Jazz Bowl, properly New Yorker punch bowl, designed by Viktor Schreckengost, commissioned in 1930 by Eleanor Roosevelt to commemorate Franklin D. Roosevelt's second inauguration as governor of New York.

The Cowan Pottery Studio was founded by R. Guy Cowan in Lakewood, Ohio, United States, in 1912. It moved to Rocky River, Ohio, in 1920, and operated until 1931, when the financial stress of the Great Depression resulted in its bankruptcy. Cowan Pottery produced both artistic and commercial work in a variety of styles influenced by the Arts and Crafts Movement, Art Deco, Chinese ceramics, and modern sculpture.

During its two decades of operation, a number of well-known Cleveland School artists worked with Cowan at the studio: Elizabeth Anderson, Arthur Eugene Baggs, Alexander Blazys, Paul Bogatay, Edris Eckhardt, Waylande Gregory, A. Drexler Jacobson, Raoul Josset, Paul Manship, José Martin, Herman Matzen, F. Luis Mora, Elmer L. Novotny, Margaret Postgate, Stephen Rebeck, Guy L. Rixford, Viktor Schreckengost, Elsa Vick Shaw, Walter Sinz, Frank N. Wilcox, H. Edward Winter, and Thelma Frazier Winter. With the exception of Guy Cowan, himself, Waylande Gregory designed more pieces for the pottery than anyone else. Among Cowan's finest pieces were three limited edition figures relating to dance, including "Salome" (1928), "The Nautch Dancer," (1930), and "The Burlesque Dancer," (1930). For the last two, Gregory made sketches from the side of the stage of the well-known Ziegfeld Follies star, Gilda Grey, when she was performing in Cleveland.[1]

References

  1. ↑ Folk, Thomas (2013). Waylande Gregory: Art Deco Ceramics and the Atomic Impulse. University of Richmond Museums. ISBN 978-0976504726.

2. Folk, Tom, "Uncommon Cowan Pottery Designs by Waylande Gregory," Journal of the American Art Pottery Association, vol. 30, no. 2 (spring 2014), pp. 14– 20. https://web.archive.org/web/20140519093011/http://aapa.info/2014/05/19/cowan-waylande-gregory/


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