James Broom-Lynne | |
---|---|
Born | James William Broom 31 October 1916 Islington, London, England |
Died | 1 December 1995 79) Suffolk, England | (aged
Resting place | St. Mary's Church, East Bergholt, Suffolk |
Nationality | British |
Alma mater | |
Known for | Playwright, Author, Illustrator |
Notable work | The Trigon |
Spouse | Catherine Joan Redmore (m. 1948) |
Children | Four |
Parents |
|
Website | www |
James William Broom-Lynne (31 October 1916 – 1 December 1995) was an English artist-designer, novelist (sometimes under the pseudonym of James Quartermain) and playwright who was notable for his illustrations for book jackets.[1]
Life
Islington-born Broom-Lynne was the son of James William Broom, a master bookbinder and Esther (née Slaughter).[2][3] As a child he attended Eden Grove and St. Aloysius schools, later going on to Saint Martin's Schools of Art. In 1948 he married Catherine Joan Redmore with whom he had two daughters (Victoria and Kate) and one son (Luke).[4][5] He also had one previous daughter, Gale (b.1940) with Joan Mary Murray (later the mother of novelist Lisa St Aubin de Terán).
Upon his death in 1995 he was cremated and his ashes laid to rest in the graveyard of the Church of St. Mary the Virgin, in the village of East Bergholt, Suffolk, UK, where he and his wife Catherine had lived for over 40 years.[6][3]
Surname and pseudonym
It not known why or when James Broom choose to append Lynne to his birth name. It may have simply been to distinguish himself from his father with whom he shared an identical name. Although he signed his artwork and illustrations without the hyphen, official records show the correct form as a hyphenated surname. As a novelist he chose the pseudonym of James Quartermain for books published in the American market. This pseudonym is thought to have been derived from his grandmother's surname, Quarterman.[6]
Career
Broom-Lynne learnt his craft at St. Martin's School of Art. He was prolific as a book illustrator, with over 200 dustcovers to his name, particularly for the publishing houses of Heinemann, Macdonald and Michael Joseph. He supplied cover artwork for, amongst others, Anthony Powell, Henry Williamson and H. E. Bates, with whom he collaborated on numerous works including the Larkin family series of novels, The Cruise of the Breadwinner and Love for Lydia.[6]
Of Broom-Lynne's series of dust jackets for Powell's A Dance to the Music of Time Powell's biographer, Hilary Spurling, observed, that Broom-Lynne produced "a series of bold, grainy, instantly recognizable dust jackets that made Music of Time look quite unlike other novels."[7]
During World War II Broom-Lynne served as a warden with the Civil Defence Service in Westminster (1940–1945).[8] It was at this time that he may have first exhibited his work to the general public. Both The West London Press and Chelsea News and The Hampstead News and Golders Green Gazette record artworks credited to Broom-Lynne in exhibitions of civil defence artists in 1941 and 1942 respectively.[9][10]
Year | Exhibition | Artwork | Notes |
---|---|---|---|
1941 | 2nd national exhibition of civil defence artists | Portrait of senior warden C. Taylor | at the Cooling Galleries, 92 New Bond Street, London.[9] |
1942 | London exhibition of civil defence artists | "Mary" | address listed as The Studio, 4 Keats Grove, London[10] |
His post-war career spanned both freelance and permanent roles.[4][5][6][3] He created the book jackets for the first editions of all twelve novels in the sequence A Dance to the Music of Time by Anthony Powell.[11]
- William Larkins Studio, London, England, art director, 1960–1961
- Service Advertising, London, storyboard director, 1962–1966
- Macdonald & Co. (publishers), London, art editor, 1966–1969
- Art school lecturer in London, 1970–1972
- Art school lecturer, Ipswich School of Art, 1972–1981
In 1959 he provided the illustrations for a front cover of Punch Magazine.[12] On the occasion of its independence from the UK in 1981, he was commissioned to design the interior pages of the passport of Belize[13]
It was in 1960 that he took his first foray into commercial writing when he entered a competition run by The Observer to write an hypothetical broadcast script. His entry titled "Dixon in Disgrace" won first prize.[14] This was followed by a number of plays including The Trigon in 1962, which received mixed reviews although the theatre critics in The New Statesman,[15] The New York Post[16] and Newsday[17] were positive. By 1967 Broom-Lynne had penned his last play and shifted focus onto writing novels.
