Australian poster collectives were artist collectives established in the late 1960s, 70s and 80s in the capital cities of Australia, largely led by women and focused on various forms of political activism.

There were also such collectives in the 1990s, such as RedPlanet.

History and description

The collectives were formed mainly in Sydney, Melbourne, and Adelaide, but also in other Australian capital cities, during the period from approximately 1965 to the 1980s. The collectives were formed by artists concerned with social justice, women's rights, political activism, anti-Vietnam war protest, environmentalism, LGBT rights and Indigenous Australians' rights.[1][2]

Collectives made posters for concerts, bands, marches and community groups. Feminists were active in the collectives and some were women-only collectives.[3] Women were leaders in the poster collective movement, establishing groups, providing training, opening the groups up to other women and decision-making by consensus.[4]

The collectives were considered to be democratic art movements outside the gallery systems, able to quickly reflect changing social and political views and challenge social norms by designing, printing and displaying posters in public areas.[1][5][3] Some artists were members of more than one collective and often did not sign their name to posters but attributed them to the collective.[1][4]

Similar collectives emerged in the UK, Europe, the US and Cuba during that time.[5][6]

This article covers Australian poster collectives from the 60s to 80s rather than later collectives from the 1990s such as RedPlanet.[7][8]

Collections

Posters produced by the collectives are held in the National Library of Australia,[9] National Gallery of Australia (NGA),[10][11][2] Flinders University Museum of Art,[12] Art Gallery of South Australia (AGSA), Art Gallery of NSW (AGNSW),[13] Museum of Applied Arts and Sciences[14] and Tin Sheds Gallery at the University of Sydney.[2]

Poster collectives and artists

Poster collectives were influential in developing the community arts movement and some of the collectives expanded into training workshops, community arts projects, community food co-operatives and other community support.[15][1] Some artists within these collectives later worked in partnership with community arts groups and/or developed their own individual art practices and careers. The following list of poster collectives and artists is not exhaustive but shows the foundational influence of the collectives on the careers of some Australian contemporary and community artists.

By location, the poster collectives and their members included:

Sydney

  • Earthworks Poster Collective (within the Tin Sheds Art Workshops at the University of Sydney)[2] Artists: Marie McMahon,[16][17] Chips Mackinolty, Jan Mackay, Toni Robertson,[18] Colin Little, Mark Arbuz[19][20]
  • Lucifoil (within the Tin Sheds Art Workshops at the University of Sydney).[2] The majority of artists were women.[1] Artists:[21] Pam Debenham, Leonie Lane, Yanni Stumbles, Jan Fieldsend, Cari Baldis, Sheona White, Angela Gee, Diane Paune, Pam Brown, Louise Dauth, Bernadette Krone, Ann Newmarch, Cathy Traill, Marie McMahon, Therese Kenyon, Jeff Stewart, Tony Stathakis, David Morrow, Graham Lightbody, Bob Clutterbuck
  • The Women's Warehouse Screenprinting Collective. Artists: Marla Guppy and Anne Sheridan.[22]
  • Harridan Screenprinters. Artists: Marla Guppy and Anne Sheridan.
  • Women's Domestic Needlework Group. Women-only, focused on doyleys, needlework and traditional sewing skills but printed 10 posters for an exhibition of doyleys and further posters for skills-exchange classes. Artists: Marie McMahon, Frances Phoenix.[23]
  • Social Fabric. (Screenprints on fabric rather than paper) Artists: Jan Mackay, Marie McMahon and Kathy Letray
  • Garage Graphix (Mt Druitt, Western Sydney). Posters focused on picturing western Sydney in a positive way and Indigenous rights.[1] The majority of members were women including Indigenous women. Artists: Maxine Conaty, Leeanne Donohoe, Marla Guppy, Alice Hinton-Bateup and Lin Mountstephen.
  • Matilda Graphics. Women-only creative business collective. Artists: Frances Phoenix.[1]
  • Redback Graphics/x. Commercial graphic arts workshop rather than a collective but concerned with community issues, initially located at the Film and Drama Centre, Griffith University, Queensland, then moved to Wollongong, south of Sydney, then to Sydney.[24] Artists: Michael Callaghan, Gregor Cullen, Alison Alder and Leonie Lane
  • Boomalli Aboriginal Artists Co-Operative.[25][26] Boomalli produces all kinds of artwork but its most well-known poster series "We have survived" was made for the 1988 anti-Bicentennial. Artists: Lin Onus, Karen Casey,[27] Founders: Euphemia Bostock, Fiona Foley, Michael Riley, Tracey Moffatt, Jeffrey Samuels, Bronwyn Bancroft, Avril Quaill, Fern Martens, Arone Meeks and Brenda L. Croft.
  • Women's Art Movement. Artists: Vivienne Binns, Frances Phoenix.
  • B.U.G.A. U.P. (Billboard Utilising Graffiti Against Unhealthy Promotions) Published posters/catalogues of its protest graffiti campaigns, some concerned with sexploitation in advertising but mainly focussed on antismoking and alcohol.[28][29] The movement spread to most states besides NSW. Founders: Bill Snow, Rick Bolzan, Geoff Coleman.

