Christiane L. Joost-Gaugier (born 1934)[1] is a French-born American art history scholar whose research has included work on the art of the Italian Renaissance and on the influence of Pythagoras on art and philosophy into the Middle Ages and Renaissance. She is also known for bringing the first class action against an American university for its discriminatory treatment of women faculty.[1][2][3]
Education and career
Joost-Gaugier was born in 1934 in France.[1] She graduated with honors from Radcliffe College in 1955, earned an A.M. there in 1959 and a PhD from Harvard University in 1973. [3] She taught at Michigan State University in the early 1960s, and in the late 1960s joined the Tufts University faculty,[1]. In 1970 she initiated a class action lawsuit against Tufts University for unequal treatment of women. The case was taken up by the Equal Employment Opportunity Commission, eventually decided in her favor, settled in the mid-1980s, and became a significant legal precedent.[1][2][3] However, as a consequence of her actions, Joost-Gaugier found herself "harassed and ostracized by her university" and "widely blackballed".[1]
She became a professor and department chair at the following universities: New Mexico State University, the University of New Mexico, and Wayne State University. Joost-Gaugier has lectured internationally and published widely including over 200 research articles. She is the recipient of many awards including a Fulbright Fellowship and grants from the American Society of Learned Societies, the American Philosophical Society, the Delmas Foundation, the National Endowment for the Humanities, and the Kress Foundation. She is responsible for obtaining a grant which commenced the restoration of Minoru Yamasaki's Courtyard in Detroit. Already a three times graduate of Harvard, she received a Lifetime Achievement Award with Phi Beta Kappa from Harvard University in 2005. She now continues her work as an independent scholar.
Books
Joost-Gaugier's books include:
- Jacopo Bellini, Selected Drawings (1982)
- Raphael's Stanza della Segnatura: Meaning and Invention (2002)[4]
- Measuring Heaven: Pythagoras and his Influence on Thought and Art in Antiquity and the Middle Ages (2006; translated into Italian, Pitagora e suo Influsso sul Pensiero e sul Arte 2008)[5]
- Pythagoras and Renaissance Europe: Finding Heaven (2009)[6]
- Italian Renaissance Art: Understanding its Meaning (2013)
- Islamic Elements in the Architecture of Puglia (2019)[7]
References
- 1 2 3 4 5 6 Love, Barbara J., ed. (2006), "Joost-Gaugier, Christiane L. (1934–)", Feminists Who Changed America, 1963–1975, University of Illinois Press, p. 241, ISBN 9780252031892
- 1 2 "Christiane L. Joost-Gaugier", Part-time faculty, Corcoran School of the Arts and Design, archived from the original on 2022-04-23, retrieved 2022-05-20
- 1 2 3 "Sex Discrimination and Sexual Harassment", Research Guides, Schlesinger Library on the History of Women in America, Harvard University, retrieved 2022-05-20
- ↑ Reviews of Raphael's Stanza della Segnatura:
- Hoeniger, Cathleen (Winter 2003), Renaissance Quarterly, 56 (4): 1199–1200, doi:10.2307/1262009, JSTOR 1262009, S2CID 171223150
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: CS1 maint: untitled periodical (link) - Neher, Gabriele (Summer 2003), The Sixteenth Century Journal, 34 (2): 495–497, doi:10.2307/20061440, JSTOR 20061440
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: CS1 maint: untitled periodical (link) - Pfeiffer, Heinrich (October 2007), The Catholic Historical Review, 93 (4): 941–942, doi:10.1353/cat.2007.0421, JSTOR 25027215, S2CID 159839154
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: CS1 maint: untitled periodical (link) - Pfisterer, Ulrich (11 December 2003), "Rezension", ArtHist.net (in German), doi:10.5282/UBM/EPUB.26803
- Hoeniger, Cathleen (Winter 2003), Renaissance Quarterly, 56 (4): 1199–1200, doi:10.2307/1262009, JSTOR 1262009, S2CID 171223150
- ↑ Reviews of Measuring Heaven:
- Browning, Eve A. (2007), "Review", Bryn Mawr Classical Review (2007.02.43)
- Celenza, Christopher S. (June 2007), Isis, 98 (2): 376–377, doi:10.1086/521448, JSTOR 10.1086/521448
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: CS1 maint: untitled periodical (link) - Gavaler, Chris (Fall 2006), The Virginia Quarterly Review, 82 (4): 267–268, JSTOR 26444638
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: CS1 maint: untitled periodical (link) - Gersh, Stephen (April 2008), Speculum, 83 (2): 444–445, doi:10.1017/S0038713400013671, JSTOR 20466246
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: CS1 maint: untitled periodical (link) - Knobloch, Eberhard, zbMATH, Zbl 1188.00010
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: CS1 maint: untitled periodical (link)
- ↑ Reviews of Pythagoras and Renaissance Europe:
- Allen, Michael J. B. (Spring 2013), Renaissance Quarterly, 66 (1): 225–227, doi:10.1086/670443, JSTOR 10.1086/670443, S2CID 164178076
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: CS1 maint: untitled periodical (link) - Bell, Rudolph M. (February 2011), History: Reviews of New Books, 39 (2): 53–54, doi:10.1080/03612759.2011.536706, S2CID 142613399
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: CS1 maint: untitled periodical (link) - Giovannozzi, Delfina (2011), Bruniana & Campanelliana, 17 (2): 599–601, JSTOR 24337653
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: CS1 maint: untitled periodical (link) - Knobloch, Eberhard (December 2010), Isis, 101 (4): 869, doi:10.1086/659676, JSTOR 10.1086/659676
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: CS1 maint: untitled periodical (link); see also shorter review by Knobloch, Zbl 1187.01016 - Peterson, Mark A. (2012), The Mathematical Intelligencer, 34 (4): 68–70, doi:10.1007/s00283-012-9311-2, MR 3059854, S2CID 253817188
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: CS1 maint: untitled periodical (link) - Smith, Christine (March 2011), Journal of the Society of Architectural Historians, 70 (1): 118–119, doi:10.1525/jsah.2011.70.1.118, JSTOR 10.1525/jsah.2011.70.1.118
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: CS1 maint: untitled periodical (link)
- Allen, Michael J. B. (Spring 2013), Renaissance Quarterly, 66 (1): 225–227, doi:10.1086/670443, JSTOR 10.1086/670443, S2CID 164178076
- ↑ Reviews of Islamic Elements in the Architecture of Puglia:
- Fontana, Maria Vittoria (2022), 21: Inquiries into Art, History, and the Visual, 3 (1): 279–288, doi:10.11588/XXI.2022.1.87269
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: CS1 maint: untitled periodical (link) - Rabbat, Nasser (December 2020), Journal of the Society of Architectural Historians, 79 (4): 481–482, doi:10.1525/jsah.2020.79.4.481, S2CID 234570535
{{citation}}
: CS1 maint: untitled periodical (link)
- Fontana, Maria Vittoria (2022), 21: Inquiries into Art, History, and the Visual, 3 (1): 279–288, doi:10.11588/XXI.2022.1.87269