Lewis & Partners to present a sculptural installation in their Leeds city centre store. The result of this commission, entitled Support Structures, was exhibited in the ground floor window and second floor, and addressed Finnemore's interest in 'functional sculpture and non-functional design'[10] and incorporated products from the John Lewis store display.[11] Finnemore also exhibited in the Associated Matter exhibition at Yorkshire Sculpture Park, alongside the other YSI Associate artists.[12]
Finnemore has developed a number of sculptural installations which encourage playful interactions with the objects from the public. She uses her research into 'elements of design that are used to manipulate the user's behaviour'[13] to create sculptural objects which impact the behaviour of the audience. In 2015 Finnemore collaborated with design agency Lyon & Lyon to make a piece of modular furniture that encourages creative play for The Tetley gallery in Leeds.[14] During summer 2017 Finnemore was invited by The Hepworth Wakefield to devise and run a series of workshops with year 6 students from a local primary school exploring how to make sculpture that can be played with and on.[15] Finnemore went on to create a large sculptural installation for playing on inspired by the student's ideas outdoors at The Hepworth Wakefield.[16] In 2017 Finnemore took part in the group exhibition Leisure Time at S1 Artspace in Sheffield. The show explored the concept of leisure within the Buahaus curriculum. Finnemore's sculpture, ‘Function: Grasping/Movement Ability Developing’, a group of soft pillow rings, invited visitors to rest upon them and make use of their function to provide comfort.[17]
Selected group exhibitions
Associated Matter, Yorkshire Sculpture Park, Wakefield, 2019[18]
Construction House: Leisure Time, S1 Artspace, Sheffield, 2018[19]
Everything Flows, Millennium Gallery, Sheffield, 2017[20]
Drawing for Sculpture, 20-21 Visual Arts Centre, Scunthorpe, 2017[21]
Left Hand to Back of Head, Object Held Against Right Thigh, Bluecoat Gallery, Liverpool, 2016[22]
Think.Play.Do, The Tetley, Leeds, 2015[23]
Awards
Yorkshire Sculpture International, Associate Artist, 2019
The Penthouse Residency, The Penthouse, Manchester, 2013
S1 Artspace Bursary Award programme, 2011[25]
Bloomberg New Contemporaries 2012
References
- ↑ "Natalie Finnemore". Yorkshire Sculpture International. 13 February 2019. Retrieved 17 November 2020.
- ↑ "Being an Artist: Then and Now". Axisweb. Retrieved 17 November 2020.
- ↑ "Bloomberg New Contemporaries 2012". archive.ica.art. Retrieved 17 November 2020.
- ↑ "Art stars of the future at New Contemporaries 2012 – in pictures". The Guardian. 27 November 2012. ISSN 0261-3077. Retrieved 17 November 2020.
- ↑ "S1 Bursary Holders: 2011 — S1 Artspace". Retrieved 17 November 2020.
- ↑ "Three Act Structure — S1 Artspace". Retrieved 17 November 2020.
- ↑ "I Can Read With My Eyes Shut — S1 Artspace". Retrieved 17 November 2020.
- ↑ "Natalie Finnemore → Yorkshire Artspace". artspace.org.uk. Retrieved 17 November 2020.
- ↑ "Associate Artists". Yorkshire Sculpture International. Retrieved 17 November 2020.
- ↑ "Natalie Finnemore: Support Structures". Yorkshire Sculpture International. Retrieved 17 November 2020.
- ↑ "Natalie Finnemore: Support Structures". Yorkshire Sculpture International. Retrieved 17 November 2020.
- ↑ "Associated Matter". Yorkshire Sculpture International. Retrieved 17 November 2020.
- ↑ "Natalie Finnemore". Yorkshire Sculpture International. 13 February 2019. Retrieved 17 November 2020.
- ↑ "The Tetley". www.lyonandlyon.co.uk. Retrieved 17 November 2020.
- ↑ "Portobello Plays at The Hepworth Wakefield". The Hepworth Wakefield. Retrieved 17 November 2020.
- ↑ "COLUMN: The best museum is right on your doorstep". www.wakefieldexpress.co.uk. Retrieved 17 November 2020.
- ↑ "Leisure Time". Corridor8. Retrieved 17 November 2020.
- ↑ "Associated Matter". Afterview. Retrieved 17 November 2020.
- ↑ "Sheffield City of Makers | Construction House: Leisure Time". Retrieved 17 November 2020.
- ↑ "Everything Flows". Corridor8. Retrieved 17 November 2020.
- ↑ "Drawing for Sculpture". 20-21 Visual Arts Centre. Retrieved 17 November 2020.
- ↑ "the Bluecoat >> Left Hand to Back of Head, Object Held Against Right Thigh". www.thebluecoat.org.uk. Retrieved 17 November 2020.
- ↑ "THINK.PLAY.DO. A playful art exhibition @ The Tetley in Leeds – Yorkshire Play". Retrieved 17 November 2020.
- ↑ "Natalie Finnemore". New Contemporaries. Retrieved 17 November 2020.
- ↑ "S1 Bursary Holders: 2011 — S1 Artspace". Retrieved 17 November 2020.