Bibliography
Book Jackets
Year | Author | Title | Publisher |
1945 | George Speaight | Juvenile Drama | MacDonald |
1946 | H. E. Bates | The Cruise of the Breadwinner | Michael Joseph |
1946 | Peter Bowman | Beach Red | Michael Joseph |
1946 | Rosalind Wade | As the Narcissus | MacDonald |
1947 | George Beardmore | A Tale of Two Thieves | MacDonald |
1947 | Neil Bell | Forgive us our Trespasses | Eyre & Spottiswoode |
1947 | Dane Chandos | Abbie | Michael Joseph |
1947 | Eleanor Clarke | The Bitter Box | Michael Joseph |
1947 | Mary Fitt | A Fine and Private Place | MacDonald |
1947 | Mary Fitt | The Banquet Ceases | MacDonald |
1947 | Garnett Radcliffe | The Lady from Venus | MacDonald |
1947 | Vita Sackville-West | The Garden | Michael Joseph |
1947 | Donald Stauffer | The Saint and the Hunchback | Michael Joseph |
1947 | Mary Brooke Stoker | Dark Heritage | MacDonald |
1948 | George Beardmore | Far Cry | MacDonald |
1948 | George Beardmore | Madame Merlin | MacDonald |
1948 | Mary Fitt | Death and the Bright Day | MacDonald |
1949 | Marcel Ayme | The Fable and the Flesh | Bodley Head |
1949 | Charles Dickens | The Posthumous Papers of the Pickwick Club | MacDonald |
1950 | R. D. Blackmore | Lorna Doone | MacDonald |
1950 | Derek Barton | Nothing Gross | Michael Joseph |
1950 | H. E. Bates | The Scarlet Sword | Michael Joseph |
1950 | Christianna Brand | Cat and Mouse | Michael Joseph |
1950 | Mary Fitt | Pity for Pamela | MacDonald |
1950 | William Makepeace Thackeray | Vanity Fair | MacDonald |
1951 | Vicki Baum | Danger from Deer | Michael Joseph |
1951 | Mary Fitt | An Ill Wind | MacDonald |
1951 | Robert Glover | Murderer's Maze | Paul Elek |
1951 | Eric Hodgins | Blandings' Way | Michael Joseph |
1951 | Edith Pargeter | Holiday with Violence | Heinemann |
1951 | Edith Pargeter | Fallen into the Pit | Heinemann |
1952 | H. E. Bates | The Country of White Clover | Michael Joseph |
1952 | H. E. Bates | Love for Lydia | Michael Joseph |
1952 | John Cartwright | False Crest | Werner Laurie |
1952 | Mary Fitt | Death and the Shortest Day | MacDonald |
1952 | Paul Gallico | Trial by Terror | Michael Joseph |
1952 | Gwenda Hollander | The Subborn Field | MacDonald |
1952 | Dorothy Mackinder | The Miracle of Lemaire | MacDonald |
1952 | Anthony Powell | A Buyer's Market | Heinemann |
1952 | Anthony Powell | Afternoon Men | Heinemann |
1952 | Reginald Thompson | Cry Korea | MacDonald |
1952 | Henry Williamson | Donkey Boy | MacDonald |
1952 | Various | BANDWAGON: The Journal of Leisure - Vol. 13 | Norman Kark |
1953 | Caryl Brahms & S. J. Simon | No Nightingales | Michael Joseph |
1953 | Mary Fitt | The Nighwatchman's Friend | MacDonald |
1953 | Paul Gallico | The Foolish Immortals | Michael Joseph |
1953 | James Hanley | Don Quixote Drowned | MacDonald |
1953 | Compton Mackenzie | Extraordinary Women - Theme & Variations | MacDonald |
1953 | Anthony Powell | What's Become of Waring | Heinemann |
1953 | Guy Ramsey | Stop Press Murder | Andrew Dakers |
1953 | John Trench | Docken Dead | MacDonald |
1953 | Henry Williamson | Tales of Moorland and Estuary | MacDonald |
1953 | Henry Williamson | Young Phillip Maddison | MacDonald |
1954 | Mary Fitt | Love from Elizabeth | Macdonald |
1954 | Mary Fitt | The Man who Shot Birds | MacDonald |
1954 | Edith Pargeter | The Soldier at the Door | Heinemann |
