Katharina Grosse
Grosse in 2012
Born (1961-10-02) 2 October 1961
Freiburg im Breisgau, Germany
EducationKunstakademie Münster
Kunstakademie Düsseldorf
Known forPainting
Websitewww.katharinagrosse.com

Katharina Grosse (born 2 October 1961) is a German visual artist. She is known for her large-scale, site-related installations to create immersive visual experiences.[1] Grosse's work employs a use of architecture, sculpture and painting. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.

Early life and education

Grosse was born in 1961 in Freiburg im Breisgau, Germany.[2] Grosse studied at the Kunstakademie Münster from 1982 to 1986, and Kunstakademie Düsseldorf from 1986 to 1990.[3][2] In subsequent years, she completed artist-in-residence programs at the Villa Romana in Florence, Italy (1992); Chinati Foundation in Marfa, USA (1999);[4] Elam School of Fine Art in Auckland, New Zealand (2001); and Headlands Center for the Arts in San Francisco, USA (2002).

Work

Grosse maintains studios in Berlin's Moabit district (since 2008),[5] Auckland[6] and Groß Kreutz (since 2020).[7]

Commissions

Grosse has been commissioned with various site-specific installations, including for the Federal Labour Court in Erfurt (1999)[8] Gate 122 of Terminal 1 at Toronto Pearson International Airport in Toronto (2003)[9] and the German Parliament in Berlin (2015).[10]

Other activities

Grosse taught at the Weißensee Academy of Art from 2000 to 2010. She was a professor of painting at the Kunstakademie Düsseldorf from 2010 to 2018. She was a member of the juries that selected Hito Steyerl as recipient of the Käthe Kollwitz Prize (2019)[11] and Sheela Gowda of the Maria Lassnig Prize (2019).[12]

Since 2021, Grosse has been chairing the board of KW Institute for Contemporary Art.[13] In this capacity, she was part of the search committee that chose Emma Enderby as the KW's new director in 2023.[14]

Art market

Grosse is represented by Galerie Max Hetzler (since 2022)[15] and Gagosian Gallery (since 2017).[16] She previously worked with Johann König until 2022.[17]

Personal life

Grosse is in a relationship with artist Judy Millar.[18] She has been living and working in Berlin since 2000.[19] In 2005, she purchased a former supermarket in Berlin's Friedrichshain district and turned it into her primary residence.[20]

Public commissions (selected)

Collections

Grosse's work is held in several permanent collections, including the following:

Awards

Publications (catalogues)

