Automavision is a cinematic technique invented by Danish director Lars von Trier.

Developed with the intention of limiting human influence, in Automavision no cinematographer is actively operating the camera. The best possible fixed camera position is chosen and then a computer chooses framing by randomly tilting, panning or zooming the camera. In doing so it is not uncommon that the actors appear in the shots with a part of their face and head cut from the frame. With this technique then the blame for any "errors" are entirely attributable to a computer.[1][2][3]

Von Trier described Automavision as "a principle for shooting film developed with the intention of limiting human influence by inviting chance in from the cold (...) and thus giving the work an idea-less surface free of the force of habit and aesthetics."[4] The principle was used during filming of the movie The Boss of It All (2006). Interviewed by The Guardian in 2006, von Trier said, "For a long time, my films have been handheld. That has to do with the fact that I am a control freak. With Automavision, the technique was that I would frame the picture first and then push a button on the computer. I was not in control — the computer was in control."[5][6][7] And in a 2008 interview with The Daily Telegraph, von Trier said "If you want bad framing, Automavision is the perfect way to do it. It was rather pleasant to lose control. In this case, I wanted to lose control 100 per cent."[8][9]

References

  1. ↑ Morten Piil (2008). Gyldendals danske filmguide (in Danish). Gyldendal A/S. pp. 112–. ISBN 978-87-02-06669-2.
  2. ↑ Alan Kirby (1 May 2009). Digimodernism: How New Technologies Dismantle the Postmodern and Reconfigure Our Culture. Bloomsbury Publishing. pp. 183–. ISBN 978-1-4411-5416-3.
  3. ↑ Historical Dictionary of Scandinavian Cinema. Scarecrow Press. 31 August 2012. pp. 399–. ISBN 978-0-8108-5524-3.
  4. ↑ "The Boss Of It All". Film @ The Digital Fix. Retrieved 21 January 2015.
  5. ↑ Geoffrey Macnab (22 September 2006). "Geoffrey Macnab talks to Lars Von Trier". The Guardian. Retrieved 21 January 2015.
  6. ↑ Nicholas Rombes (2009). Cinema in the Digital Age. Columbia University Press. pp. 139–. ISBN 978-1-905674-86-2.
  7. ↑ Yvonne Tasker (4 October 2010). Fifty Contemporary Film Directors. Routledge. pp. 385–. ISBN 978-1-136-91945-9.
  8. ↑ Sheila Johnston (22 February 2008). "Lars Von Trier's funny turn". Telegraph.co.uk. Retrieved 21 January 2015.
  9. ↑ Davina Quinlivan (1 May 2012). The Place of Breath in Cinema. Oxford University Press. pp. 138–. ISBN 978-0-7486-6474-0.


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