Iván Hevesy (Hungarian: [ˈivaːn ˈhɛvɛʃi] ; 7 December 1893  29 January 1966) was a Hungarian literature, photography and film theorist. Hevesy is best known for his pioneering role in the history of the Hungarian avant-garde.[1][2][3][4]

References

  1. Botar, Oliver A.I. (2006). Technical Detours: The Early Moholy-Nagy Reconsidered. New York: Art Gallery of the Graduate Center, the City University of New York. pp. 18–19. ISBN 978-1599713571.
  2. "Iván Hevesy: Primitive Art". Budapest Poster Gallery. Retrieved 24 May 2018.
  3. Botar, Oliver (2008). "Review: Films by Lászlo Moholy-Nagy , by László Moholy-Nagy; Ein Lichtspiel schwarz weiss grau ; Impressionen vom alten marseiller Hafen (Vieux port) ; Berliner Stilleben ; Architects' Congress ; Lobsters ; The New Architecture and the London Zoo ; Gross-Stadt Zigeuner ; and Do Not Disturb". Journal of the Society of Architectural Historians. University of California Press. 67 (3): 460–462. doi:10.1525/jsah.2008.67.3.460. JSTOR 10.1525/jsah.2008.67.3.460.
  4. Sebeok, Thomas A.; Umiker-Sebeok, Jean (2012). The Semiotic Sphere (7 ed.). Boston, MA: Springer Science & Business Media. p. 281. ISBN 9781475702057.


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