Professor
Cat Hope
Birth nameCatherine Anne Hope
Born (1966-03-11) 11 March 1966
Altona, Victoria, Australia
OriginPerth, Western Australia, Australia
Genres
Occupation(s)
  • Musician
  • academic
Instrument(s)
  • Vocals
  • bass guitar
  • flute
Years active1989–present
LabelsBloodstar
Websitecathope.com

Catherine Anne "Cat" Hope (born 11 March 1966), is an Australian composer, musician and academic. She started her music and academic careers in Perth and relocated to Melbourne in 2017. Her opera, Speechless, was first performed in 2019 at the Perth Festival. At the Art Music Awards of 2020 she won Work of the Year: Dramatic for Speechless. Steve Dow of The Age described the opera, "fuelled by outrage over the imprisonment of asylum seeker children, which features growling and screaming to an unconventional score without musical notation."[1] Hope has also won the Art Music Award for Excellence in Experimental Music in 2011 for Decibel's 2009–2010 Annual Programs and in 2014 for her Drawn from Sound exhibition.

Biography

Catherine Anne Hope was born in 1966.[2][3][4] Her father was an RAAF officer and her mother was a nurse; from 9 to 12 years-old she had guitar lessons while her father was based in Penang, Malaysia; upon her reaching secondary school age the family relocated to Perth.[5] She continued with guitar in secondary school and added flute and bass guitar in her final years at Rossmoyne Senior High School.[5] She started at the University of Western Australia in 1984 to complete a Bachelor of Music (Honours) at its Conservatorium of Music in 1989.[5][6] While a university student she also had to teach herself to play piano to keep up with her studies.[5] One of her teachers, in composition, was English-born Perth-resident Roger Smalley.[7] She was a member of the ALEA Ensemble (named for their aleatoric composition style), in 1989.[4][8]

In 1988 in Italy, Hope founded the folk-rock indie trio, Micevice, with Hope on bass guitar, Marta Collica on lead vocals and Giovanni Ferrario on guitar.[9][10] They recorded an album, Experiments on the Duration of Love (1999), in Melbourne and Catania with Hugo Race co-producing with Ferrario.[9][10] It was re-release nearly ten years later (November 2008) via My Honey Records. Luigi Gaudio of OndaRock rated it at 7.5 and explained, "The eleven tracks are rare pearls, a cloud of warm smoke that envelops anyone who abandons themselves."[10] After Hope left, Micevice had released two further albums, Bipolars of the World Unite (2000) and Stop Here: Love Store (2002).[9]

Gata Negra (Spanish: Black Cat) was formed early in 1999 in Perth by Hope on bass guitar, vocals, samples and toys, Myles Durham on drums and Ant Gray on guitar.[11][12] Their debut album, Cage of Stars, appeared later that year.[11][12] It was recorded at North Perth Town Hall, where they were joined by Ferarrio on guitars, Guy Fleming on sounds, Jazmine on piano, Boogie Man Krak on turntables, Viv Langham on cello, Sophie Moleta on vocals and glockenspiel, Lindsay Vickery on vocals and Kim Williams on vocals.[11][12] The group issued two more albums, Saint Dymphanae (2002) and Ruby (2007).[13] Later members included Kristian Brenchley on guitar, Tim Evans on drums (both c. 2000), Bill Darby on guitar, Pete Guazzelli on drums (both c. 2006).[13]

In 2009, Hope formed Decibel New Music Ensemble (also known as Decibel), with Hope as music director and flautist. Other members have included Vickery on reeds and electronics, Louise Devenish on percussion, Stuart James on piano, percussion, electronics and spatialisation, Tristen Parr on cello, Adam Pinto on piano, Chris Tonkin on electronics and Aaron Wyatt on violin and viola.[14][15] At the APRA Music Awards' Art Music Awards of 2011 she won the Award for Excellence in Experimental Music for Decibel's 2009–2010 Annual Programs. To celebrate their 10th anniversary, in May 2019, the ensemble performed 10 from 10, which was broadcast nationally on ABC Classic radio's programme, Evenings.[14] It had been recorded live in concert at the Primrose Potter Salon with Duncan Yardley as producer.[14]

