Kiyoshi Hasegawa (長谷川潔, Hasegawa Kiyoshi, December 9, 1891 – December 13, 1980) was a Japanese artist and engraver who spent most of his life in France and whose work is featured at the Yokohama Museum of Art.[1]

Biography

Born in present-day Yokohama, he moved to France in 1919 (via the United States) to learn copperplate printing,[2] and never returned to Japan.[3]

According to one source his work shows

the influence of Chagall, Dufy, Laboureur, Pascin, Picasso and Edouard Goerg Alas. He revived the so-called Mezzotint technique and found the power and the depth of black in wood engraving. Works such as Hasegawa's come from the heart. His art is subtle and delicate. It is an ideal created in the silence of the workshop with memories of the recent past, transposed by the sharpness and delicacy of Oriental sensibilities.[4]

Distinctions and awards

References

  1. ↑ Yokohama Museum of Art: The Collection and Architecture
  2. ↑ "YOKOHAMA MUSEUM OF ART : Exhibitions". Yaf.or.jp. 2011-06-26. Retrieved 2012-03-30.
  3. ↑ (in Japanese) http://www.tv-tokyo.co.jp/kyojin/data/060325/ Archived 2018-06-25 at the Wayback Machine
  4. ↑ "Kiyoshi Hasegawa at the Museum of Art". Archived from the original on 2007-07-28. Retrieved 2008-03-06.
  5. 1 2 "Archived copy" (PDF). Archived from the original (PDF) on 2011-07-25. Retrieved 2011-06-13.{{cite web}}: CS1 maint: archived copy as title (link)
  6. ↑ Base Palissy: Tableau et son cadre : Fleurs, Ministère français de la Culture. (in French)

Further reading

  • (in Japanese) Hasegawa Kiyoshi Hanga sakuhin-Shû [L'oeuvre gravé de Kiyoshi Hasegawa], Bijutsu Schuppan-Sha, Tokyo, 1981.
  • (in Japanese) Kiyoshi Hasegawa, Hakuchû ni Kami wo miru [Voir Dieu dans la lumière], Hakusuisha, Tokyo, 1982.
  • (in French) A propos de l’oeuvre gravé de Kiyoshi Hasegawa, Fondation Taylor, 25/06 – 18/07/1998, Ed.

Fondation Taylor, Paris, 1998.

  • (in French) Groult, Martine, Etude de la correspondance française de Kiyoshi Hasegawa, 1998 (Travail de pré-inventaire).
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