Me and the Cult Leader
Poster of documentary film, Me and the Cult Leader with repeated image of director Atsushi Sakahara and Aleph executive Hiroshi Araki outside Roppongi station after laying of flowers at the annual Tokyo Subway Sarin Gas Attack Memorial. Under images is the title of the film, followed by credit block, followed by logos.
Film poster
AGANAI
Directed byAtsushi Sakahara
Produced byAtsushi Sakahara

Etsuko Matsuo

Pearl Chan (co-producer)
Starring
  • Hiroshi Araki
  • Takako Sakahara
  • Takeshi Sakahara
  • Atsushi Sakahara
Cinematography
  • Tatsuya Yamada
  • Masato Takashima
Edited byJunko Watanabe
Music bySoulcolour
Release date
  • June 10, 2020 (2020-06-10) (Sheffield)[1]
Running time
114 minutes
CountryJapan
LanguageJapanese

Me and the Cult Leader (Aganai) is a 2020 Japanese documentary film. The film follows the director, Atsushi Sakahara, a victim of the 1995 Tokyo Subway Sarin Gas Attack, and Araki Hiroshi, a current executive member of the doomsday cult Aleph (previously Aum Shinrikyo) behind the attack, as they travel to their hometowns in the Kyoto prefecture. It premiered at the Sheffield Doc Fest as part of its Ghosts and Apparitions strand.[2]

Plot

In 1995, Aum Shinrikyo, a Tokyo-based Doomsday cult, conducted the largest terrorist attack in Japan's history. 13 people were killed and 6000 people were injured as a result of Aum's sarin gas attack perpetrated on three crowded Tokyo subway trains during rush hour on the morning of March 20, 1995. Director Atsushi Sakahara was on one of those cars and has suffered lifelong damage to his nervous system and effects of PTSD as a result. Twenty-years later, Atsushi decides to face the cult.

The film starts after a year spent negotiating the terms of their meeting. Atsushi and Araki, the PR agent and current leader and the cult, finally come together in person. The men begin their journey at the organization's facilities in Tokyo; the space consists of a dojo and residence. Renunciates live and work at the minimalist facilities, practicing an ascetic lifestyle which seeks to limit distractions. Their clothing and food are monochromatic and left intentionally bland; the living space small and shared. Portraits of Aum's leader Asahara, who was on death row at the time of shooting and has since been executed, hang in every room. Throughout the tour, Atsushi questions Araki on the cult's practices, demands, and ideologies.

Atsushi and Araki travel by bullet train to Kyoto, then switching, upon arrival, to board a local train to travel to Atsushi's hometown. As the men pass the stop for Araki's grandmother, uncannily close to Atsushi's own hometown, Araki speaks about her, to whom he was very close. It begins to rain and Araki wipes away tears as the train pulls out of his station. Atsushi brings Araki to his country home. The two discuss religion and how to treat religious principles. Aum's apocalyptic obsession and terrorism stemmed from warped interpretations of "legitimate" religions (namely Western mysticism and Indian Buddhism). Araki believes there is finite suffering in the world and if he were to suffer more, someone else would suffer less. "But do you feel responsible for the suffering Aum has caused?" asks Atsushi.

Atsushi asks Araki more about his family and his childhood. We learn that when Araki was born, he was very sickly and his parents spent a lot of time and money taking care of him. "Why do you think they did that?" Atsushi asks. "Out of a sense of duty," Araki replies, then telling Atsushi about his younger brother who was misdiagnosed with cancer while at university. "I felt completely powerless," Araki tells Atsushi: "I was studying humanities at the time. I could not be helpful and I did not understand why it was happening to my brother. When the cult leader Asahara gave a lecture at Kyoto University later that year, I joined. Later I renounced the world and left my family. It was very difficult, especially for my grandmother who was worried about me."

Their journey takes them to their Alma Mater, Kyoto University, where Araki first saw Shoko Asahara speak. It takes them up to Mount Hiei, a place of many Shinto myths, where they talk about the introduction of Buddhism to Japan. It takes them through the town Araki spent his childhood in a makeshift sightseeing tour. The men go on to meet Atsushi's elderly parents at a cafe. Atsushi's father, Takeshi Sakahara, is a direct and serious police retiree; Takeshi questions Araki on his involvement with the cult and describes his experiences as the father of a victim. Takeshi reveals Atsushi's long-ended marriage, of which the audience has yet to learn. Takeshi condemns Aum unequivocally, telling Araki point-blank that the cult's actions and Araki's beliefs are wrong. After the meal, Atsushi and Araki prepare to part ways at the train station. As they say goodbye, Atsushi pulls out a photo. It's an image of his ex-wife who was once involved in the cult. "Did you know her?" Atsushi asks. Araki takes a look at the photo and shakes his head.