1954 | Anthony Powell | From a View to a Death | Heinemann |
1954 | John Trench | Dishonoured Bones | MacDonald |
1954 | Henry Williamson | How Dear is Life | MacDonald |
1955 | Anthony Powell | The Acceptance World | Heinemann |
1955 | Anthony Powell | Agents and Patients | Heinemann |
1955 | Helen Robertson | The Winged Witnesses | MacDonald |
1955 | W. E. Shewell-Cooper | Pot Plants | Museum Press |
1955 | Henry Williamson | A Fox Under My Cloak | MacDonald |
1956 | Robert Cross | Death in Another World | Putnam |
1956 | Mary Fitt | Sweet Poison | MacDonald |
1956 | Robin Jenkins | Love is a Fervent Fire | MacDonald |
1956 | Willard Price | Adventures in Paradise | Heinemann |
1956 | Helen Robertson | Venice of the Black Sea | MacDonald |
1956 | Marion Taylor | American Geisha | Geoffrey Bles |
1956 | Kenneth Tynan | Bull Fever | Quality Book Club |
1957 | Richard Aldington | Frauds | Heinemann |
1957 | Christianna Brand | Three Cornered Halo | Michael Joseph |
1957 | Matthew Head | Murder at the Flea Club | Heinemann |
1957 | Claude Houghton | More Lives than One | Hutchinson |
1957 | Anthony Powell | At Lady Molly's | Heinemann |
1957 | Randolph Stow | Act One: Poems | MacDonald |
1957 | E. S. Turner | Boys will be Boys | Michael Joseph |
1957 | Henry Williamson | The Golden Virgin | MacDonald |
1958 | H. E. Bates | The Darling Buds of May | Michael Joseph |
1958 | Henry Williamson | Love and the Loveless | MacDonald |
1959 | H. E. Bates | A Breath of French Air | Michael Joseph |
1959 | Jonathan Kozol | The Fume of Poppies | Michael Joseph |
1959 | Richard Llewellyn | Chez Pavan | Michael Joseph |
1959 | C. E. Vulliamy | Cakes for your Birthday | Michael Joseph |
1960 | H. E. Bates | When the Green Woods Laugh | Michael Joseph |
1960 | Robin Jenkins | Some Kind of Grace | MacDonald |
1960 | Anthony Powell | Casanova's Chinese Restaurant | Heinemann |
1960 | Helen Robertson | The Chinese Goose | MacDonald |
1960 | Paul Stanton | Village of Stars | Michael Joseph |
1960 | C. E. Vulliamy | Justice for Judy | Michael Joseph |
1960 | Henry Williamson | A Test to Destruction | MacDonald |
1961 | Marie-Therese Baird | The Scorpions | Heinemann |
1961 | Dane Chandos | Abbie and Arthur | Michael Joseph |
1961 | Robin Jenkins | Dust on the Paw | MacDonald |
1961 | Mary Kelly | The Spoilt Kill | Michael Joseph |
1961 | Robert Glynn Kelly | A Lament for Barney Stone | Macmillan |
1961 | Anthony Powell | A Question of Upbringing | Heinemann |
1961 | C. E. Vulliamy | Tea at the Abbey | Michael Joseph |
1961 | Henry Williamson | The Innocent Moon | MacDonald |
1961 | Hugh Ross Williamson | A Wicked Pack of Cards | Michael Joseph |
1962 | Kate Christie | The Waiting Game | Macmillan |
1962 | Mary Kelly | Due to a Death | Michael Joseph |
1962 | Walter Macken | God Made Sunday | Macmillan |
1962 | Jennie Melville | Come Home and be Killed | Michael Joseph |
1962 | Anthony Powell | A Dance to the Music of Time | Heinemann |
1962 | Anthony Powell | The Kindly Ones | Heinemann |
1963 | Michael Barrett | Task of Destruction | Michael Joseph |
1963 | Caryl Brahms & S. J. Simon | Don't, Mr. Disraeli | Michael Joseph |
1963 | Louise King | The Day we were Mostly Butterflies | Michael Joseph |
1963 | Margaret Laurence | The Tomorrow-tamer and other stories | Macmillan |
1963 | Jennie Melville | Burning is a Substitute for Loving | Michael Joseph |
