Lindsay Howard
NationalityAmerican
Alma materBennington College
OccupationCurator
MovementNet Art, Digital Art, Post-Internet
Websitelindsayhoward.net

Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.[1]

Her exhibitions focus on social dynamics and aesthetics within online communities, as well as transparency, hacktivism, and collaborations between artists and technologists.[2][3][4][5]

Education

Howard completed her bachelor's degree in Literature at Bennington College in Bennington, Vermont.[6][7]

Career

Howard started her career by founding the exhibition program at 319 Scholes, an organization and collective of artists, curators, writers, hackers, coders, and activists based in Brooklyn, New York.[8][9][10][11][12][13][14] 319 Scholes focused on digital arts and interdisciplinary explorations of networked culture, especially the role of technology in everyday life, and promoted a “new era of openness and transparency in curatorial practice.”[15][16] The exhibitions, workshops, and screenings at 319 Scholes contributed to the Net Art and Post-Internet Art movements.[17]

Howard's first exhibition was DUMP.FM IRL which showcased work created by users of DUMP.FM, an image-based chat room for real-time communication co-founded by artist Ryder Ripps.[18][19] Of the exhibition, critic Paddy Johnson wrote: “The collective picture formed was that of a unique community of makers, each using a lexicon of stock images, internet slang and animated gifs. This is the new art we've been waiting to see for the last 30 years.”[20] Johnson named the exhibition one of the “10 Best Exhibitions of 2010.”[21]

Howard curated Paddles ON![22] at Phillips,[23] the inaugural digital art sales at a major international auction house.[24] The auctions focused on artists who have pioneered innovative monetization models that reflect the democratic values of the internet generation.[23][25] Paddles ON! featured the first art website to ever be auctioned:[26] digital artist Rafaël Rozendaal's ifnoyes.com, which sold for $3,500 using the Art Website Sales Contract.[27][28] Artist Petra Cortright used a view-based algorithm to price her video work, which resulted in her 24-second YouTube film selling for $3,200.[29][30] Artist Molly Soda sold a YouTube webcam performance for $1,500.[27][31][32] The New York Times wrote: “Digital art has become an accepted part of every biennial and international art fair, but the form is still the punk rock of the art world."[33]

Howard is a founding member of Deep Lab, "cyberfeminist research" project,[34] along with Addie Wagenknecht, Kate Crawford, Claire L. Evans, Simone Browne, and Jillian York.[35][36][37][38] She curated an exhibition of Deep Lab's work and a series of public programming at the New Museum in 2015.[39][40][41]

Howard established an online commissioning program[42][43] where she worked with artists Shia Labeouf,[44] Sougwen Chung,[45] Eilis McDonald,[46] Alexandra Gorczynski,[47] Morehshin Allahyari,[48] and Jacob Ciocci.[49]

In 2016, Howard released a body of research called Temporary Highs,[42][50] which looks at how the structure of the internet enables reward-seeking behavior in a compulsive cycle of oversharing and consumption.[51] Howard's writings examine the pleasure and anxiety of immediate gratification, as well as the constant search for validation, understanding, and connection.[52] She presented Temporary Highs at SAIC,[53] Oberlin College & Conservatory,[51] and PNCA.[54]

In 2017, the New Museum invited Howard to produce the 50th anniversary of Experiments in Art and Technology program with Nokia Bell Labs.[5] Howard worked with artists Sougwen Chung[55] and Lisa Park[56] as they collaborated with engineers to create large-scale art installations using Bell Labs' Motion Engine, which offers a way to visually analyze complex natural and manmade systems, as well as Bell Labs' advanced research into sensor technology.[57][58]

F.A.T.

