Doug Lucie (born 15 December 1953, Chessington, Greater London) is an English dramatist.[1]

Career

Doug Lucie is a key figure in contemporary writing for the British stage. Lucie had an especially influential run of works in the 1980s and early 1990s. His plays have been produced at the National Theatre, the Royal Shakespeare Company’s Other Place and the Royal Court.

Lucie's work has been hailed by critics for his singular voice and his acid pen. His most influential plays often bristle with sudden and unexpected violence, making him a key transitional figure between the overtly political British drama of the 1970s and the “in-yer-face” school of the 1990s.

His early work as a playwright emerged from the Edinburgh Festival and smaller theatres in the south of England. He was a playwright-in-residence at the Oxford Playhouse in 1979 and 1980, and a visiting writer at the Iowa Writer's Workshop in 1981.[2]

Lucie broke through to a larger audience with Hard Feelings (1982) -- a play set in a gentrifying Brixton before and during its 1981 riots. The success of Hard Feelings began a run of work that included Progress (1984), Key to the World (1984), Fashion (1987), Grace (1992), Gaucho (1994), and The Shallow End (1996).

Lucie's later plays explore themes ranging from work and friendship (The Green Man, 2003)[3] to the intersection of art and politics as it played out in the fertile relationship between acclaimed singers Nick Drake and John Martyn (Solid Air, 2014).[4]

Lucie also writes extensively for radio and television in the United Kingdom.

Critical reception

“[W]here are the aspiring dramatists of either sex who instantly identify themselves by the timbre of their dialogue or the idiosyncrasy of their stance, as Pinter and Bond once did? Doug Lucie perhaps, that sour observer of the go-getting Eighties; no one much else.” Benedict Nightingale, The Times (1990)[5]

"People don't go to Doug Lucie's plays to be tickled under the chin. In the Eighties, his poisonous and hilarious comedies Fashion and Progress gave us portraits of humanity that might prompt second thoughts about that post-show drink with friends. 'A martini of gall and wormwood about the articulate classes' is how one critic described his style."—Sarah Hemming, The Independent (1992)[6]

"This is an angry account of a stratified Britain, in which the sons and daughters of the well-off enjoy a head start in life. Is anything that different today?"—Michael Billington, The Guardian, on the 2012 revival of Hard Feelings.[7]

Plays

  • John Clare's Mad Nuncle (Edinburgh, 1975)
  • Rough Trade (Oxford Playhouse, 1978)
  • We Love You (Roundhouse, 1978)
  • Oh Well (Oxford Playhouse, 1978)
  • The New Garbo (Hull Truck and King's Head, London, 1978)
  • Heroes (Edinburgh and New End Theatre, London 1979)
  • Poison Edinburgh Festival, 1980)
  • Strangers in the Night, New End Theatre, 1981)
  • Hard Feelings (Oxford Playhouse tour, 1982, Bush Theatre, 1983)
  • Progress (Bush Theatre, 1984)
  • Key to the World (Paines Plough, Leicester Haymarket, and Lyric Theatre Studio, Hammersmith, 1984)[8]
  • Fashion (RSC, 1987 and Leicester Haymarket and Tricycle, London, 1989)[9]
  • Doing the Business (Royal Court, 1990)
  • Grace (Hampstead Theatre, 1992)
  • Gaucho (Hampstead Theatre, 1994)[10]
  • The Shallow End (Royal Court 1997)[11][12]
  • Love You, Too (Bush Theatre, 1998)[13]
  • The Green Man (Plymouth, Drum Theatre, 2002)[14]
  • Pass it On (Shell Connections, 2006)
  • Solid Air (Plymouth 2013)[15][16]

Adaptations

  • The Moonstone (BBC 2010) [17]

Personal life

Lucie was for a time in the 21st century homeless before settling in Thame.[18]

References

  1. ↑ "Profile: Doug Lucie: 'the return of Hard Feelings'". The Oxford Times. Retrieved 11 January 2017.
  2. ↑ Lucie, Doug (1 January 1998). Plays : 1 : progress, fashion, grace, gaucho. Methuen Drama. ISBN 9780413716903. OCLC 39913950.
  3. ↑ Cavendish, Dominic. "Wickedly funny vision of booze, banter and bitterness". Telegraph.co.uk. Retrieved 11 January 2017.
  4. ↑ "Lords of misrule: Just what would have happened in a meeting between". The Independent. 10 November 2013. Retrieved 11 January 2017.
  5. ↑ Lucie, Doug (1 January 1991). Fashion; Progress; Hard feelings; Doing the business. Methuen Drama. ISBN 0413650901. OCLC 877217280.
  6. ↑ "Theatre / The feel bad factor: Doug Lucie has made a career of". The Independent. 19 October 1994. Retrieved 11 January 2017.
  7. ↑ Billington, Michael (18 June 2013). "Hard Feelings – review". The Guardian. ISSN 0261-3077. Retrieved 11 January 2017.
  8. ↑ Plough, Paines. "Paines Plough". www.painesplough.com. Archived from the original on 8 February 2017. Retrieved 11 January 2017.
  9. ↑ Rich, Frank (25 June 1987). "Stage: In London, 'Fashion,' 'Melon' and 'Family Business'". The New York Times. ISSN 0362-4331. Retrieved 11 January 2017.
  10. ↑ "Gaucho". Shut the French Windows. Retrieved 11 January 2017.
  11. ↑ Wolf, Matt (16 March 1997). "Review: 'The Shallow End'". Variety. Retrieved 11 January 2017.
  12. ↑ "Who's for a fat lip?". The Independent. 8 February 1997. Retrieved 11 January 2017.
  13. ↑ Wolf, Matt (8 June 1998). "Review: 'Love You, Too'". Variety. Retrieved 11 January 2017.
  14. ↑ "Theatre review: The Green Man at Bush Theatre". www.britishtheatreguide.info. Retrieved 11 January 2017.
  15. ↑ "Solid Air: Theatre Royal Plymouth". The Reviews Hub. 12 November 2013. Retrieved 11 January 2017.
  16. ↑ "Tony Blair character in Doug Lucie play Solid Air at Theatre Royal Plymouth". Plymouth Herald. 1 November 2013. Archived from the original on 11 November 2013. Retrieved 11 January 2017.
  17. ↑ "BBC Radio 4 - Classic Serial, the Moonstone, Episode 1".
  18. ↑ Gray, Chris (20 December 2018). "Playwright deserves great credit for honesty". The Oxford Times. p. 22.
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