Missa primi toni octo vocum
by Stefano Bernardi
Organ balconies at Salzburg Cathedral
TextOrder of Mass
LanguageLatin
Composed1630 (1630)
Published2004 (2004)
Vocaldouble choir SATB
Instrumental

The Missa primi toni octo vocum is a mass setting for double choir composed by Stefano Bernardi in 1630 for the Salzburg Cathedral where he was music director.

History

Bernardi was called to serve as music director of the Salzburg Cathedral, after positions in Verona and Brixen.[1] The exact time of his appointment is not known, but it was 1627 at the latest.[1] Bernardi introduced the Italian concertato style in Salzburg.[2] The new cathedral building was completed and inaugurated in 1628, and Bernardi composed a Te Deum for 12 choirs for the occasion.[3]

Bernardi composed the Missa primi toni octo vocum for two four-part choirs (SATB) and basso continuo for the cathedral in 1630.[3][4] The only extant complete copy is held by the Salzburg Cathedral archive. Separate individual parts were found in Einsiedeln Abbey and in the Mondsee parish.[3]

Music

The mass is structured in five movements:[3]

  1. Kyrie
  2. Gloria
  3. Credo
  4. Sanctus
  5. Agnus.

The Sanctus comes without a Benedictus setting. The music of both choirs is mostly in homophony. It was usual at the time to have instruments playing colla parte with the voices, in addition to continuo instruments, as described in Syntagma musicum by Michael Praetorius. A motif runs in all movements except the Sanctus, but it is not known if it was quoted, from a motet or a madrigal.[3]

<< \new StaffGroup << \new Staff \with { \magnifyStaff #1.0 \consists "Merge_rests_engraver" } { \clef treble \time 2/2 \key a \minor \set Staff.midiInstrument = "trombone" \set Staff.midiMinimumVolume = #0.7 \set Staff.midiMaximumVolume = #1.0 \relative c' << { a'4. a8 a4 b c d b2 a } \\ { e4. e8 e4 g a a2 gis4 a2 } >> } \addlyrics { Ky -- ri -- e e -- _ lei -- _ _ son } \new Staff \with { \magnifyStaff #1.0 \consists "Merge_rests_engraver" } { \clef bass \key a \minor \set Staff.midiInstrument = "trombone" \relative c' << { c4. c8 c4 d f f e2 e } \\ { a,4. a8 a4 g f d e2 a, } >> } >> >> \layout { indent = #0 } \midi { \tempo 4 = 120 }

The Sanctus begins with long chords in the first choir, to which the second choir, after a long rest, adds more moving development.

<< \new StaffGroup << \new Staff \with { \magnifyStaff #1.0 \consists "Merge_rests_engraver" } { \clef treble \time 2/2 \key a \minor \set Staff.midiInstrument = "choir aahs" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #0.6 \relative c' << { a'1( a) a( a) } \\ { f1( f) e( e) } >> } \addlyrics { San -- _ -- ctus } \new Staff \with { \magnifyStaff #1.0 \consists "Merge_rests_engraver" } { \clef bass \key a \minor \set Staff.midiInstrument = "choir aahs" \relative c' << { d1( d) cis( cis) } \\ { d,1( d) a( a) } >> } \new Staff \with { \magnifyStaff #1.0 \consists "Merge_rests_engraver" } { \clef treble \time 2/2 \key a \minor \set Staff.midiInstrument = "choir aahs" \set Staff.midiMinimumVolume = #0.7 \set Staff.midiMaximumVolume = #1.0 \relative c' << { R1 R a'2. b4 cis1 d1 } \\ { R1 R | e,( e) fis } >> } \addlyrics { San -- _ -- _ -- ctus } \new Staff \with { \magnifyStaff #1.0 \consists "Merge_rests_engraver" } { \clef bass \key a \minor \set Staff.midiInstrument = "choir aahs" \relative c' << { R1 R a4 b cis d e2 a, a1 } \\ { R1 R a( a) d, } >> } >> >> \layout { indent = #0 } \midi { \tempo 4 = 120 }

Publication

A publication in 1914 by Vinzenz Goller, as an appendix of Musica Diviny, omitted the Credo and the basso continuo, changed some of the text, added dynamic marking, and changed the note durations.[3] A critical edition was published, edited by Armin Kircher, in 1993 by Comes in the series Denkmäler der Musik in Salzburg.[3][4]

Uses

The mass has been performed at places such as St. Florian Monastery in Linz.[5] The Dommusik of Carinthia at the Klagenfurt Cathedral used the mass to celebrate its 150th anniversary in 2012.[6] Christmas 2013 was celebrated with the mass at the Speyer Cathedral.[7] It was performed in 2022 for the livestream service on Easter Sunday at St. Maria im Dorn in Feldkirchen in Kärnten.[8]

References

  1. 1 2 Pursglove, Glyn (August 2020). Stefano Bernardi (1577-1637) / Lux Æterna – Ein Salzburger Requiem. Retrieved 12 September 2022. {{cite book}}: |website= ignored (help)
  2. ↑ Buelow, George J. (2004). A History of Baroque Music. Indiana University Press. ISBN 978-3-88-820985-7.
  3. 1 2 3 4 5 6 7 Kircher, Armin, ed. (1993). Bernardi, Stefano: Missa primi toni octo vocum. Comes Verlag. pp. 231–232. ISBN 978-0-25-334365-9.
  4. 1 2 "Bernardi, Stefano: Missa primi toni octo vocum". mayrische.at (in German). 1993. Retrieved 12 September 2022.
  5. ↑ "Stiftschor" (in German). St. Florian Monastery. 2022. Retrieved 12 September 2022.
  6. ↑ "Im Dienste des Herrn" (in German). Kleine Zeitung. 3 May 2012. Retrieved 12 September 2022.
  7. ↑ "Im Speyerer Dom kommt Weihnachtsstimmung" (in German). Saarbrücker Zeitung. 13 December 2013. Retrieved 12 September 2022.
  8. ↑ "Hochfest der Auferstehung des Herrn am Ostersonntag, 17.4.2022 – Live" (in German). Kärnten. 7 April 2022.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.