Khalil | |
|---|---|
| Born | Khalil Ahmed 1903 |
| Died | 28 October 1941 (aged 37–38) Calcutta |
| Occupation | Actor |
| Years active | 1920–1941 |
Khalil was an Indian cinema actor of silent and talkie films. He achieved stardom with silent films like Gul-E-Bakavali (1924), Kulin Kanta (1925), and Lanka Ni Laadi (1925) which was a major success commercially. His other successes included Cinema Queen (1925) with Sulochana, Draupadi (1931), and Daily Mail (1930). Khalil is referred to as the "macho hero".[1]
Khalil worked from 1920 to 1941, making a transition to Talkies in 1931 with Draupadi directed by B. P. Mishra, and Daulat Ka Nasha directed by Pesi Karani. Both films were produced by Kohinoor and Imperial Films. He shifted to Calcutta from Bombay in 1934, and immediately "made his mark" with the East India Film Company production Quismat Ki Kasauti (1934), directed by Pesi Karani.[1] He also wrote lyrics for films like Dard-e-Dil (1934).
Career
Silent films
Khalil's first film was Krishna Sudama (1920), a silent film co-produced by Kohinoor Film Company and Imperial Film Company.[2] He joined the Kohinoor Film Company in 1925, along with other known actors of that time like Raja Sandow, Zubeida and Tara.[3] Some of his notable silent films were Sati Parvati (1920), Mahasati Ansuya (1921), Rukmani Haran (1921), Malti Madhav (1922), Surya Kumari (1922) and Manorama (1924).
In 1924, he acted as a "lecherous Maharaja" in Kulin Kanta. The film was based on a true incident cited as the Bawla murder case, and depicted the story of the Maharaja Tukoji Rao Holkar III of Indore and a dancing girl who wanted to escape from the harem.[4]
In 1925, Khalil acted as a shepherd in love with a princess he saves, in Kohinoor Film Company's fantasy production called Lanka Ni Laadi, also known as Fairy Of Ceylon. The film was directed by Homi Master with story by Mohanlal G. Dave. It co-starred Gohar and Jamna. The film became Gohar's first "major" hit and "grossed more than any other film in 1925".[5]
Talkies
Khalil joined Indian Talkies 1931, and worked in the two films produced by them, Draupadi and Daulat Ka Nasha.[1] Draupadi, also called The Daughter Of King Drupad, was the story of Draupadi from the epic Mahabharata. It was produced by the Imperial Film Company and directed by Bhagwati Prasad Mishra. Khalil played Lord Krishna with actress Ermiline playing Draupadi. Daulat Ka Nasha was directed by Pesi Karani.
He continued to make his mark with films like Bharat Mata (1932), directed by Pesi Karani, Niti Vijay (1932), directed by Moti Gidwani, Do Rangi Duniya, directed by Pesi Karani and Saubhagya Sundari, directed by Homi Master. All films were produced by Imperial Film Company.[6]
In 1934, Khalil acted in Mazdoor, also known as The Mill, which was directed by Mohan Dayaram Bhavnani for Ajanta Cinetone. Written by Munshi Premchand, it was one of the first talkies to be banned by British censors in India.
Khalil shifted from Bombay to Calcutta, where he achieved success working again with Karani in East India Films' Kismet Ki Kasauti (1934). With Madan Theatres Ltd. he worked in Miss Manorama (1935) and Bulbul-e-Iran (1936), directed by Faredoon Irani, and in Miss Parivartan, directed by Ezra Mir.[1]
In 1937, Khalil acted in Whose Darling?, also called Kiski Pyari?. He played the second lead to Jal Merchant and Zubeida. The film was written and directed by Akhtar Nawaz. The advertisement in filmindia called it a "Heart-throbbing Rajput story of love, romance and chivalry". The film was produced by Sunrise Film Co. from The Tollywood Studios.
Personal life and death
A Muslim by birth, he performed varied roles in films. His initial acting phase had him playing Hindu Gods in mythology films. He portrayed Krishna and Rama several times.[7] Disenchanted by the communalism arising in the film industry, he made a speech against it at the Indian Motion Pictures Congress on 4 May 1939. A section was quoted in his obituary in the cine-mag Filmindia in 1941:
"I have played all the Gods from Hindu mythology from Lord Krishna to Prabhu Ramchandra. I have worked all my life under Hindu employers. And now when I hear of communalism in our film industry my heart bleeds. I have been liked and loved by Hindus and Muslims alike. We are all devotees of art and art is above any community".
