A Jariya, Maqamat of Al-Hariri, 1200-1210.[1]

Jarya, also called jariyah and jawaris, was a term for a certain type of slave girl in the medieval Islamic world.[2] They were "slaves for pleasure" (muṭʿa, ladhdha) or “slave-girls for sexual intercourse” (jawārī al-waṭ), who had received special training in artistic skills. In contrast to the Qiyan, however, they normally did not perform for men other than the man in whose harem they were placed.

History

The slave category and of the jarya - similar to the qiyan - rose to fame during the Abbasid Caliphate era,[2] possibly because free Arab women became more and more secluded from society during this time period.[2]

They were acquired by purchase or captured as war booty. The term were applied to such slave girls who, by instruction or self education, acquired a great knowledge of artistic skills and intellectual knowledge by which they could entertain a man, rather than by sexuality and physical beauty. They could study issues from music and poetry to religion, history and literature, and many were known to be able to entertain their owner by both intellectual as well as musical abilities. There were many examples of jarya with good education who managed to gain influence over male rulers.

The jawaris differed from qiyan in that they appear not to perform in public, only in the harem to which they belonged. Royal harems could employ a very large number of jawaris, who acted as the entertainers of the royal harem and who were not necessarily synonymous with the concubines of the ruler.[3] The Abbasid harem had thousands of jawari as well as concubines who were not always the same, and this was adopted by the harems of many other Islamic rulers, such as the rulers of the Caliphate of Cordoba and the Fatimid Caliphate.[3]

The jaraya category of sexual harem slaves were described by the 9th-century writer Al-Jahiz, who accused them of exerting a destructive influence over their owners created by their artistic skills, which created a web of dependent feelings such as love (hub), passion (hawa) affinity (mushakala) and a wish for continued companionship (ilf).[4]

Examples

There were many famous jaryas noted in Islamic literature and history, such as Al-Khayzuran, Alam al-Malika and Hababah.[5]

See also

References

  1. ↑ Balafrej, Lamia (19 December 2022). "Automated Slaves, Ambivalent Images, and Noneffective Machines in al-Jazari's Compendium of the Mechanical Arts, 1206". Inquiries into Art. History: 768. doi:10.11588/xxi.2022.4.91685.
  2. 1 2 3 Gordon, Matthew; Hain, Kathryn A. (2017). Concubines and Courtesans: Women and Slavery in Islamic History. Oxford University Press. ISBN 978-0-19-062218-3.
  3. 1 2 El-Azhari, Taef (2019). Queens, Eunuchs and Concubines in Islamic History, 661–1257. Edinburgh University Press. ISBN 978-1-4744-2318-2. JSTOR 10.3366/j.ctvnjbg3q.
  4. ↑ Classen, Albrecht (2019). Pleasure and Leisure in the Middle Ages and Early Modern Age: Cultural-Historical Perspectives on Toys, Games, and Entertainment. Walter de Gruyter. p. 214. ISBN 978-3-11-062307-9.
  5. ↑ Mernissi, Fatima (2003). The Forgotten Queens of Islam. Oxford University Press. ISBN 978-0-19-579868-5.
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