Hope performs and records solo noise music using bass guitar. She was also a co-founder of the Perth noise duo Lux Mammoth (1999-2005) with Alien Smith (both on bass guitar and electronics);[16] and founder and bassist in Abe Sada (2004-2014).[17] She is the founder of the Low Tone Orchestra (2020-), The Australian Bass Orchestra (2014-) and is a performer in noise duos Super Luminum (with guitarist Lisa MacKinney, 2015-), HzHzHz (with cellist Tristen Parr, 2016-) and Candied Limbs (with clarinettist Vickery, 2012-). As a flute player, she has worked with French composers Eliane Radigue and Lionel Marchetti. Her solo bass noise piece for dance artist Rakini Devi appeared on the various artists' compilation album, Extreme Music from Women, issued by the Susan Lawly label in 2000. Since then she has released a wide range of music compositions and performances on music labels around the world, most recently on the Swiss label Hat Hut.

Rosalind Appleby, a music journalist, in her book, Women of Note: the Rise of Australian Women Composers (2012), addressed the work of Hope in the chapter, "Third wave 1980-2010: Cathie Travers and Cat Hope".[4][18] In honour of Roger Smalley, who died in August 2015, Hope directed Decibel, to reinvigorate his works, which had been "performed in the pioneering electro-acoustic ensemble Intermodulation", for a concert in June 2016.[15] The West Australian's Appleby observed, "[they] brought the little-known repertoire back to life. Their concert... paid fascinating homage to Smalley."[15]

Hope delivered the Peggy Glanville-Hicks Address in November 2018, "All Music for Everyone: Working Towards Gender Equality and Empowerment in Australian Music Culture", in Adelaide, Melbourne and Perth.[19] It was followed by the premiere of her work, Silenced, co-composed with Dobromila Jaskot.[19]

Her opera, Speechless, was first performed in February 2019 at the Perth Festival.[20] Hope wrote it as a response to The Forgotten Children: National Inquiry into Children in Immigration Detention presented by the 2014 Human Rights Commission.[20][21] Australian Arts Review' writer described it as, "a compelling, courageous and visceral sonic world paying homage to people whose voices are rendered silent through political means."[20] It was performed by the soloists Judith Dodsworth (soprano), Karina Utomo (metal singer of Young and Restless, High Tension), Caitlin Cassidy (improvising mezzo-soprano), Sage Pbbbt (non-binary throat singer) with backing by Australian Bass Orchestra, Decibel New Music Ensemble, and Aaron Wyatt as conductor.[20] In March of the following year it was broadcast, in two parts, on ABC Classic's New Wave.[21][22] At the Art Music Awards of 2020 Hope, and the performers, won Work of the Year: Dramatic for Speechless.

Academic career

Hope is a music academic, with research areas in animated notation, gender and music, digital archives, Australian music and artistic research in composition and performance. She lectured in classical music and music technology at the Western Australian Academy of Performing Arts at Edith Cowan University between 2004 and 2010,[23] and was the Inaugural Associate Dean (Research) there in 2016 after Postdoctoral Fellowship. Hope holds a PhD in Art from RMIT University, her thesis, "The Possibility of Infrasonic Music", was delivered in 2010.[24] She was the Professor of Music at Sir Zelman Cowen School of Music at Monash University, where she was head of school from 2017 to 2020.[19]

Awards and fellowship

Her first portrait CD, Ephemeral Rivers, was released in 2017 on the Hat [Art] Hut label, and won the Deutscher Kritikerpreis that same year. Hope has also received a Churchill Fellowship, a Civitella Ranieri Fellowship, an AsiaLink residency (Singapore, Theatreworks) and the Peggy Glanville-Hicks House Residency in Paddington (2014).[25]

APRA Music Awards

APRA AMCOS (Australasian Performing Right Association, Australasian Mechanical Copyright Owners Society) and Australian Music Centre (AMC) have co-sponsored the annual APRA Music Awards: Art Music Awards (originally Classical Music Awards) since 2002. Previously AMC had provided their own annual classical music awards from 1988. Hope has been awarded three Art Music Awards, the Award for Excellence in Experimental Music in 2011 and in 2014 and Work of the Year: Dramatic for her first opera, Speechless in 2020.[26]