1963 | Mickey Philips | Meat | Michael Joseph |
1963 | Emmanuel Shinwell | The Labour Story | MacDonald |
1963 | C. E. Vulliamy | Floral Tribute | Michael Joseph |
1963 | Henry Williamson | The Power of the Dead | MacDonald |
1964 | Caryl Brahms & S. J. Simon | Six Curtains for Stroganova | Michael Joseph |
1964 | Caryl Brahms & S. J. Simon | No Bed for Bacon | Michael Joseph |
1964 | James Broom-Lynne | The Trigon | Jonathan Cape |
1964 | Eva Defago | The Deep Freeze Girls | Michael Joseph |
1964 | Geoffrey Household | Rogue Male | Michael Joseph |
1964 | Mary Kelly | March to the Gallows | Michael Joseph |
1964 | Jennie Melville | Murderer's Houses | Michael Joseph |
1964 | Gladys Mitchell | Death of a Delft Blue | Michael Joseph |
1964 | Mickey Philips | Lay Them Straight | Michael Joseph |
1964 | Anthony Powell | The Valley of Bones | Heinemann |
1965 | Caryl Brahms & S. J. Simon | Titania has a Mother | Michael Joseph |
1965 | Henry Cecil | Fathers in Law | Michael Joseph |
1965 | Dick Francis | Odds Against | Michael Joseph |
1965 | Ric Hardman | The Virgin War | Michael Joseph |
1965 | Geoffrey Household | Olura | Michael Joseph |
1965 | Louise King | The Velocipede handicap | Michael Joseph |
1965 | Jennie Melville | There Lies your Love | Michael Joseph |
1965 | Gladys Mitchell | Pageant of Murder | Michael Joseph |
1965 | Randolph Stow | The Merry-Go-Round in the Sea | MacDonald |
1965 | Miles Tripp | A Quartet of Three | Macmillan |
1965 | Allan Turpin | The Box - A Conversation Piece | Michael Joseph |
1965 | Henry Williamson | The Phoenix Generation | MacDonald |
1966 | Brian Glanville | A Roman Marriage | Michael Joseph |
1966 | Mary Kelly | Dead Corse | Michael Joseph |
1966 | Mary Kelly | Dead Man's Riddle | Michael Joseph |
1966 | Myrna Lockwood | A Mouse is Miracle Enough | Michael Joseph |
1966 | Gladys Mitchell | The Croaking Raven | Michael Joseph |
1966 | Anthony Powell | The Soldier's Art | Heinemann |
1966 | Allan Turpin | Beatrice and Bertha : A Novel-Memoir | Michael Joseph |
1966 | Allan Turpin | Ladies | Michael Joseph |
1966 | Henry Williamson | The Dark Lantern | MacDonald |
1966 | Henry Williamson | A Solitary War | MacDonald |
1966 | Donald Windham | Two People | Michael Joseph |
1967 | H. E. Bates | The Distant Horns of Summer | Michael Joseph |
1967 | Caryl Brahms & S. J. Simon | A Bullet in the Ballet | Michael Joseph |
1967 | Vicky Brandrick | To Let Furnished | Michael Joseph |
1967 | Adam Diment | The Dolly Dolly Spy | Michael Joseph |
1967 | Stanley Ellin | House of Cards | MacDonald |
1967 | Malcolm Elwin | The Noels and Milbankes | MacDonald |
1967 | Dick Francis | Blood Sport | Michael Joseph |
1967 | Giovannino Guareschi | My Home, Sweet Home | MacDonald |
1967 | Gladys Mitchell | Skeleton Island | Michael Joseph |
1967 | Jean Nicol | Hotel Regina | Michael Joseph |
1967 | Jane White | Quarry | Michael Joseph |
1967 | Henry Williamson | Lucifer before Sunrise | MacDonald |
1967 | Herbert Fairley Wood | Vimy! | MacDonald |
1968 | Herbert Fairley Bair | The Coming Together | MacDonald |
1968 | H. E. Bates | The White Admiral | Dennis Dobson |
1968 | Adam Diment | The Great Spy Race | Michael Joseph |
1968 | Madge Garland (editor) | The Indecisive Decade | MacDonald |
1968 | Giovannino Guareschi | School for Husbands | MacDonald |