  • Location, Location, Location. Contributions by Steffen Bodekker, Roman Kurzmeyer, Judy Millar, Retrograde Strategies Cooperative, Angela Schneider, Beat Wismer, Düsseldorf, 2002.
  • Katharina Grosse. Kunstverein Ruhr. Contribution by Peter Friese, Essen 2002.
  • Cool Puppen / Der weisse Saal trifft sich im Wald / Ich wüsste jetzt nichts. Ikon Gallery, Birmingham; Städtische Galerie im Lenbachhaus, München; Kunstmuseum St. Gallen, St. Gallen; Kunsthalle zu Kiel, Kiel. Contributions by Marion Ackermann, Beate Ermacora, Jonathan Watkins, Roland Wäspe, Wolfratshausen 2002.
  • Katharina Grosse. Fred Thieler Preis für Malerei 2003. Berlinische Galerie, Berlin. Contribution by Armin Zweite, Berlin 2003.
  • Infinite Logic Conference. Magasin 3 Stockholm Konsthall, Sweden. Contributions by Richard Julin, Lars Mikael Raattamaa, Stockholm 2004.
  • Double Floor Painting. Kunsthallen Brandts Klaedefabrik, Denmark. Contributions by Lene Burkard, Tor Nørretranders, Cecilie Bepler, Odense 2004.
  • Holey Residue. de Appel, Amsterdam. Contribution by Janneke Wesseling, Amsterdam 2006.
  • Picture Park. Queensland Art Gallery/Gallery of Modern Art. Contributions by Nicholas Chambers, Robert Leonard, Brisbane 2007.
  • The Poise of the Head und die anderen folgen. Kunstmuseum Bochum. Contributions by Hans Gunther Golinski and Katharina Grosse, Nuremberg 2007.
  • Atoms Outside Eggs. Museu de Arte Contemporânea (Fundação de Serralves), Porto. Contributions by Leonhard Emmerling, Ulrich Loock, Porto 2007.
  • Another Man Who Has Dropped his Paintbrush. Galleria Civica di Modena. Contributions by Arno Brandlhuber & Katharina Grosse, Milovan Farronato, Angela Vettese, Cologne 2008.
  • The Flowershow / SKROW NO REPAP. FRAC Auvergne, Clermont-Ferrand. Contribution by Jean-Charles Vergne, Cologne 2008.
  • Ich wünsche mir ein grosses Atelier im Zentrum der Stadt. Contributions by Georg Augustin, Laura Bieger, Andreas Denk, Ulrich Loock, Philip Ursprung, Baden, Switzerland 2009.
  • Shadowbox. Temporäre Kunsthalle Berlin. Contributions by Laura Bieger, Katja Blomberg, Uta Degner, Antje Dietze, Alexander Koch, Gerd G. Kopper, Cologne 2009.
  • Atoms Inside Balloons. The Renaissance Society at the University of Chicago, Chicago, ILL, USA. Contributions by David Hilbert, Nana Last and Hamza Walker, Chicago 2009.
  • Barbara und Katharina Grosse. Museum für Neue Kunst Freiburg. Contributions by Walter von Lucadou, Isabel Herda, Nuremberg 2010.
  • Transparent Eyeballs. Quadriennale 2010, Kunsthalle Düsseldorf. Contributions by Gregor Jansem, Annika Reich, Uwe Vetter, Düsseldorf 2011.
  • Eat child eat. Contribution by Ulrich Wilmes, Berlin, 2011.
  • One floor up more highly. MASS MoCA, MA, North Adams, USA. Contribution by Susan Cross, Massachusetts 2012.
  • Wunderblock, Nasher Sculpture Center, Dallas, TX, USA. Contributions by Jeremy Strick, Catherine Craft, Dallas 2013.
  • Katharina Grosse. Monograph. Contributions and published by Ulrich Loock, Annika Reich, Katharina Grosse, Cologne 2013.
  • Wer, ich? Wen, Du?. Kunsthaus Graz, Austria. Contributions by Peter Pakesch, Katrin Bucher Trantow, Adam Budak, Graz 2014.
  • Inside the Speaker. Museum Kunstpalast, Düsseldorf. Contributions by Dustin Breitenwischer, Philipp Kaiser, Ulrich Loock, Beat Wismer, Cologne 2014.
  • psychylustro. City of Philadelphia Mural Arts Program. Contributions by Douglas Ashford, Anthony Elms, Jane Golden, Daniel Marcus, Elizabeth Thomas, Cologne 2015.
  • Katharina Grosse: Seven Hours, Eight Voices, Three Trees. Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015.
  • Katharina Grosse. Museum Frieder Burda. Contributions by Helmut Friedel and Katrin Dillkofer (both in German), Cologne, 2016.