Year Nominee / work Award Result Ref.
2011Contribution to Music Education in Western AustraliaAward for Excellence in Music EducationNominated[27][28]
Decibel's 2009–2010 Annual ProgramsAward for Excellence in Experimental MusicWon
2013Supporting and growing new music in Western AustraliaAward for Excellence by an IndividualNominated[29]
2014Drawn from Sound exhibitionAward for Excellence in Experimental MusicWon[30]
2017Performance, academia, composition, mentoring and advocacyAward for Excellence by an IndividualNominated[31]
2019Leadership in the composition, performance and education of new music in AustraliaAward for Excellence by an IndividualNominated[32]
2020Speechless (Cat Hope) by Judith Dodsworth, Karina Utomo, Caitlin Cassidy, Sage Pbbbt (soloists); with Australian Bass Orchestra, Decibel New Music Ensemble, and Aaron Wyatt (conductor)Work of the Year: Dramatic[upper-alpha 1]Won[1][33]

Notes

  1. ↑ Work of the Year: Dramatic was awarded to both Cat Hope for Speechless and to Elliott Gyger / Pierce Wilcox for Oscar and Lucinda.[33]

Music Victoria Awards

The Music Victoria Awards are an annual awards night celebrating Victorian music. They commenced in 2006.

Year Nominee / work Award Result Ref.
2019 Cat Hope Best Experimental/Avant-Garde Act Nominated [34][35]
2022 Cat Hope Best Experimental/Avant-Garde Work Nominated [36][37]

Discography

solo
  • Fetish, CD (Sound Gallery Label, 2000; Bloodstar, 2001)
  • Justine 8" (Bloodstar, 2001)
  • Regret CD (Gods of the Tundra, USA, 2001)
  • Yume MC (One Touch Monopolka, USSR, 2001)
  • Jackie Hush CD (Bloodstar, 2002)
  • Platinum Fox, on Luminosity: Musical Treasures from UWA. University of WA (AUS). CD. (2013)
  • Ephemeral Rivers. hat[now]ART 200: Switzerland. CD (2017)
  • The Sinister Glamour of Modernity, on Australia: East and West, CD, Wirripang, (2020)
with Abe Sada
  • Subzilla, Bloodstar, CD (2007)[38]
  • Tatare Steppe, VLZ Produkt, CD (2008)
  • Redux, Heartless Robot LP (2009)
  • The Low Chord, Kabutsuri Tape International, CD (2009)[39]
with Gata Negra
  • Ruby, Bloodstar (Aus), LP (2007)
with Lux Mammoth
  • New Gauge Sinner, Pre Feed label (Italy), CD (2007)
with Decibel
  • In the Cut, Kuklinski's Dream on Disintegration: Mutation. HellosQare Records, CD (2010)
  • Longing on Stasis Ecstatic. Heartless Robot Productions, LP (2014)
  • The Lowest Drawer on Tuned Darker, LP, Listen|Hear: Perth LP (2015)
  • The Earth Defeats Me and Last Days of Reality on Last Days of Reality, CD Room 40, RM4102 (2018)
with Candied Limbs
  • Sub Project 54 Tura Records, CD (2013)
with Louise Devenish
  • Tone Being on Music for Percussion and Electronics, CD, Tall Poppies TP428 (2017)
with Monash Art Ensemble
  • Dark Hip Falls on Hear, Now, Here CD FMR (2019)
Gabriella Smart
  • Kaps Freed on Works for Travelling Pianos, CD, ezz-thetics 1012 (2020)

Bibliography

As a primary author

  • Hope, Cat; Ryan, John Charles (2014-06-19). Digital Arts: An Introduction to New Media. Bloomsbury Publishing USA. ISBN 978-1-78093-321-4.[40]

As a contributor

  • Burke, Robert; Onsman, Andrys (2017-01-23). Perspectives on Artistic Research in Music. Lexington Books. ISBN 978-1-4985-4482-5.[26]
  • Sant, Toni (2017-03-23). Documenting Performance: The Context and Processes of Digital Curation and Archiving. Bloomsbury Publishing. ISBN 978-1-4725-8819-7.[41]
  • Fabian, Dorottya; Napier, John (2018-10-30). Diversity in Australia's Music: Themes Past, Present, and for the Future. Cambridge Scholars Publishing. ISBN 978-1-5275-2066-0.[42]