From 2012-2013, Howard was the Curatorial Fellow at Eyebeam Art & Technology Center. While at Eyebeam, Howard curated F.A.T. Gold: Five Years of Free Art & Technology,[59] a retrospective of F.A.T. Lab, an organization that's “part artist collective, part hacktivist cell, and part Silicon Valley think tank."[60] The exhibition presented works from the collective's history as well as new commissions, such as Ideas Worth Spreading by Evan Roth and 3D printed artworks.[61] F.A.T. Lab members, including Addie Wagenknecht, Chris Poole (or 'moot'), Geraldine Juárez, Jamie Wilkinson, Jonah Peretti, Becky Stern, and Golan Levin, convened during the exhibition for talks, workshops, and to produce new works.[62] As part of the opening, graffiti artist KATSU tagged Eyebeam's façade with a fire extinguisher, accidentally splashing some of the pigment on Paula Cooper Gallery[63] which was “a perfect example of F.A.T.’s IRL trolling practices.”[64] During F.A.T. Gold: Five Years of Free Art & Technology, Howard and the artists took journalist Adrian Chen for a ride in a fake Google driverless car.[60] The exhibition led cyberpunk author Bruce Sterling to ask, "Why aren’t these violently compassionate art-hackers all in jail?"[65] F.A.T. Gold: Five Years of Free Art & Technology subsequently toured to MU Eindhoven in the Netherlands and Gray Area Foundation for the Arts, where Howard curated a portrait of former Google Chairman Eric Schmidt made out of poop.[66][67][68] F.A.T. Lab went to San Francisco to "celebrate the victory of government and commercial hegemony over the internet and the total loss of personal freedom and privacy"; the group disbanded in 2015.[69][70][67]

Additional curation

  • New Theories in VR, New Lab[71]
  • The Barn Show: Unquestionable Optimism, Johannes Vogt Gallery, 2016[72]
  • Pattern Recognition, Dazed & Confused Magazine[73]
  • Eyebeam Resurfaces: The Future of the Digital Archive, Eyebeam[74]
  • C.R.E.A.M., Art Micro Patronage[75]
  • WALLPAPERS: Sara Ludy and Nicolas Sassoon, 319 Scholes[76]
  • Awareness of Everything, Internet Garage[77]
  • Art Hack Day: God Mode, 319 Scholes[78]
  • Blip Festival Gallery, Eyebeam[79]
  • Getting Closer, Fe Arts Gallery[80]
  • Alexandra Gorczynski and Duncan Malashock, 319 Scholes

Bibliography

  • Room for Space: an interview with Nicholas O'Brien, Keen On Magazine (July 2018)[81]
  • Petra Cortright on having the confidence to create anything you want, The Creative Independent (May 2018)[82]
  • Inventing the Future: Art and Technology, Art21 (October 2017)[5]
  • The Presentation of Self: Interview with LaTurbo Avedon, Keen On Magazine (October 2017)[83]
  • A Prankster-Turned-Painter Leaves Self-Sabotage Behind, Hyperallergic (November 2016)[84]
  • Alternative Paradise: Marc Horowitz, Keen On Magazine (November 2016)[85]
  • Leaders of the New Media Pack, CULTURED Magazine (February 2016)[86]
  • Artist Profile: Heather Phillipson, Rhizome (July 2014)[87]
  • Artist Profile: Michael Manning, Rhizome (April 2014)[88]
  • The Way We Share: Transparency in Curatorial Practice, Hyperallergic (March 2013)[16]
  • Awareness of Everything, Aram Bartholl: Speed Book published by Gestalten (January 2012)