1968 | Elizabeth Jenkins | Ten Fascinating Women | MacDonald |
1968 | Sue Kaufman | Diary of a Mad Housewife | Michael Joseph |
1968 | Mary Kelly | A Cold Coming | Michael Joseph |
1968 | John Kobler | Henry Luce: His Time, Life and Fortune | MacDonald |
1968 | Anthony Powell | The Military Philosophers | Heinemann |
1968 | Jane White | Proxy | Michael Joseph |
1969 | Giovannino Guareschi | Duncan and Clotilda | MacDonald |
1969 | Barry Weil | Dossier IX | Hamish Hamilton |
1970 | Henry Williamson | Collected Nature Stories | MacDonald |
1971 | John Baxter | The cinema of Josef von Sternberg | A. Zwemmer |
1973 | Anthony Powell | Temporary Kings | Heinemann |
1975 | James Broom-Lynne | The Colonel's War | W. H. Allen |
1975 | Anthony Powell | Hearing Secret Harmonies | Heinemann |
1975 | Anthony Powell | Books Do Furnish a Room | Heinemann |
1979 | Anthony Powell | Venusberg | Heinemann |
Anthony Powell | A Dance to the Music of Time (complete set) | Heinemann |
Illustrations
Year | Title | Author | Publisher | Notes |
1947 | The Garden | Vita Sackville-West | Michael Joseph | |
1949 | Pickwick Papers | Charles Dickens | Macdonald | |
1950 | Lorna Doone | R. D. Blackmore | Macdonald | Illustrated Classics series |
1952 | The Country of White Clover | H. E. Bates | Michael Joseph | |
1953 | Tales of Moorland and Estuary | Henry Williamson | Macdonald | |
1953 | Soane in Suffolk[18] | Dorothy Stroud | The Sunday Times | Article in newspaper, p. 6 |
1953 | Liszt, Peter Katin | Decca | Record cover[19] | |
1955 | Companions in Cross-stitch[20] | Vivien Ingham | Britannia and Eve magazine | Article in the July 1955 issue, pp. 34–35 |
1956 | American Geisha | Marion Taylor | Geoffrey Bles | |
1959 | Punch Magazine[12] | - | Front cover, 4 February 1959 | |
1960 | 366 Days - A zodiacal calendar | Benham & Company, Colchester | Private circulation (verse by Colin Peason) | |
1976 | First day cover[21] | The Post Office (GPO) | To commemorate the bicentenary of the birth of John Constable, born in East Bergholt where James Broom-Lynne lived for 40 years | |
1977 | First day cover[21][22] | The Post Office (GPO) | To commemorate the 250th anniversary of the birth of Thomas Gainsborough | |
1981 | Interior design for the passport of Belize[13] | Commission for design of the passport of Belize (formerly British Honduras) on its independence from the UK | ||
unknown | Shredded wheat information booklet[23] | Paul Jennings | Nabisco |
Plays
Year | Title | Type | Notes |
1963 | The Trigon | Stage Play | Published by Jonathan Cape. First performed in London, 1962. Also performed in 1964 at New Arts Theatre Club, London, starring Prunella Scales and Timothy West.[24] Performed Off-Broadway at Stage 73, October 9, 1965.[25][26][27] A Norwegian TV movie entitled En hyggelig fyr was made in 1966.[28] Reviewed in The Stage (4 June 1964).[29] |
1963 | Ketch | Stage Play | |
1963 | Charlie and Duke[30] | Radio play | BBC |
1965 | Return Visit[31] | Radio play | BBC |
1965 | Triple Bill: The Duke and Duckett, Top People Have Rows Too, To the Home Office with Love[32] | Radio play | BBC |
1967 | Trilogy: The Applicant, The Golden Marathon, The High Place[33] | Radio play | BBC |
1961 | The Jokers | Teleplay | ITV (Television Playhouse) |
1963 | The Living Image[34] | Teleplay | ITV (Armchair Theatre). Reviewed in The Daily Telegraph (19 August 1963).[35] |
