Clara Southern
Born(1860-10-03)3 October 1860
Kyneton, Victoria, Australia
Died15 December 1940(1940-12-15) (aged 80)
Melbourne, Victoria, Australia
NationalityAustralian
Known forPainting
Spouse
John Arthur Flinn
​
(m. 1905)​

Clara Southern (3 October 1860 – 15 December 1940) was an Australian artist associated with the Heidelberg School, also known as Australian Impressionism. She was active between the years 1883 and her death in 1940.[1] Physically, Southern was tall with reddish fair hair, and was nicknamed 'Panther' because of her lithe beauty.[2]

Biography

The artist painting at her home in Warrandyte

Southern was born in Kyneton, Victoria, in 1860,[3] the eldest of six children.[4] She was the daughter of local timber merchant and farmer John Southern and Jane Elliott.[5] From 1883 to 1887,[6] Southern studied at the School of Design, National Gallery of Victoria under Oswald Rose Campbell[5] and at the National Gallery of Victoria Art School under George Folingsby and Frederick McCubbin.

During her studies she joined the Buonarotti Club, a bohemian society of writers, painters and musicians to which other members of the Heidelberg School belonged. She is credited by some as 'among the first women to be elected' to it in 1886, though several other female artists were already members, and amateur poet and painter Alice Brotherton had been the first woman elected to the Club in 1883, followed by several other important women artists such as Jane Sutherland and May Vale, who both joined in 1884.[7]

Southern was a member of the Victorian Artists Society, the Australian Art Association, the Melbourne Society of Women Painters and Sculptors, the Twenty Melbourne Painters, and the Lyceum Club.[3] Paving the way for women's involvement in the arts, Southern was the first female member of the Australian Artists' Association.[5]

When in Melbourne Southern shared a studio at Grosvenor Chambers, 9 Collins Street, with Jane Sutherland and Tom Roberts[7] from 1888. She taught art classes from her studio, and regularly joined her Heidelberg School colleagues on plein air painting trips to Heidelberg and Eaglemont.[8]

Warrandyte

By 1908 Southern had established an artistic community of younger landscape painters at Warrandyte, a township on the Yarra about 30 kilometres from Melbourne. The community included Penleigh Boyd and Harold Herbert. Her teacher and mentor Walter Withers often visited her in Warrandyte to paint the landscape.[4] Her residence at cottage 'Blythe Bank' in Warrandyte was integral to the development of the artistic community there, with regular visits from the McCubbins and Colquhouns, and Jo Sweatman becoming her neighbour at 'Kipsy.'[5] Many of her works capture the spirit of the area, such as 'Evensong' and 'A Cool Corner', and she encouraged many a young artist to visit her studio there.[5] At one point she was regarded as the eminent female landscape artist in Melbourne.[9]

On 9 November 1905, Southern married local miner John Arthur Flinn at St. John's Anglican Church in Blackburn. Together they built a cottage, and later a studio, at Blythe Bank, Warrandyte.[2][10] Even after her marriage, Southern continued to exhibit under her own name.

An Old Bee Farm, held by the National Gallery of Victoria is one of her better known works. It was one of 56 paintings included in Lloyd O'Neil's Classic Australian Paintings, and was used as the cover illustration for Kay Schaffer's 1988 book Women and the Bush: Forces of Desire in the Australian Cultural Tradition.

Clara was also supportive of charity and relief efforts, supporting Violet Teague and her sister Una in an exhibition for the Hermannsburg Mission Water Supply in Central Australia.[8] Bushfires were a devastating risk in her township of Warrandyte, and she contributed to the Artists' Bushfire Relief Fund Exhibition.[8] Unfortunately some time after her death, her beloved cottage 'Blythe Bank' was lost to bushfires.[8]