See also

References

  1. ↑ Binlot, Ann (2014-12-04). "What Not to Miss at Miami's Satellite Art Fairs". T Magazine. Retrieved 2019-08-05.
  2. ↑ "Surf clubs - Monoskop". monoskop.org. Retrieved 2019-08-05.
  3. ↑ "The Way We Share: Transparency in Curatorial Practice". Hyperallergic. 2013-03-08. Retrieved 2019-08-05.
  4. ↑ Digicult, Redazione. "The F.A.T Manual: release and book launch at MU, Eindhoven • Digicult | Digital Art, Design and Culture". Digicult | Digital Art, Design and Culture. Retrieved 2019-08-05.
  5. 1 2 3 says, Michelle (26 October 2017). "Inventing the Future: Art and Technology". Art21 Magazine. Retrieved 2019-08-05.
  6. ↑ "On the Rise | Bennington College". www.bennington.edu. Retrieved 2019-08-05.
  7. ↑ "Bennington College artist-in-residence Jacqueline Mabey presents feminist pedagogy exhibit". The Bennington Banner. Retrieved 2019-08-05.
  8. ↑ "20 Art World Power Players You Need to Know". Complex. Retrieved 2019-08-05.
  9. ↑ "10 Pivotal Moments for Digital Art in 2012". Hyperallergic. 2012-12-28. Retrieved 2019-08-05.
  10. ↑ "An Interview with READ/WRITE Curators Caitlin Denny and Parker Ito". Rhizome. Retrieved 2019-08-05.
  11. ↑ ""Big Reality" at 319 Scholes". www.artforum.com. Retrieved 2019-08-05.
  12. ↑ "10 pivotal moments for digital art in 2012". Salon. 2012-12-31. Retrieved 2019-08-05.
  13. ↑ "Recap and Highlights from Art Hack Day at 319 Scholes". Core77. Retrieved 2019-08-05.
  14. ↑ "Art Hack Day". TechCrunch. February 2012. Retrieved 2019-08-05.
  15. ↑ "Plugging Art into the Environment". Hyperallergic. 2011-10-25. Retrieved 2019-08-05.
  16. 1 2 "The Way We Share: Transparency in Curatorial Practice". Hyperallergic. 2013-03-08. Retrieved 2019-08-05.
  17. ↑ Chan, Jennifer (January 2014). "Notes on Post-Internet". You Are Here: Art After the Internet.
  18. ↑ "Affiliated Researchers | INTERVIEW | Lindsay Howard, Temporary Highs". networkcultures.org. Retrieved 2019-08-05.
  19. ↑ jonCates (2017-02-19). "DigitalAnalog, Aram Bartholl and New Media Art IRL — jonCates (2011)". Medium. Retrieved 2019-08-05.
  20. ↑ "The 10 Best Exhibitions of 2010, and the 3 Worst". The L Magazine. 2010-12-22. Retrieved 2019-08-05.
  21. ↑ "The 10 Best Exhibitions of 2010, and the 3 Worst". The L Magazine. 2010-12-22. Retrieved 2019-08-05.
  22. ↑ "PHILLIPS : Press". www.phillips.com. Retrieved 2019-08-05.
  23. 1 2 "Will an Auction Help Convince People There's a Market for New Media Art?". Hyperallergic. 2013-10-09. Retrieved 2019-08-06.
  24. ↑ "PADDLES ON!: PHILLIPS'S FIRST DIGITAL ART AUCTION | Dirty Magazine". Retrieved 2019-08-05.
  25. ↑ "This Digital Art Is Up for Auction at Phillips!". ANIMAL. 2013-09-24. Retrieved 2019-08-05.
  26. ↑ Siner, Emily (3 November 2013). "If The Internet Is Your Canvas, You Paint In Zeros And Ones". NPR.org. Retrieved 2019-08-05.
  27. 1 2 Thayer, Katheryn. "Going Once, Going Twice: Phillips And Tumblr Put GIFs On Auction". Forbes. Retrieved 2019-08-06.
  28. ↑ "art website sales contract .com by rafaël rozendaal, 2011". www.artwebsitesalescontract.com. Retrieved 2019-08-06.
  29. ↑ Dazed (2013-10-02). "How to sell a GIF". Dazed. Retrieved 2019-08-06.
  30. ↑ Osberg, Molly (2013-10-17). "Would you pay $2,000 for a GIF?". The Verge. Retrieved 2019-08-06.
