Liliana Porter
Born1941
Buenos Aires, Argentina
Alma materEscuela Nacional de Bellas Artes
Known forPhotography
Printmaking
Mixed media
Installation art
Video art
Websitelilianaporter.com

Liliana Porter (born 1941) is an Argentine contemporary artist working in a wide variety of media, including photography, printmaking, painting, drawing, installation, video, theater, and public art.[1][2]

Education and teaching experience

Porter was born in Buenos Aires, Argentina in 1941, lives and works in New York. As a teenager, she attended the Universidad Iberoamericana in Mexico City, Mexico, where she studied under Guillermo Silva Santamaria and Mathias Goeritz.[3] She returned to Argentina and completed her training at the Escuela Nacional de Bellas Artes in Buenos Aires.[4] In 1964, she moved to New York City, where she co-founded the New York Graphic Workshop with fellow artists Luis Camnitzer and José Guillermo Castillo.[5] In 1974 she was a co-founder and etching instructor at Studio Camnitzer, an artist's residence studio near Lucca, Italy that welcomes artists working in all media.[6][7] After holding teaching positions at the Porter-Wiener Studio, the Printmaking Workshop, SUNY Purchase and State University of New York at Old Westbury, Porter became a professor at Queens College, City University of New York in 1991 and remained there until 2007.[7][8][9]

Artwork

50th Street (IRT Broadway–Seventh Avenue Line)

Porter's work often focuses on themes of simulacrum, mass reproduction, entropy, and boundaries between image and reality.[10][11] She cites Luis Felipe Noe, Giorgio Morandi, Roy Lichtenstein, the Arte Povera group, and the Guerrilla Girls as influences on her work.[12] She has exhibited internationally, and currently lives and works in New York.

Scarborough Train Station (2)

She has twice created work for the MTA of New York City's Arts for Transit and Urban Design program—a program dedicated to creating public art for New York City Subway stations. In 1994, Porter created the mosaic series Alice: The Way Out, featuring imagery inspired by Lewis Carroll's Alice in Wonderland for the 50th Street subway station.[13] In 2012, she collaborated with Uruguayan artist Anna Tiscornia[14] to create Untitled With Sky, a glass windscreen and glass mosaic seating for the Scarborough station.[15] Porter and Tiscornia are continuing their collaboration and will exhibit their new work in January 2013 at the Galería del Paseo in Montevideo, Uruguay.[7]

Permanent collections

Porter's work has been featured in the collections of the Museum of Contemporary Art San Diego, Museum of Modern Art New York, TATE Modern (London), Whitney Museum of American Art, Museo Tamayo (Mexico), Museo Nacional de Bellas Artes (Buenos Aires), The Metropolitan Museum of Art (New York), Boston Museum of Fine Art, Smithsonian Institution (Washington D.C.), Pérez Art Museum Miami,[16] Museo de Bellas Artes (Santiago, Chile), El Museo del Barrio (New York), Museo de Arte Moderno de Bogotá, (Bogotá, Colombia) and more.[8]

Awards

  • Guggenheim Fellowship (1980)[8]
  • The New York Foundation for the Arts Fellowship (1985, 1996, 1999)[8]
  • NEA Mid-Atlantic Regional Fellowship (1994)[8]
  • Professional Staff Congress-CUNY Research Award (awarded seven times between 1994 and 2004)[8]
  • Platinum Konex Award in Mixed Technics (2002), Konex Foundation
  • Merit Diploma Konex Award (1992 and 2012), Konex Foundation

Publications

  • Gainza, Maria (March 2004). "Liliana Porter: Centro Cultural Recoleta". Artforum. p. 190. Archived from the original on 12 July 2011. Retrieved 19 March 2020.
  • Sorkin, Jenni (4 April 2002). "Liliana Porter, Annina Nosei Gallery, New York". frieze 66. Archived from the original on 24 October 2012.
  • Bazzano-Nelson, Florencia (2008). Liliana Porter and the Art of Simulation. Ashgate Publishing. Archived from the original on 22 September 2015. Retrieved 11 November 2010.

References

  1. ↑ Orosz, Demian. "La historia sin fin de Liliana Porter". Vos Argentina. Retrieved 21 October 2016.
  2. ↑ Porter, Liliana. "Liliana Porter". lilianaporter.com. Retrieved 10 March 2018.
  3. ↑ Giunta, Andrea (2009). A Conversation with Liliana Porter and Luis Camnitzer. Austin, TX: Blanton Museum of Art.
  4. ↑ "Liliana Porter Bio". Tamarind Intstitute. Archived from the original on 15 December 2012. Retrieved 14 October 2012.
  5. ↑ "Liliana Porter". The New York Graphic Workshop: 1964–1970. Blanton Museum. Archived from the original on 11 November 2012. Retrieved 14 October 2012.
  6. ↑ "History of the Studio". Studio Camnitzer. Archived from the original on 4 May 2016. Retrieved 18 October 2012.
  7. 1 2 3 "Liliana Porter Biography". Artists. Barbara Krakow Gallery. Retrieved 20 October 2012.
  8. 1 2 3 4 5 6 "Bio". Liliana Porter. Retrieved 18 November 2012.
  9. ↑ "Artists – LILIANA PORTER". Hosfelt Gallery. Retrieved 13 January 2013.
  10. ↑ Gainza, Maria (March 2004). "Liliana Porter: Centro Cultural Recoleta". Artforum International.
  11. ↑ Bazzano-Nelson, Florencia (2008). Liliana Porter and the art of simulation. Burlington, VT: Ashgate. pp. 7–10. ISBN 9780754664659.
  12. ↑ Tintori, Valentina. "Liliana Porter Interview". The Latin American Art Journal. Archived from the original on 20 January 2015. Retrieved 18 October 2012.
  13. ↑ "Arts for Transit and Urban Design". MTA.Info. Retrieved 19 October 2012.
  14. ↑ "Biography and CV". Anna Tiscornia. Archived from the original on 2 July 2013. Retrieved 18 October 2012.
  15. ↑ "Arts for Transit and Urban Design". MTA.info. Retrieved 18 October 2012.
  16. ↑ "El hombre con el hacha y otras situaciones breves – Venecia (Man with an Axe and Other Brief Situations – Venice 2017) • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 22 August 2023.
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