Khalil died on 28 October 1941, in Calcutta, after a short illness. He was thirty-seven years old and left behind "a widow" and "five children".[8]
Filmography
Lists:[6]
Silent films
| Year | Film |
|---|---|
| 1920 | Krishna Sudama |
| 1921 | Sati Parvati |
| 1921 | Mahasati Ansuya |
| 1921 | Rukmini Haran |
| 1922 | Malti Madhav |
| 1922 | Suryakumari |
| 1924 | Gul Bakavali |
| 1924 | Manorama |
| 1924 | Minal Devi |
| 1925 | Kulin Kanta |
| 1925 | Child Widow |
| 1925 | Dream Of Life |
| 1925 | Lanka Ni Laadi |
| 1925 | Veer Bala |
| 1926 | Lakho Vanjaro |
| 1926 | Sati Jasama |
| 1926 | Shirin Farhad |
| 1926 | Thief Of Delhi |
| 1926 | Wandering Phantom |
| 1927 | Return Of Kala Naag |
| 1927 | The Mission Girl |
| 1927 | Why Sons Go Astray |
| 1928 | Bhai Ki Kasai |
| 1928 | Gul Sanobar |
| 1928 | Rajnibala |
| 1928 | Veerangana |
| 1929 | The Lovers |
| 1930 | A Woman's Vengeance |
| 1930 | Daily Mail |
| 1931 | Cavalier Of Love |
Talkies
A partial list:
| Year | Film | Director | Studio/Producer |
|---|---|---|---|
| 1931 | Draupadi | B. P. Mishra | Imperial Film Company |
| 1931 | Daulat Ka Nasha | Pesi Karani | Imperial Film Company |
| 1932 | Bharati Mata | Pesi Karani | Imperial Film Company |
| 1932 | Niti Vijay | Moti Gidwani | Imperial Film Company |
| 1933 | Dorangi Duniya | Pesi Karani | Imperial Film Company |
| 1933 | Saubhagya Sundari | Homi Master | Imperial Film Company |
| 1934 | Kismet Ki Kasauti | Pesi Karani | East India Film Company |
| 1934 | Mazdoor a.k.a. Mill | M. Bhavnani | Ajanta Cinetone |
| 1935 | Gaibi Gola | Vithaldas Panchotia | Tollywood Studio (Madan Theatres) |
| 1935 | Miss Manorama | Faredoon Irani | Tollywood Studio (Madan Theatres) |
| 1936 | Parivartan | Ezra Mir | Madan Theatres |
| 1936 | Shaitan Ka Pash | Ezra Mir | Madan Theatres |
| 1937 | Aflatoon | Pesi Karani | Tollywood Studio (Madan Theatres) |
| 1937 | Kiski Pyari a.k.a. Whose Love | Akhtar Nawaz | Sunrise Pictures |
| 1938 | Karma Veer | Vithaldas Panchotia | Sitaram Cine |
| 1940 | Hamara Desh | A. M. Khan | Mohan Pictures |
| 1941 | Abla Ki Shanti | Munshi Dil | Radha Films |
| 1941 | Merchant Of Venice | J. J. Madan | Radha Films |
References
- 1 2 3 4 Ashok Raj (1 November 2009). "Khalil, The First Star, and Raja Sandow". Hero Vol.1. Hay House, Inc. pp. 38–. ISBN 978-93-81398-02-9. Retrieved 17 July 2015.
- ↑ Ahmed, Rauf. "Khalil". cineplot.com. Cineplot. Retrieved 24 October 2016.
- ↑ Ashish Rajadhyaksha; Paul Willemen (10 July 2014). "Kohinoor Film Company". Encyclopedia of Indian Cinema. Routledge. p. 126. ISBN 978-1-135-94318-9. Retrieved 25 October 2016.
- ↑ Phil Hardy (1997). "Indian Crime Films". The BFI Companion to Crime. A&C Black. pp. 180–. ISBN 978-0-304-33215-1. Retrieved 26 October 2016.
- ↑ "Lanka Ni Laadi". indiancine.ma. indiancine.ma. Retrieved 25 October 2016.
- 1 2 "Khalil-Filmography". cineplot.com. Retrieved 25 October 2016.
- ↑ Abbas, K. A. (February 1940). "Communalists, Keep Out!". Filmindia. 6 (2): 31. Retrieved 12 November 2016.
- ↑ Patel, Baburao (December 1941). "Bombay Calling-Khalil Ahmed". Filmindia. 7 (11): 7. Retrieved 12 November 2016.