Kiki
Lobby card
Directed byClarence Brown
Written byAndré Picard (play)
Hanns Kräly
Produced byNorma Talmadge
StarringNorma Talmadge
Ronald Colman
CinematographyOliver Marsh
Distributed byFirst National Pictures
Release date
  • April 4, 1926 (1926-04-04)
Running time
108 minutes
CountryUnited States
LanguageSilent (English intertitles)
Kiki ad in The Film Daily, 1926

Kiki is a 1926 American silent romantic comedy film directed by Clarence Brown and starring Norma Talmadge and Ronald Colman. The film is based upon a 1918 play of the same name by André Picard, which was later adapted by David Belasco and performed on Broadway to great success in 1921 by his muse Lenore Ulric.[1][2]

The film was restored from the only three "rather incomplete" surviving copies, one each in English, French, and Czech. As noted in the prologue to the restored film, the English and French story lines differ.

Plot

"Kiki" ad from Picture-Play Magazine, 1926

Kiki (Norma Talmadge) ekes out a living selling newspapers on the streets of Paris. When she learns that a chorus girl has been fired from the Folies Barbes revue managed by Victor Renal (Ronald Colman), she sets out to fulfill her dream and apply for the job. Poverty stricken, she spends her rent money to buy suitable clothes. She gets kicked out the first time, as she was not sent by the Agency, but manages to sneak back in. While waiting in the reception area, she is mistaken for the secretary by an Agency applicant, who gives Kiki her letter of recommendation to present to Renal. He mistakes it for Kiki's, and gives her an audition. Her singing talent gets her the job.

Her debut, however, is a disaster. She repeatedly gets in the way of the show's star and Renal's fiancée, Paulette Mascar (Gertrude Astor). Paulette finally pushes her, sending her crashing into a harp in the orchestra pit. When Renal tries to separate the battling women, Paulette slaps him.

Renal also sends Kiki a letter of dismissal. When she comes to see him, he feels sorry for her and gives her back her job. He tries to hustle her out of his office, before Paulette enters, but Kiki refuses to leave. As a result, Paulette and Renal have a falling-out.

Renal decides to take Kiki to dinner. Paulette goes out with Renal's financial backer, Baron Rapp (Marc McDermott), and ends up at the same restaurant. Determined to humiliate her rival, Paulette invites herself to Renal's table and taunts Kiki into drinking several glasses of champagne. Kiki becomes drunk, embarrassing Renal. He deposits her in his limousine and asks where she lives. As she has been evicted for not paying the rent, she confesses she has no place to go, so he takes her home.

He kisses her, but when he tries for more, she locks herself in his bedroom. He is forced to sleep (uncomfortably) in another room. Each day, Renal decides to get rid of her, but each night he relents. Meanwhile, Kiki intercepts Paulette's daily letters to him to prevent a reconciliation.

Renal finally learns about the letters from Rapp. Rapp recommends he get back together with Paulette and offers to take Kiki off his hands. Kiki mistakenly believes that Renal wants Paulette back, while Renal thinks in error that Kiki welcomes Rapp's attentions and greater wealth. Kiki decides to go, taking only what she came with, but then changes her mind and decides to fight for her love. After she threatens Paulette with a knife, Renal orders her to leave. Thinking quickly, Kiki pretends to fall into a coma, convincing a doctor that she is a victim of catalepsy, which the doctor states might last up to two years. Upon hearing this, Rapp makes a hasty departure. Despite Paulette's urging to leave for a performance, Renal decides he cannot leave Kiki alone. Once Paulette is gone, Kiki kisses Renal and confesses she loves him. He embraces her.

Cast

Reception

Kiki was one of the few comedy films Norma Talmadge made. Like her other films, Kiki was praised for its quality of productions, first-rate cast, clothes and settings.[3] Talmadge was praised by critics, and the film also was a financial success.

The film was remade in 1931, starring Mary Pickford.[4]

References

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