Emy Kat
Born (1959-08-17) 17 August 1959
Occupation(s)Artist, photographer
SpouseNatalya Kasyanova
ChildrenKanaan and Asmani
Websiteemykat.com

Emy Kat is a researcher, visual artist and photographer working in contemporary art and fine art photography.

Career and life

Emy Kat was born in 1959 and is of Middle Eastern descent.

From The project The Everlasting Now (2012–2015) Philby No 1 – 2015 – Lambda Print – 90 × 67 cm – Ed of 6. A narrow view of the outside of a room of a dilapidated house, viewing an armchair within the room. Associated with Harry St John Bridger Philby – British Museum 2017

As a contemporary photographer, he has built a large body of work over several decades. He developed a love for the medium at an early age, when his father gave him his first camera at the age of 12, sparking a lifelong passion for photography. After refining his craft in the United States, he received a graduate degree in photography from the Brooks Institute of photography[1] in Santa Barbara, California, (USA) in 1997. During his studies, he achieved exceptional academic success and received numerous awards, including recognition for Advertising and Creative Excellence.[2]

Kat began his career in fashion photography, portraits, and commercial advertising and shifted in 2009 to Contemporary Art and Fine-art photography.

A researcher and photographer, Kat is best known for his explorations of culture and heritage as well as landscape and spiritual transformations.

In 2013, he introduced a new technique in contemporary Art classified as a post-medium condition, a type of "digital collage". He calls it "Mental Spaces", the artwork deals with capturing a given space and connects several images taken from various angles to create one image, offering the viewer a chance to experience a given space from multiple angles in one gaze. "This technique allows me to cover several dimensions of a space and to effectively sum up all the facts into a single visual. A sample of "Mental Spaces" by Emy Kat titled "Indoors" 2013.[3][4]

His work is included in a number of prominent private and public collections. His iconographic studies on the subject "Femme" describing her superiorities (Nude studies on Platinum) is a permanent collection at BNF Bibliothèque nationale de France [2000]. The collection is under Reference number Ep-4001-Boîte pet. fol.(Collection Publiques).[5][6] His work from the project "The Everlasting Now" has been acquired by the British Museum [2017].[7][8]

Kat participated in a number of local and international shows including Jeddah Arts 21,39 inaugural exhibition Moallaqat [2014],[9] Art Dubai [2014][10][11] and Paris Photo [2014].[12]

Kat has lived and worked in Los Angeles, New York, London, Dubai and is currently based in Paris where his studio is located.

Film vs digital

Although Kat chose to work mostly with photographic film, he majored in digital imaging. The limits of digital photography are to blame for this. He began utilizing a top-of-the-line LEAF digital camera back system in 2008. However, for the most of his fine art, he still uses photographic film with a large format view camera and medium format camera.

Notable artwork

Ames Dans Les Rues No 12.
  • Nude studies of women on platinum (Etudes Nus femme) Archived and collected by the BNF Bibliothèque nationale de France (2000). Reference number Ep-4001-Boîte pet. fol.(Collection Publiques)[13][14]
  • La Pass Murraille – series of 5 images – edition 3 – (1999)
  • Souls on the streets (Ames Dans les Rues) – (2009) [15]
  • The Everlasting Now – (2012–2013) solo exhibition, Athr Gallery [2014][16] 21,39 Moallaqat Exhibition 1st edition [2013][17] Art Dubai [2014][18][19] Solo Exhibition, Bin Mattar House [2014][20] Paris Photo [2014][21][22] 1er Biennale des photographes du mond Arabe – Institute du Mond Arabe – Paris [2015][23][24]

Book contributions

Kat's photographs have been included in several books published by Graphis Inc.

  • (2007) "Photography Annual" ISBN 1-932026-39-8
  • (2006) "Photography Annual" ISBN 1-931241-46-5
  • (2000) "Nude 3" ISBN 1-888001-66-6
  • (1998) "Photography Annual" ISBN 1-888001-46-1
  • (1997) Annual Design ISBN 1-888001-24-0

References

Wikimedia Commons has media related to Emy Kat.
  1. ↑ "Academic and Career References – PDF". Emykat.com. Retrieved 25 November 2014.
  2. ↑ "Academic and Career References – PDF". Emykat.com. Retrieved 25 November 2014.
  3. ↑ "Saudi Gazette/ Home Page". Archived from the original on 26 April 2014.
  4. ↑ "The Everlasting Now – Emy Kat Solo Exhibition". Athrart.com. Retrieved 25 November 2014.
  5. ↑ "[Recueil. Photographies originales. Oeuvre de Emy Kat]".
  6. ↑ "Permanent Collection at BNF Bibliotheque National de France - Paris Reference number Ep-4001-Boîte pet. Fol.(Collection Publiques)".
  7. ↑ "Press" (PDF).
  8. ↑ "Photographic print | British Museum".
  9. ↑ "Moallaqat Exhibition | Athr Gallery".
  10. ↑ "Art Dubai 2014 | Athr Gallery".
  11. ↑ "Athr".
  12. ↑ "Athr Gallery at Paris Photo | Athr Gallery".
  13. ↑ "[Recueil. Photographies originales. Oeuvre de Emy Kat]".
  14. ↑ "Permanent Collection at BNF Bibliotheque National de France - Paris Reference number Ep-4001-Boîte pet. Fol.(Collection Publiques)".
  15. ↑ "The Contemporary Orientalism" (PDF). Operagallery.com. Archived from the original (PDF) on 26 July 2011. Retrieved 25 November 2014.
  16. ↑ "The Everlasting Now – Emy Kat Solo Exhibition". Athart.com. Retrieved 25 November 2014.
  17. ↑ "Moallaqat Exhibition". Athart.com. Retrieved 25 November 2014.
  18. ↑ http://artdubai.ae/galleries/contemporary/2014/Athr-Gallery
  19. ↑ "Art Dubai 2014 | Athr Gallery".
  20. ↑ "Upcoming Events – The Everlasting Now – Shaikh Ebrahim Center". Shaikhebrahimcenter.org. Retrieved 25 November 2014.
  21. ↑ "Emy Kat – Paris Photo Grand Palais". Parisphoto.com. Retrieved 25 November 2014.
  22. ↑ "Athr Gallery at Paris Photo". Athart.com. Retrieved 25 November 2014.
  23. ↑ "Emy Kat – Biennale des Photographes du Monde Arabe contemporain".
  24. ↑ "Première biennale des photographes du monde arabe contemporain". 24 March 2016.
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