The East Window of Lincoln Cathedral, Ward and Nixon (1855)

James Henry Nixon (1802–1857) was an illustrator and painter during the Victorian period, who worked in the firm Ward and Nixon painting stained glass windows. James Henry Nixon was a protégé of Charles Winston, who praised Nixon's work at Westminster Abbey and Church of Christ the King, Bloomsbury.[1][2][3] The company Ward and Nixon was followed by Ward and Hughes.[4]

Career

The company began in 1836 as Ward and Nixon, when James Henry Nixon (brother of sculptor Samuel Nixon) joined forces with Thomas Ward.[5] Nixon was a student of John Martin (painter).[6] From 1826 to 1829, Nixon painted the famous medieval stained glass in the Parish Church of St Neot, Cornwall.[7][8][9] After that, Nixon exhibited at the Royal Academy from 1830 to 1847.[6] He exhibited "Solomon's sacrifice" to outstanding reviews (1832) and the following year he exhibited "The resting of the Arc in the River Jordan".[10][11][12][13] He made a window at New Lady chapel, St. Savior, Southwark in 1832.[14] Nixon also illustrated the work of Sir Walter Scott (1835).[15][16][17][6] They created two windows for St. Edmunds, Lumbard St., London.[18] They also installed a window in the east end of St Martin’s, Owston Ferry, Lincolnshire (1836).[19] He also illustrated the Eglinton Tournament of 1839.

Ward and Nixon's studio was at 67 Frith Street, Soho.[20][8] They created large window for St Stephen Coleman Street, London.[20] They were commissioned to do the south transept of Westminster Abbey (1844–1848, removed 1902).[21][22][23][24] Charles Winston wrote,

"... the superiority of this work over its contemporaries, both here and abroad, that, had Mr. Nixon done nothing else, it would have been sufficient to entitle him to the respect of those who desire to see the true revival of a neglected and underrated branch of art."[22]

In 1848, Thomas Ward died at age 71 and his part of the business was taken over by his nephew of the same name.[20]

Perhaps the most prestigious stained glass commission of the 19th century, the re-glazing of the East Window of Lincoln Cathedral, went to Ward and Nixon in 1855. The largest 13th century window in the world, the simple harmony of the tracery in Geometric Decorated Gothic is the ultimate splendour in what has been acclaimed as "the finest cathedral in England". (John Ruskin and others). Ward and Nixon used a conservative design, its overall appearance being in keeping with the date of the stonework and drawing for effect on the visual texture of the variations within its formal arrangement and the glorious luminescence of its colour.

In the 1857 Nixon died and his pupil, Henry Hughes, became the partner of Thomas Ward, and the business was renamed Ward and Hughes.[25]

Works by Nixon

References

  1. "Victorian Wolverhampton". Historywebsite.co.uk. Retrieved 14 June 2019.
  2. "Memoirs illustrative of the art of glass-painting : Winston, Charles, 1814–1864 : Free Download, Borrow, and Streaming". Internet Archive. 1865. Retrieved 19 August 2020.
  3. Cheshire, Jim (19 August 2004). Stained Glass and the Victorian Gothic Revival. Manchester University Press. ISBN 9780719063466. Retrieved 19 August 2020 via Google Books.
  4. Jim Cheshire. Stained Glass and the Victorian Gothic Revival. Manchester University Press.
  5. Stained Glass and the Victorian Gothic Revival. Jim Cheshire. Manchester University Press, 2004. p.47 ISBN 9780719063466
  6. 1 2 3 "Term details". British Museum. Retrieved 14 June 2019.
  7. associate-edda-manriquez@archive.org. "Descriptive sketch of the windows of the St. Neot Church in Cornwall, as restored by the Rev. Richard Gerveys Grylls ... in the years 1826, 1827, 1828, and 1829; to which is added the poem of Tregeagle .. : Grylls, Henry : Free Download, Borrow, and Streaming : Internet Archive". Retrieved 14 June 2019.
  8. 1 2 "Ward and Hughes". Victorianweb.org. 29 April 2018. Retrieved 14 June 2019.
  9. "The Ecclesiologist. N.S. v.9 (1851). - Full View | HathiTrust Digital Library | HathiTrust Digital Library". Babel.hathitrust.org. 21 October 2016. Retrieved 14 June 2019.
  10. associate-ted-hornick@archive.org (1860). "Recollections of the British Institution for Promoting the Fine Arts in the United Kingdom : with some account of the means employed for that purpose ; and biographical notices of the artists who have received premiums, &c. 1805–1859 : Smith, Thomas, of Mary-le-bone : Free Download, Borrow, and Streaming : Internet Archive". Retrieved 14 June 2019.
  11. Griffiths, Ralph; Griffiths, George Edward (19 August 1831). "The Monthly Review". R. Griffiths. Retrieved 19 August 2020 via Google Books.
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  26. [file:///Users/todscott/Downloads/Victorians_Decoded__P32Plrd.pdf p.65]
  27. "Norfolkstainedglass.co.uk".
  28. "Owston Ferry, St Martin, I, Ward & Nixon, 1836". 1 August 2007. Retrieved 19 August 2020 via Flickr.
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  31. By: Simon K (2 August 2018). "Resurrection (Ward & Nixon, 1860s) | St Mary, Redenhall, Nor…". Flickr. Retrieved 14 June 2019.
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