Miss Clara Southern (Mrs J. Flinn) is a sweet and original singer of the Australian bush in colour, which, by the most skilful use of her pigments, she realises in all its beauty and charm, its majestic silences, its harmonies, and those mysterious distances we all know and feel when in its midst. We can almost hear the wind sighing and sobbing through her trees and that furtive movement of life beneath the beautiful undergrowth that trembles in her foregrounds. Her landscapes are truly poems, full of sentiment and feeling, and that artistic reticence so seldom met with, which never allows nature to be for one moment oppressed or overstepped, or the note forced under any pretence.-'A Lyrical Painter', Kyneton Guardian, 14 March 1914[11]

Southern died in Melbourne on 15 December 1940.[3]

Southern Close in the Canberra suburb of Chisholm is named in her honour.[12]

Selected works

Exhibitions

  • 1899–1917 - Victorian Artists' Society
  • 1907 - First Australian Women's Work Exhibition
  • 1914, 1917–1919 – Australian Art Association Exhibition
  • 1934 - Exhibition in aid of the Hermannsburg Water Supply in Central Australia[13]

Posthumous

  • 1975 - Australian Women Artists, One Hundred Years 1840–1940, Melbourne University, Ewing and George Paton Gallery
  • 1995 - A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers, Benalla Art Gallery
  • 2011–2012 - Look, Look Again, Lawrence Wilson Art Gallery, University of Western Australia[13]

Collections

  • National Gallery of Victoria[14]
  • Art Gallery of Ballarat[15]
  • Gippsland Art Gallery[16]

References

  1. ↑ "Clara Southern :: biography at :: at Design and Art Australia Online". www.daao.org.au. Retrieved 17 March 2018.
  2. 1 2 Duke, Anne. "Southern, Clara (1860–1940)". Australian Dictionary of Biography. Canberra: National Centre of Biography, Australian National University.
  3. 1 2 3 Duke, Anne. "Clara Southern (1860–1940)". Southern, Clara (1860–1940). National Centre of Biography, Australian National University. Retrieved 31 March 2018. {{cite book}}: |website= ignored (help)
  4. 1 2 "Warrandyte a heritage steeped in art" (PDF). Rotary Club of Warrandyte Donvale. 2018. Archived (PDF) from the original on 18 March 2018.
  5. 1 2 3 4 5 "Artist's Footsteps". www.artistsfootsteps.com. Retrieved 14 September 2020.
  6. ↑ McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily (2006). The new McCulloch's encyclopedia of Australian art (4th ed.). Fitzroy: AUS Art Editions ; The Miegunyah Press. p. 899. ISBN 0-522-85317-X. OCLC 80568976.
  7. 1 2 Mead, Stephen F. (December 2011). "The Search for Artistic Professionalism in Melbourne: the activities of the Buonarotti Club, 1883–1887". The Latrobe Journal. 88.
  8. 1 2 3 4 "Blog Post – The Victorian Artists Society". victorianartistssociety.com.au. Archived from the original on 5 March 2021. Retrieved 15 September 2020.
  9. ↑ "Artists Warrandyte – Warrrandyte Historical Society". Warrandyte Historical Society. Retrieved 14 September 2020.
  10. ↑ "Marriage Certificate". Births Deaths and Marriages Victoria. Retrieved 17 February 2018.
  11. ↑ "A LYRICAL PAINTER". Kyneton Guardian (Vic. : 1870–1880; 1914–1918). 14 March 1914. p. 2. Retrieved 15 September 2020.
  12. ↑ "Schedule 'B' National Memorials Ordinance 1928–1972 Street Nomenclature List of Additional Names with Reference to Origin: Commonwealth of Australia Gazette. Special (National: 1977–2012) – 8 Feb 1978". Trove. p. 14. Retrieved 2 April 2020.
  13. 1 2 "Clara Southern b. 3 October 1860". Design & Art Australia Online. 13 April 2017. Archived from the original on 20 August 2019. Retrieved 15 September 2020.
  14. ↑ "Clara Southern". National Gallery of Victoria. Retrieved 6 July 2023.
  15. ↑ "Clara Southern : Abandoned farmhouse". Art Gallery of Ballarat. Retrieved 7 July 2023.
  16. ↑ Southern, Clara. "Beach Scene – 2017.005". Gippsland Art Gallery. Retrieved 7 July 2023.
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