  31. ↑ "An interview with Molly Soda". Detroit Metro Times. Retrieved 2019-08-06.
  32. ↑ Osberg, Molly (2013-10-17). "Would you pay $2,000 for a GIF?". The Verge. Retrieved 2019-08-05.
  33. ↑ Williams, Maxwell (2013-11-08). "For Petra Cortright, the Web Is the Ultimate Canvas". T Magazine. Retrieved 2019-08-05.
  34. ↑ Tanriverdi, Hakan (2015-03-11). "Your Private Data Isn't Yours — Maybe It Never Was". Medium. Retrieved 2019-08-06.
  35. ↑ Syfret, Wendy (2015-07-20). "exploring feminist hacktivism with deep lab". I-D. Retrieved 2019-08-06.
  36. ↑ Pearson, Jordan (2015-01-12). "The All-Women Hacker Collective Making Art About the Post-Snowden Age". Vice. Retrieved 2019-08-06.
  37. ↑ "Lena Henke". www.artforum.com. Retrieved 2019-08-06.
  38. ↑ "Deep Lab". Topical Cream. Retrieved 2019-08-06.
  39. ↑ "Cyberfeminists Go Deep on Big Data, Privacy, and Surveillance". Hyperallergic. 2015-02-03. Retrieved 2019-08-06.
  40. ↑ "Drone Painting Performance". www.newmuseum.org. Retrieved 2019-08-06.
  41. ↑ "DeepLab: experiencias ciberfeministas artísticas antivigilancia". Oficina Antivigilância — Coding Rights (in European Spanish). Retrieved 2019-08-06.
  42. 1 2 "Curating Internet Art, Online and IRL". Observer. 2016-02-25. Retrieved 2019-08-06.
  43. ↑ Harrad, Tom (2015-04-29). "newhive is the new platform for post internet art". I-D. Retrieved 2019-08-05.
  44. ↑ Smith, Nigel M. (2015-11-10). "Shia LaBeouf to watch all his films back to back for #allmymovies project". The Guardian. ISSN 0261-3077. Retrieved 2019-08-05.
  45. ↑ "Sougwen Chung Wins Excellence Award for her Drawing Robot, D.O.U.G._1". NEW INC. Retrieved 2019-08-06.
  46. ↑ Steenson, Chris (2016-04-28). "Looking a Pigeon in the Eye on a Window Ledge". The Visual Artists' News Sheet Online. Retrieved 2019-08-05.
  47. ↑ Gayomali, Chris (2014-12-05). "At Art Basel, A Collector Just Bought This URL For $5,000". Fast Company. Retrieved 2019-08-05.
  48. ↑ "Morehshin Allahyari". Morehshin Allahyari. Retrieved 2019-08-05.
  49. ↑ "Some Notes on "New Expressions," by Jacob Ciocci". Hyperallergic. 2014-12-24. Retrieved 2019-08-05.
  50. ↑ "bitforms gallery » Temporary HighsJune 2 – July 31, 2016". Retrieved 2019-08-05.
  51. 1 2 "Lindsay Howard: Lecture on Temporary Highs". Oberlin College and Conservatory. 2017-02-26. Retrieved 2019-08-05.
  52. ↑ "Affiliated Researchers | INTERVIEW | Lindsay Howard, Temporary Highs". networkcultures.org. Retrieved 2019-08-05.
  53. ↑ "Conversations at the Edge (CATE)". Retrieved 2019-08-05.
  54. ↑ "PNCA : Events : Temporary Highs Screening". cal.pnca.edu. Retrieved 2019-08-05.
  55. ↑ "Nokia Bell Labs: A discussion with Sougwen Chung about human-robotic collaborations". www.bell-labs.com. 4 May 2018. Retrieved 2019-08-06.
  56. ↑ "Nokia Bell Labs: A discussion with Lisa Park on inner states and the heart of human communication". www.bell-labs.com. 10 May 2018. Retrieved 2019-08-06.
  57. ↑ "What Artists Can Teach Us About Making Technology More Human". Wired. ISSN 1059-1028. Retrieved 2019-08-06.
  58. ↑ "Only Human". Mana Contemporary. Retrieved 2019-08-06.
  59. ↑ "F.A.T. GOLD". Eyebeam. Retrieved 2019-08-05.
  60. 1 2 Chen, Adrian. "Crashing Through Manhattan In The Fake Google Driverless Car". Gawker. Retrieved 2019-08-05.