Academic papers

Hope has also authored over 70 academic papers according to Google Scholar.[43]

References

  1. 1 2 Dow, Steve (9 September 2020). "Screaming, growling asylum seeker opera wins top art music honour". The Age. Retrieved 26 January 2021.
  2. ↑ "Cat Hope : Represented Artist Profile". Australian Music Centre. March 2018. Retrieved 26 January 2021.
  3. ↑ "'Black Eels' at APRA search engine". APRA AMCOS (Australasian Performing Right Association, Australasian Mechanical Copyright Owners Society). Retrieved 26 January 2021. Note: For additional work user may have to select 'Search again' and then 'Enter a title:' &/or 'Performer:'
  4. 1 2 3 Appleby, Rosalind (2012), "Third wave 1980-2010: Cathie Travers and Cat Hope", Women of Note: the Rise of Australian Women Composers, Fremantle Press, ISBN 978-1-921888-76-2
  5. 1 2 3 4 Hope, Cat (Catherine Anne, interviewee); Bannister, John (interviewer) (4 August 2015). "Interview with Cat Hope in 2015". State Library of Western Australia. New Music Project. Retrieved 29 January 2021. {{cite web}}: |author2= has generic name (help)CS1 maint: multiple names: authors list (link)
  6. ↑ McHale, S. M. (26 February 2008). "Parliamentary Questions & Answers: Question on Notice No. 2978". Parliament of Western Australia. Retrieved 26 January 2021.
  7. ↑ Turley, Alex (July 2016). "Roger Smalley: a new music legacy reinvigorated". RealTime Art Magazine. Retrieved 26 January 2021.
  8. ↑ Doherty, Yvonne (2011). "Decibel Series Concert 1". Tura New Music. Archived from the original on 19 February 2011. Retrieved 26 January 2021 – via National Library of Australia.
  9. 1 2 3 "Giovanni Ferrario – Band". laut.de (in German). Retrieved 28 January 2021.
  10. 1 2 3 Gaudio, Luigi (19 November 2008). "Micevice – Experiments on the Duration of Love (ristampa)". OndaRock (in Italian). Retrieved 27 January 2021.
  11. 1 2 3 "Gata Negra Cage of Stars". InterSpace. Archived from the original on 22 January 2000. Retrieved 28 January 2021 – via National Library of Australia.
  12. 1 2 3 Gata Negra (Musical group); Hope, Cat (1999), Cage of Stars, Bloodstar Productions, retrieved 28 January 2021
  13. 1 2 "Band Profiles: Gata Negra". WAM Scene. Archived from the original on 10 August 2007. Retrieved 29 January 2021 – via National Library of Australia.
  14. 1 2 3 "Metropolis: Decibel New Music Ensemble – Evenings". ABC Classic. 6 May 2019. Retrieved 28 January 2021.
  15. 1 2 3 Appleby, Rosalind (8 June 2016). "Decibel Honours Smalley Legacy". The West Australian. Retrieved 26 January 2021.
  16. ↑ "Band Profiles: Lux Mammoth". WAM Scene. Archived from the original on 9 August 2008. Retrieved 29 January 2021 – via National Library of Australia.
  17. ↑ Cat Hope (2014), Abe Sada Song Book : Volume 1, Australian Music Centre, ISMN 979-0-720144-46-7, retrieved 29 January 2021
  18. ↑ Carmody, John (16 June 2012). "Women of Note by Rosalind Appleby | Book Review". The Sydney Morning Herald. Archived from the original on 23 September 2014. Retrieved 28 January 2021.
  19. 1 2 3 Hope, Cat (5 December 2018). "Limelight In Depth: Cat Hope: All Music for Everyone". Limelight Magazine. Archived from the original on 12 April 2019. Retrieved 26 January 2021 – via National Library of Australia.
  20. 1 2 3 4 "Speechless". Australian Arts Review. 21 February 2019. Retrieved 28 January 2021.
  21. 1 2 Adams, Stephen (6 March 2020). "Cat Hope: Speechless, part 1 – New Waves". ABC Classic. Retrieved 28 January 2021.
  22. ↑ Adams, Stephen (8 March 2020). "Cat Hope: Speechless, part 2 – New Waves". ABC Classic. Retrieved 28 January 2021.