Melbourne

  • Jillposters. Women-only, also open to non-artists who wanted to make a statement through posters. Artists: Julia Church, Carole Wilson, Lesley Baxter, Ally Black, Linda Brassel, Zana Dare, Deej Fabyc, Maggie Fooke, Julie Higginbotham, Catriona Holyoake, Barbara Miles, Kate Reeves, Linda Rhodes, Julie Shiels, Lin Tobias, Julia Tobin, Kath Walters, Chaz and Karen.
  • Dag Printing. Artists: Wendy Black, Angela Gee and Eveyln Vyhnal.
  • Brunswick Work Co-Operative/Redletter Community Workshop.[7] Artists: Bob Clutterbuck
  • Another Planet Posters (formerly Community Access Screenprinting Project). The majority of artists were women.[1] Artists: Julia Church, Kath Walters, Colin Russell
  • Bloody Good Graphix/Graphics. Artists: Julia Church, Kath Walters

Canberra

  • Megalo International Silkscreen Collective (Canberra, now Megalo Print Studio).[30] Artists: Alison Alder (co-founder), Colin Little (co-founder)
  • Acme Ink, screenprinting workshop at Gorman House Canberra.[31] Artists: Julia Church, Mark Denton, Mandy Martin, Dianna Wells,[32] Louise Saxton[33]

Adelaide

  • Anarchist Feminist Poster Collective.[34] Some posters are held in the Flinders University Museum of Art.[35] Artists: Sally O’Wheel and Megan Schlunke
  • Women's Art Movement (WAM).[36] Some posters are held in the Flinders University Museum of Art. Artists: Barbara Hanrahan, Fern Martins, Pamela Zeplin, Frances Phoenix.
  • Community Media Association, later Co-Media[37][38][39] Artists: Deborah Kelly,[40] Jayne Amble, Pamela Harris, Kate Breakey, Kurwingie (Kerry Giles),[41] Frances Phoenix (Budden)[42]
  • Community Association of Prospect (CAP) Poster Collective. Artists: Ann Newmarch, David Kerr, Kathy Muir, Peter Hollard, Z Ryan.[43]

Brisbane

  • Mantis Prints/Press.[44] Women-only. Artists: Lyn Finch and Cherie Bradshaw.
  • Redback Graphics/x. Started at Queensland Film and Drama Centre, Griffith University, Queensland.[45] Co-ordinator: Margriet Bonnin. Artists: Michael Callaghan,[46] Lyn Finch, Cherie Bradshaw, James Swan
  • Black Banana Poster Collective.[47][48] No community access, mainly political posters against Premier Joh Bjelke-Petersen's government.[45] Artists: Ivan Nunn, Phyllis Patterson, Stephen Nothling and Robyn McDonald (later established Inkahoots).

Darwin, Katherine, Northern Territory

  • Jalak Graphics. In the early 1980s, Chips Mackinolty of Earthworks moved to the Northern Territory to work with Aboriginal organisations. His poster imprint was Jalak Graphics which created posters for the Central and Northern Land Councils and other Aboriginal community organisations with designs by various artists and printing by the Sydney and Wollongong collectives.[49][50] Artist: Chips Mackinolty, Lorna Fencer, Abie Jangala.