1967 | Wanted: Single Gentleman[36][37] | Teleplay | BBC (The Wednesday Play). Reviewed in The Listener (26 October 1967).[38] |
Novels
Year | Title | Publisher | Notes |
1967 | Tobey's Wednesday | Macdonald & Co. | Published in the US as The Wednesday Visitors, Doubleday, 1968. Reviewed in The Times Literary Supplement (20 April 1967).[39] |
1968 | The Marchioness | Macdonald & Co. | Doubleday, 1969. Reviewed in The New York Times (11 May 1969).[40] and The Times Literary Supplement (6 June 1968).[41] |
1969 | Drag Hunt | Michael Joseph | Reviewed in The Daily Telegraph (30 October 1969).[42] |
1970 | The Diamond Hook | Doubleday | Under the pseudonym James Quartermain |
1972 | The Man Who Walked on Diamonds | Doubleday | Under the pseudonym James Quartermain |
1972 | Rock of Diamonds | Doubleday | Under the pseudonym James Quartermain. Reviewed in The New York Times (24 September 1972).[43] |
1973 | The Commuters | Doubleday | |
1975 | The Colonel's War | W. H. Allen | |
1975 | The Diamond Hostage | Constable | Under the pseudonym James Quartermain |
1976 | Verdict | W. H. Allen | Reviewed in The Daily Telegraph (30 October 1969).[44] |
1978 | Jet Race | Putnam | |
1978 | Crash | Pan Macmillan | |
1980 | Rogue Diamond | Atheneum |
Sources
- Horne, Alan (1994). The Dictionary of 20th Century British Book Illustrators. United Kingdom: Antique Collectors' Club. OCLC 848940139.
- Peppin, Brigid; Micklethwait, Lucy (1998). Dictionary of British Book Illustrators. John Murray. ISBN 0719539854, 978-0-719539-85-5
- Vinson, James (1973). Contemporary Dramatists. London: St. James Press. ISBN 978-0-900997-17-4. OCLC 231964348
- Moorhouse, Geoffrey: "Getting inside the jacket." (The Guardian. 3 April 1967, p. 5).
- 1964 BBC radio interview.
References
- ↑ Horne, Alan (1994). The Dictionary of 20th Century British Book Illustrators. Antique Collectors' Club. OCLC 848940139.
- ↑ "Suffolk Artists - BROOM-LYNNE, James". suffolkartists.co.uk. Retrieved 2021-10-22.
- 1 2 3 "James Broom-Lynne". www.broom-lynne.com. Retrieved 2021-10-22.
- 1 2 "Contemporary dramatists; : Vinson, James, 1933- : Free Download, Borrow, and Streaming : Internet Archive". Archive.org. Retrieved 4 March 2023.
- 1 2 Vinson, James (1973). Contemporary dramatists;. Internet Archive. London, St. James Press; New York, St. Martin's Press. pp. 491–492. ISBN 978-0-900997-17-4. OCLC 231964348.
- 1 2 3 4 "James Broom-Lynne :: HE Bates". hebates.com. Retrieved 2023-03-11.
- ↑ Spurling, Hilary (2017) Anthony Powell: Dancing to the Music of Time. Hamish Hamilton, Penguin Books, p.396.
- ↑ Moorhouse, Geoffrey (3 April 1967). "Getting inside the jacket". The Guardian. p. 5. ISSN 0261-3077. Retrieved 20 March 2022.
- 1 2 "Civil Defence Artists". The West London Press and Chelsea News. 21 November 1941. p. 4. Retrieved 11 March 2023.
- 1 2 "Civil Defence Artists - The War on canvas". The Hampstead News and Golders Green Gazette. 15 January 1942. p. 3. Retrieved 11 March 2023.
- ↑ "Archive Addition" (2015). Anthony Powell Society Newsletter 59 (summer): 21.
- 1 2 "PNCH-1959-0204-00000.tif | PUNCH Magazine Cartoon Archive". www.punch.co.uk. Retrieved 2021-10-26.
- 1 2 "James Broom-Lynne". www.broom-lynne.com. Retrieved 2021-10-22.
- ↑ Broom-Lynne, J. W. (20 March 1960). "Dixon in Disgrace". The Observer. p. 10. ISSN 0029-7712. Retrieved 20 March 2022.