  23. ↑ Priest, Gail (September 2006). "Oscillations: the sound artist as educator". RealTime Arts Magazine (74). Archived from the original on 28 September 2012. Retrieved 1 February 2021.
  24. ↑ Hope, Cat; RMIT University. School of Art (2010), The possibility of infrasonic music, retrieved 1 February 2021
  25. ↑ Australian Music Centre (AMC) (27 November 2013). "Cat Hope the Peggy Glanville-Hicks resident in 2014 : News (Australian) Article". Australian Music Centre (AMC). Retrieved 29 January 2021.
  26. 1 2 Burke, Robert; Onsman, Andrys (23 January 2017). Perspectives on Artistic Research in Music. Lexington Books. ISBN 978-1-4985-4482-5.
  27. ↑ "Winners – Art Music Awards". Australasian Performing Right Association (APRA) | Australian Music Centre (AMC). Archived from the original on 14 January 2012. Retrieved 26 January 2021.
  28. ↑ "2011 Finalists – Art Music Awards". Australasian Performing Right Association (APRA) | Australian Music Centre (AMC). Archived from the original on 14 January 2012. Retrieved 28 January 2021.
  29. ↑ "Award for Excellence by an Individual". Australasian Performing Right Association (APRA) | Australian Music Centre (AMC). 2013. Retrieved 28 January 2021.
  30. ↑ Mackenzie, Emma (27 August 2014). "Event Wrap Up: APRA AMCOS Art Music Awards 2014 – Plaza Ballroom, Melbourne (26.08.14)". the AU review. Archived from the original on 4 March 2016. Retrieved 26 January 2021.
  31. ↑ "Award for Excellence by an Individual – Finalists". Australasian Performing Right Association (APRA) | Australasian Mechanical Copyright Owners Society (AMCOS) | Australian Music Centre (AMC). 2017. Retrieved 28 January 2021.
  32. ↑ "Award for Excellence by an Individual". Australasian Performing Right Association (APRA) | Australasian Mechanical Copyright Owners Society (AMCOS) | Australian Music Centre (AMC). 2019. Retrieved 28 January 2021.
  33. 1 2 "Art Music Awards Full List of Finalists". Australasian Performing Right Association (APRA) | Australasian Mechanical Copyright Owners Society (AMCOS) | Australian Music Centre (AMC). 2020. Archived from the original on 29 October 2020. Retrieved 26 January 2021.
  34. ↑ "Previous Nominess". Music Victoria. Archived from the original on 19 September 2020. Retrieved 13 August 2020.
  35. ↑ "Previous Winners". Music Victoria. Archived from the original on 31 July 2019. Retrieved 13 August 2020.
  36. ↑ "Music Victoria Awards 2022 Nominees for Industry-Voted Categories Announced". Music Victoria. 27 October 2022. Archived from the original on 27 October 2022. Retrieved 29 October 2022.
  37. ↑ "Music Victoria Awards 2022 Winners". Scenestr. 13 December 2022. Retrieved 15 December 2022.
  38. ↑ Abe Sada (Musical group) (2007), Subzilla, Bloodstar, retrieved 29 January 2021, Performer: Abe Sada: Cat Hope, Basstat Pex, Kenta McGrath, K. Ford
  39. ↑ Abe Sada (Musical group) (2008), The Lost Chord, Kubitsuri Tapes, retrieved 29 January 2021, Performer: Abe Sada: Cat Hope, K. Ford, Bassta! Pex, with Edmondo Ammendola (track 2), Dave Brown (track 5)
  40. ↑ Hope, Cat; Ryan, John Charles (19 June 2014). Digital Arts: An Introduction to New Media. Bloomsbury Publishing USA. ISBN 978-1-78093-321-4.
  41. ↑ Sant, Toni (23 March 2017). Documenting Performance: The Context and Processes of Digital Curation and Archiving. Bloomsbury Publishing. ISBN 978-1-4725-8819-7.
  42. ↑ Fabian, Dorottya; Napier, John (30 October 2018). Diversity in Australia's Music: Themes Past, Present, and for the Future. Cambridge Scholars Publishing. ISBN 978-1-5275-2066-0.
  43. ↑ "Cat Hope". scholar.google.com. Retrieved 26 January 2021.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.