  61. ↑ "3 Excellent Uses of 3D Printing from Eyebeam's 'F.A.T. Gold' Exhibition". Rhizome. Retrieved 2019-08-05.
  62. ↑ Holmes, Kevin (2012-10-16). "F.A.T. Lab Retrospective: Five Years Of Thug Life, Pop Culture, And R&D". Creators. Retrieved 2019-08-05.
  63. ↑ "FAT Lab's KATSU Graffities Paula Cooper Gallery (Inadvertently)". Hyperallergic. 2013-04-01. Retrieved 2019-08-05.
  64. ↑ "The Almost Anonymous of the Digital Art World". Hyperallergic. 2013-04-19. Retrieved 2019-08-05.
  65. ↑ Sterling, Bruce (2015-05-20). "F.A.T. Gold". Wired. ISSN 1059-1028. Retrieved 2019-08-05.
  66. ↑ "MU | F.A.T. GOLD Europe". www.mu.nl. Retrieved 2019-08-05.
  67. 1 2 "An Interview With A Drone Painter Who Made A Poop Portrait of Eric Schmidt". TechCrunch. 21 May 2015. Retrieved 2019-08-05.
  68. ↑ "We talked to the guy who made a painting of Google's Eric Schmidt out of poop to find out why". finance.yahoo.com. Retrieved 2019-08-05.
  69. ↑ says, Me (August 2015). "We Lost | F.A.T." fffff.at. Retrieved 2019-08-06.
  70. ↑ "fffffarewell.at …….. | F.A.T." fffff.at. August 2015. Retrieved 2019-08-06.
  71. ↑ contributor, April Joyner / (2017-10-11). "Brooklyn's tech scene showed out for New Lab's one-year anniversary". Technical.ly Brooklyn. Retrieved 2019-08-05. {{cite web}}: |last= has generic name (help)
  72. ↑ "Celebrate Optimism At Johannes Vogt Gallery's Third Annual Hamptons "The Barn Show" | Community | Community News/24720/Out And About/For The Cause/24594/The Arts/In the Galleries/23639/The Arts/In the Galleries". www.hamptons.com. Retrieved 2019-08-05.
  73. ↑ Menkman, Roͬͬ͠͠͡͠͠͠͠͠͠͠͠sͬͬ͠͠͠͠͠͠͠͠͠aͬͬ͠͠͠͠͠͠͠ (2013-03-02), Dazed and Confused, retrieved 2019-08-05
  74. ↑ "Eyebeam Resurfaces: The Future of the Digital Archive". Eyebeam. Retrieved 2019-08-05.
  75. ↑ Wise, Oliver. "C.R.E.A.M. curated by Lindsay Howard". Art Micro Patronage. Retrieved 2019-08-05.
  76. ↑ "Review: WALLPAPERS by Sara Ludy and Nicolas Sassoon". Rhizome. Retrieved 2019-08-05.
  77. ↑ "AWARENESS OF EVERYTHING » SPEED SHOW". Retrieved 2019-08-05.
  78. ↑ "Art Hack Day - God Mode". ART HACK DAY. Retrieved 2019-08-05.
  79. ↑ "Blipfest 2011". Rhizome. Retrieved 2019-08-05.
  80. ↑ Hopper, Justin. "Zero, One, Togetherness: Fe Gallery explores intimacy in the digital age". Pittsburgh City Paper. Retrieved 2019-08-05.
  81. ↑ "issue n° 7 — keen on Game Studies — Interview with Nicholas O'Brien". issue n° 7 — keen on Game Studies. Retrieved 2019-08-05.
  82. ↑ "Petra Cortright on having the confidence to create anything you want". thecreativeindependent.com. Retrieved 2019-08-05.
  83. ↑ "issue n° 5 — keen on posthuman bodies. — LaTurbo Avedon". issue n° 5 — keen on posthuman bodies. Retrieved 2019-08-05.
  84. ↑ "A Prankster-Turned-Painter Leaves Self-Sabotage Behind". Hyperallergic. 2016-11-15. Retrieved 2019-08-05.
  85. ↑ "issue n°4 — keen on tropical punch. keen on magazine is the award-winning avantgarde art magazine, based in Vienna — Marc Horowitz". issue n°4 — keen on tropical punch. keen on magazine is the award-winning avantgarde art magazine, based in Vienna. Retrieved 2019-08-05.
  86. ↑ "New Media Pack". CULTURED Magazine.
  87. ↑ "Artist Profile: Heather Phillipson". Rhizome. Retrieved 2019-08-05.
  88. ↑ "Artist Profile: Michael Manning". Rhizome. Retrieved 2019-08-05.
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