See also

References

  1. ↑ Westall, Mark (16 March 2023). "Katharina Grosse, Spectrum without Traces, new solo exhibition". FAD Magazine. Retrieved 30 May 2023.
  2. 1 2 3 "Grosse". Akademie der Künste (ADK) (in German). Staatsministerin für Kultur und Medien. Retrieved 30 May 2023.
  3. ↑ "Chill Seeping". SCAD Museum of Art. Retrieved 30 May 2023.
  4. ↑ Hammer Projects: Katharina Grosse, 17 October 2001 – 27 January 2002 Hammer Museum.
  5. ↑ Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  6. ↑ Ulrike Knöfel (14 April 2020), Künstlerin Katharina Grosse über die Corona-Folgen: "Die Krise ist nun Teil meiner Arbeit" Der Spiegel.
  7. ↑ Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  8. ↑ Falk Jaeger (18 November 1999), Örtlicher Widerstand - Das Bundesarbeitsgericht in Erfurt, ein Entwurf der Berliner Architektin Gesine Weinmiller Der Tagesspiegel.
  9. ↑ Andrew Blum (28 March 2004), The White Zone is for Loading and Unloading Art New York Times.
  10. ↑ Isabell Jürgens (9 January 2021), Im Auftrag des Staates – Kunst am Bau Berliner Morgenpost.
  11. ↑ Alex Greenberger (25 October 2018), Hito Steyerl Wins 2019 Käthe Kollwitz Prize ARTnews.
  12. ↑ Annie Armstrong (12 March 2019), Sheela Gowda Wins 2019 Maria Lassnig Prize ARTnews.
  13. ↑ Katharina Grosse zur neuen Vorstandsvorsitzenden des KUNST KW Institute for Contemporary Art, press release of 30 September 2021.
  14. ↑ Emma Enderby to become director of KW Institute for Contemporary Art, Berlin KW Institute for Contemporary Art, press release of 10 October 2023.
  15. ↑ Ingeborg Ruthe (21 March 2023), Katharina Grosse macht aus sechs Farben Energiebündel Berliner Zeitung.
  16. ↑ Randy Kennedy (11 January 2017), The Woman With the Power Sprayer? She’s a German Artist New York Times.
  17. ↑ Alex Greenberger (28 November 2022), Artists and König Galerie Cut Ties Amid Allegations Against Founder Johann König ARTnews.
  18. ↑ Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  19. ↑ Gabriela Walde (24 January 2014), Katharina Grosse ist die Meisterin der Spritzpistole Berliner Morgenpost.
  20. ↑ Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  21. ↑ "Toronto Airports Authority commissions art for new terminal building at Pearson Airport". California Aviation Alliance. Retrieved 5 January 2017.
  22. ↑ "KATHARINA GROSSE: IN SEVEN DAYS TIME". Kunstmuseum Bonn. Retrieved 5 January 2017.
  23. ↑ Julin, Richard. "Blue Orange - Katharina Grosse". Public Art Agency Sweden. Retrieved 5 January 2017.
  24. ↑ "Katharina Grosse: Just Two of Us". Public Art Fun. Retrieved 5 January 2017.
  25. ↑ "Installation by Katharina Grosse". Sam Fox School, Washington University in St. Louis. Retrieved 5 January 2017.
  26. ↑ "Rockaway! at Fort Tilden". MoMA PS1. Retrieved 5 January 2017.
  27. ↑ "Mural at MFA". MFA. Retrieved 25 November 2019.
  28. ↑ "Katharina Grosse | MoMA".
  29. ↑ "Katharina Grosse".
  30. ↑ "Katharina Grosse".
  31. ↑ "Katharina Grosse | Pomeranz Collection".
  32. ↑ "Katharina Grosse | Accueil | Collection Société Générale".
  33. ↑ "Villa Romana Prize".
  34. ↑ "Schmidt-Rottluff Stipend, Buchfreund.de".
  35. ↑ "Katharina Grosse – the Chinati Foundation".
  36. ↑ "The Elam International Artist in Residence Programme - the University of Auckland".
  37. ↑ "Katharina Grosse". Headlands Center for the Arts. Retrieved 30 May 2023.
  38. ↑ "Katharina Grosse Wins First Oskar Schlemmer Prize". Artforum.com. 22 May 2014. Retrieved 30 May 2023.
  39. ↑ "Otto-Ritschl-Preis | Otto Ritschl".
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