References

  1. 1 2 3 4 5 6 7 8 Mayhew, Louise. "Jill Posters Will Be Prosecuted: Australia's women-only print collectives from the 1970s and 1980s" (PDF). Crossart. Archived (PDF) from the original on 26 February 2019. Retrieved 8 September 2020.
  2. 1 2 3 4 5 "Tin Sheds Poster Collection". Research Data Australia. Retrieved 9 September 2020.
  3. 1 2 "Eye Magazine | Feature | Political clout: Australian posters". www.eyemagazine.com. Retrieved 8 September 2020.
  4. 1 2 Perin, Victoria (18 February 2017). "Don't be too Polite: Posters and Activism". Memo Review. 2017 (7).
  5. 1 2 Baines, Jess (10 October 2012). "Experiments in democratic participation: feminist printshop collectives". Cultural policy journal. Archived from the original on 31 October 2013. Retrieved 8 September 2020.
  6. ↑ Bond, Liz (15 April 2014). "Poster Magic. 50 years of loud silence". This Magnificent Life. Retrieved 14 September 2020.
  7. 1 2 "State Library Victoria The politics of poster making: the RedPlanet archive". blogs.slv.vic.gov.au. 11 November 2016. Retrieved 6 October 2020.
  8. ↑ "RedPlanet Press and the politics of poster making". State Library Victoria. 18 February 2021. Retrieved 20 January 2023.
  9. ↑ "Bill Posters Welcome Here". www.nla.gov.au. Retrieved 8 September 2020.
  10. ↑ "The story of Australian printmaking 1801-2005". nga.gov.au. Retrieved 8 September 2020.
  11. ↑ "For the man who said life wasn't meant to be easy - make life impossible". nga.gov.au. Retrieved 8 September 2020.
  12. ↑ Flinders University Museum of Art
  13. ↑ "See you at the barricades: Declarations". www.artgallery.nsw.gov.au. Retrieved 8 September 2020.
  14. ↑ "Posters from the Earthworks Collective and Tin Sheds". collection.maas.museum. Retrieved 9 September 2020.
  15. ↑ Tsara, Olga. "The Art of Revolution: Political Posters in the Red Planet Archive - No 75 Autumn 2005". latrobejournal.slv.vic.gov.au. Retrieved 11 September 2020.
  16. ↑ "Marie McMahon - Printing in Three Registers. (1989) by Ewington, Julie. · Australian Prints + Printmaking". www.printsandprintmaking.gov.au. Retrieved 6 October 2020.
  17. ↑ "Posters". Jessie Street National Women's Library. Retrieved 31 October 2020.
  18. ↑ Robertson, Toni (1977). Writing on the fence is better than sitting on the fence. Sydney: Earthworks Poster Collective.
  19. ↑ "Mark Arbuz - Doug Ashdown & Kirk Laorange. - Search the Collection, National Gallery of Australia". National Gallery of Australia. Retrieved 24 February 2023.
  20. ↑ "Arbuz, Mark. (1953–) · Related works · Australian Prints + Printmaking". printsandprintmaking.gov.au. Retrieved 24 February 2023.
  21. ↑ "LUCIFOIL POSTER COLLECTIVE (1980–1983) · Related works · Australian Prints + Printmaking". www.printsandprintmaking.gov.au. Retrieved 30 October 2020.
  22. ↑ The Ultimato Show: 3 nights of women's music, martial arts, dancing & theatre, 1982, retrieved 31 October 2020
  23. ↑ McMahon, Marie; Phoenix, Frances; Women's Domestic Needlework Group; Earthworks Poster Collective (1979), Women who toiled, OCLC 691151402, retrieved 31 October 2020
  24. ↑ "Eye Magazine | Feature | Political clout: Australian posters". www.eyemagazine.com. Retrieved 11 September 2020.
  25. ↑ "Poster, 1988". Museums Victoria Collections. Retrieved 30 October 2020.