In 2001, Atsushi met and married a woman who confessed that she had been a part of Aum and asked him to not mention his relationship to the attack to her parents. "Let's leave this behind us and leave Japan" she had said. At that time, Atsushi had thought, "life happens to me" and accepted this. But her name had been on a paper in the pocket of one of the men on death row connected to the Tokyo Subway attack, and her visa was denied. As Atsushi's PTSD flared up and tensions grew, the marriage fell apart after a year and a half. Atsushi does not know how involved she ultimately was in the cult.

As the anniversary for the attack draws near, Atsushi accompanies Araki for the annual laying of flowers and hopes that their journey has encouraged him to think independently and apologise for the terrorist attack. Araki side-steps the apology, and later Atsushi's questioning.

The cult's guru, Shoko Asahara and six followers were executed on July 6, 2018. The remaining six followers on death row were executed July 26, 2018. Araki is still part of Aum, now calling itself Aleph, which continues to actively recruit members.

Cast

  • Araki Hiroshi as himself
  • Takako as herself
  • Takeshi Sakahara as himself
  • Atsushi Sakahara as himself

Original Soundtrack

The original song "SMILE" was created by the Japanese musician Soulcolour.

Release

The film was released in Japan on March 20, 2021 exclusively at the ImageForum cinema in Shibuya, Tokyo.[3] Since then, the film has expanded to other cinemas in Japan.[4] The film will be released on May 26, 2021 in Hong Kong. The Japanese theatrical releases of the film is upcoming.

Reception

On Rotten Tomatoes, the film holds an approval rating of 100% based on 10 reviews, with an average rating of 7.70/10.[5]

Film festivals

The film has been shown in film festivals worldwide:

Event Location Event Dates Category / Notes
Sheffield Doc Fest Sheffield, UK June 10, 2020 - July 10, 2020 Ghosts and Apparitions Strand
San Diego Asian Film Festival San Diego, USA October 23, 2020 - October 30, 2020
Jihlava International Documentary Film Festival Jihlava, Czech Republic October 27, 2020 - November 8, 2020 Constellations
IDFA Amsterdam, Netherlands November 16, 2020 - December 6, 2020 Best of Fests
RIDM Montreal, Canada November 19, 2020 - November 25, 2020
Doc Lisboa Lisbon, Portugal
The Hong Kong International Film Festival Hong Kong April 1, 2021 - April 12, 2021
CPH:DOX Copenhagen, Denmark April 22, 2021 - May 12, 2021
Jakarta Film Week Jakarta, Indonesia November 18-21, 2021 Global Feature Competition

Reception

The film received acclaim from critics and audiences. The Daily Beast's Nick Schager called it "gripping,"[6] and Screen Daily's Lee Marshall called it "rich, thought-provoking and strangely affecting."[7] Eye for Film gave the film four and-a-half stars.[8] Variety reviewed the film out of CPH:DOX as "astonishing Doc Tracks an Impossible Connection Across an Impassable Divide"[9] One Room with a view gave the film four stars out of five. Asia Movie Pulse's Panos Kotzathanasis called it "excellent... brutally sincere."[10] It was included on multiple Top 10 to see at Sheffield Lists, including by Documentary Weekly[11]

References

  1. "Sheffield Doc/Fest unveils 2020 Official Selection". Sheffield Doc Fest. Retrieved 7 October 2020.
  2. "Sheffield Doc/Fest: Sheffield International Documentary Festival". sheffdocfest.com. Retrieved 2020-07-03.
  3. "シアター・イメージフォーラム". シアター・イメージフォーラム (in Japanese). Retrieved 2021-05-10.
  4. "AGANAI サリン事件と私". AGANAI | Me and the Cult Leader. Retrieved 2021-05-10.
  5. "ME AND THE CULT LEADER". rottentomatoes.com. Retrieved 2022-08-13.
  6. "Nick Schager". The Daily Beast. Retrieved 2020-06-26.
  7. Marshall2020-06-17T07:58:00+01:00, Lee. "'Me And The Cult Leader': Sheffield Doc/Fest Review". Screen. Retrieved 2020-06-26.{{cite web}}: CS1 maint: numeric names: authors list (link)
  8. "Me And The Cult Leader (2020) Movie Review from Eye for Film". www.eyeforfilm.co.uk. Retrieved 2020-06-26.
  9. Kiang, Jessica (2021-04-28). "'Me and the Cult Leader' Review: Astonishing Doc Tracks an Impossible Connection Across an Impassable Divide". Variety. Retrieved 2021-05-10.
  10. Kotzathanasis, Panos (2020-06-21). "Documentary Review: Me and the Cult Leader (2020) by Atsushi Sakahara". Asian Movie Pulse. Retrieved 2020-06-26.
  11. "Top 10 Feature Documentaries on Sheffield Doc/Fest Selects". Documentary Weekly. Retrieved 2020-06-26.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.