- ↑ Gellert, Roger (4 January 1963). "Foursomes". The New Statesman. 65: 650. ISSN 0028-6842. Retrieved 20 March 2022.
- ↑ Watts jr., Richard (11 October 1965). "Two on the Aisle". The New York Post. Retrieved 20 March 2022.
- ↑ Frymer, Murry (11 October 1965). "'The Trigon' is taut theatre". Newsday. pp. 3c. ISSN 0278-5587. Retrieved 31 March 2022.
- ↑ Stroud, Dorothy (15 February 1953). "Soane in Suffolk". The Sunday Times. p. 6. Retrieved 20 March 2022.
- ↑ "Liszt*, Peter Katin - Liszt Recital". Discogs. Retrieved 2021-10-23.
- ↑ Ingham, Vivien (July 1955). "Companions in Cross-stitch". Britannia and Eve. 51: 34–35.
- 1 2 "James Broom-Lynne". www.broom-lynne.com. Retrieved 2021-10-22.
- ↑ "Eye man wins anniversary battle. Post Office relents - and Gainsborough will be remembered!". Diss Express. 7 April 1977. p. 4. Retrieved 11 March 2023.
- ↑ Jennings, Paul (27 April 1983). "Cereal Story". Punch. 284 (7431): 46–47 – via Internet Archive.
- ↑ "Production of The Trigon | Theatricalia". theatricalia.com. Retrieved 2021-10-23.
- ↑ "3 Off Broadway Productions Schedule Openings for Fall". The New York Times. 1965-08-18. ISSN 0362-4331. Retrieved 2021-10-23.
- ↑ "The Trigon". www.iobdb.com. Retrieved 2021-10-23.
- ↑ Loney, Glenn (March 1966). "Broadway and Off-Broadway Supplement". Educational Theatre Journal. 18 (1): 66–72. doi:10.2307/3205121. JSTOR 3205121.
- ↑ NRK (2019-08-21), En hyggelig fyr 03.05.1966, retrieved 2022-03-20
- ↑ Marriott, R. B. (4 June 1964). "'The Trigon' at the New Arts. They are not so ordinary after all". The Stage. p. 9. Retrieved 11 March 2023.
- ↑ "Broadcast - BBC Programme Index". genome.ch.bbc.co.uk. Retrieved 2021-10-22.
- ↑ "Broadcast - BBC Programme Index". genome.ch.bbc.co.uk. Retrieved 2021-10-22.
- ↑ "Broadcast - BBC Programme Index". genome.ch.bbc.co.uk. Retrieved 2021-10-22.
- ↑ "Broadcast - BBC Programme Index". genome.ch.bbc.co.uk. Retrieved 2021-10-22.
- ↑ "Living Image (1963)". BFI. Archived from the original on September 16, 2020. Retrieved 2021-11-01.
- ↑ L., L. (19 August 1963). "Artists in Conflict". The Daily Telegraph. p. 15. Retrieved 20 March 2022.
- ↑ "Broadcast - BBC Programme Index". genome.ch.bbc.co.uk. Retrieved 2021-10-22.
- ↑ "Wanted, Single Gentleman (1967)". BFI. Archived from the original on November 1, 2021. Retrieved 2021-11-01.
- ↑ King, Francis (26 October 1967). "Infernal Visitor". The Listener. 78: 550.
- ↑ Fytton, Francis (20 April 1967). "Mess-Bill". The Times Literary Supplement. p. 340. Retrieved 20 March 2022.
- ↑ "The Marchioness; By James Broom Lynne. 167 pp. New York: Doubleday & Co. $4.95". The New York Times. 1969-05-11. ISSN 0362-4331. Retrieved 2021-10-23.
- ↑ Harsent, David A. (6 June 1968). "Other New Novels". The Times Literary Supplement. p. 603. Retrieved 20 March 2022.
- ↑ Berridge, Elizabeth (30 October 1969). "Recent Fiction". The Daily Telegraph. p. 9. Retrieved 20 March 2022.
- ↑ Callendar, Newgate (24 September 1972). "Criminals at Large". The New York Times. p. 41. Retrieved 20 March 2022.
- ↑ Berridge, Elizabeth (4 November 1976). "Recent Fiction". The Daily Telegraph. p. 15. Retrieved 20 March 2022.