  26. ↑ "ABOUT BOOMALLI". Boomalli Aboriginal Artists Co-op. Retrieved 30 October 2020.
  27. ↑ "Poster, 1988". Museums Victoria Collections. Retrieved 30 October 2020.
  28. ↑ B.U.G.A. U.P (1979), I, object: If you object to advertising sexploitation, lend a can to the B.U.G.A. U.P. campaign, retrieved 31 October 2020
  29. ↑ "BUGA-UP". www.bugaup.org. Retrieved 31 October 2020.
  30. ↑ Bailey, Stuart (2018). "Redback Graphix and its aftermath" (PDF). Fresh Blood. Retrieved 8 September 2020.
  31. ↑ Printmaking, Prints and. "ACME INK". printsandprintmaking.gov.au. Retrieved 28 October 2020.
  32. ↑ Printmaking, Prints and. "Bitumen River Gallery presents -". printsandprintmaking.gov.au. Retrieved 28 October 2020.
  33. ↑ Printmaking, Prints and. "Bitumen River Gllery presents - Off the beach". printsandprintmaking.gov.au. Retrieved 28 October 2020.
  34. ↑ "Mother Nature is a Lesbian: Political Printmaking in South Australia 1970s-1980s". Artlink Magazine. Retrieved 6 October 2020.
  35. ↑ "Australian Political Posters | FUMA". Flinders University. Retrieved 9 September 2020.
  36. ↑ NFAW and The University of Melbourne. "Women's Art Movement - Organisation - The Australian Women's Register". www.womenaustralia.info. Archived from the original on 28 October 2004. Retrieved 6 March 2021.
  37. ↑ "May Day poster". collection.maas.museum. Retrieved 6 October 2020.
  38. ↑ hutr. "Posters Empowering Community: A Historical Snapshot of SA Poster Artmaking". www.unisa.edu.au. Retrieved 6 October 2020.
  39. ↑ "The Trades Hall Poster collection – University of Melbourne Archives". Retrieved 6 October 2020.
  40. ↑ "Dance against the new right". AGSA - Online Collection. Retrieved 6 October 2020.
  41. ↑ "Community poster, 'Our Land is Our Life', paper, designed by Kurwingie (Kerry Giles) with Deborah Kelly and Kate Breakey at Co-Media, Adelaide, South Australia, 1988". collection.maas.museum. Retrieved 6 October 2020.
  42. ↑ Phoenix, Frances (1985), Southern Women's Health and Community Centre: a service by women with women ... drop in for a cuppa or a chat, retrieved 31 October 2020
  43. ↑ Northcott, Sarah (2018). "Catalogue: The history of Prospect in posters" (PDF). Prospect Council. Retrieved 14 September 2020.
  44. ↑ Printmaking, Prints and. "MANTIS PRINTS". www.printsandprintmaking.gov.au. Retrieved 31 October 2020.
  45. 1 2 Williamson, Clare & Queensland Art Gallery Signs of the times : political posters in Queensland. Qld. Art Gallery, South Brisbane, Qld, 1991. https://remix.org.au/RemixPDFPublications/fullPDFSIgnoftheTimes.pdf
  46. ↑ Williamson, Clare (2008). "Cram guide 2008: Rebel Posters!" (PDF). 3CR. Archived (PDF) from the original on 29 November 2011. Retrieved 31 October 2020.
  47. ↑ "Black Banana Poster Collective". ARI Remix - A Polyvocal Memory of Australian Artist-Run Culture and Heritage "Work in Progress". 13 June 2015. Retrieved 31 October 2020.
  48. ↑ Printmaking, Prints and. "Cabaret". www.printsandprintmaking.gov.au. Retrieved 31 October 2020.
  49. ↑ "Jalak Graphics | MCA Australia". www.mca.com.au. Retrieved 30 October 2020.
  50. ↑ "JALAK GRAPHICS (1982–) · Related works · Australian Prints + Printmaking". www.printsandprintmaking.gov.au. Retrieved 30 October 2020.

For images of posters, go to these sites.

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