Anna Wong
黃綽英
Wong at Pratt Graphics Center studio (1971)
Born
Anna Chek Ying Wong

1930 (1930)
Vancouver, British Columbia, Canada
Died2013 (aged 82–83)
Other namesAnna Chou Ying Wong
EducationLingnan School
Alma materVancouver School of Art
OccupationPrintmaker

Anna Chek Ying Wong (traditional Chinese: 黃綽英, jyutping: wong4 coek3 jing1, 1930 – 2013) was a Canadian artist, master printmaker and educator.[1] She taught for 20 years at the Pratt Graphics Center.[2]

Life and career

Wong was born in 1930 and raised in the Chinatown district of Vancouver, British Columbia, Canada.[2] She was the fifth child of Wong Kung Lai, a tailor, and Chu Man Wing, the daughter of a Christian Minister. Her father came from the village of Sam Lok Lei in Toisan county, Guangdong province, China.[3] He began Modernize Tailors, which became a successful business in Chinatown and was continually run by the Wong family until 2017.[4][3][5]

As a young adult, she often acted as a caretaker for her younger siblings and relatives, especially when her parents left for a round-world trip in 1951. She devised classes for her siblings in subjects such as sewing, cooking and art, which became known as "Anna's School".[3] By 1953, after her parents' return, she began working at Modernize Tailors as a bookkeeper and tailor, learning skills that would be useful in her later fabric works of the 1980s.[6][3] Wong travelled extensively throughout her life; shortly after her parents return, Wong's father financed a cross-Canada trip for her and her sister Helen in which the two also visited New York.[3]

Her family kept strong ties with China and their cultural heritage and Anna would often accompany her father to Hong Kong to look at art and antiques. This culminated in Anna studying Chinese painting under the notable artist Chao Shao-an of the Lingnan School in Hong Kong from 1957-1958.[7][3] After returning from Hong Kong, Wong attended night and weekend classes at the Vancouver School of Art (VSA, now Emily Carr University of Art and Design).[7][3] In 1962, she was accepted for full-time classes at the School, which she would attend until 1966, receiving an undergraduate degree in creative printmaking. Her teachers included noted local artists such as Roy Kiyooka, Jack Shadbolt, Gordon Smith and Ann Kipling.[3] While she was a student, she exhibited at the 1965 Burnaby Art Society National Print Show, receiving an Honourable Mention for her work Morphallaxis XXIX (1965).[3]

After graduating in 1966, Wong received the Emily Carr Scholarship Award, which she used to begin Master's studies at the Pratt Graphics Centre (later part of Pratt Institute starting in 1986).[3][8] Within a year, she was hired by director Andrew Stasik as a Professor in Studio Arts at the Pratt Graphics Centre.[3][9] She returned to Vancouver every summer and ran a printing workshop in Burnaby Art Centre in 1971 with Stasik and taught at the VSA and Malaspina Printmakers.[3][10]  Beginning in 1978, Wong also began taking trips to China after the country reopened to the West. She photographed landmarks including the Great Wall and Buddhist caves such as at Dunhuang or Lungmen, but also scenes of daily life, which became part of a new series of prints based on her travels.[3][11] Wong continued teaching at the Pratt Graphics Centre until it closed in 1986. Afterwards, she returned to Vancouver and continued her art practice, sharing time between her Vancouver studio and Quadra Island studio, which she had set up in 1984.[3]

During her career Wong held solo exhibitions at the Consulate General of Canada, New York City (1975),[12][13] the National Art Museum of China, Beijing (1980), the Royal Ontario Museum (1986), the Richmond Art Gallery (1987), and Equinox Gallery, Vancouver, among others.

She was included in notable group exhibitions such as Contemporary Canadian Prints: A Survey, alongside works by Gordon Smith, John Esler, Toni Onley, Margot Lovejoy, Richard Lacroix, and others, at the Pratt Graphics Centre;[14] as well as Canadian Contemporary Printmakers at the Bronx Museum of the Arts (1982). In 1982, her work was included in China Today, an exhibition at the Floating Foundation of Photography in New York City.

In 1984, her work represented Canada at the Republic of China International Print Exhibition at the Taipei Fine Arts Museum in Taiwan.[15] The Vancouver exhibition and research project Chinatown Modern (2002), curated by Steven Tong at Centre A: Vancouver International Centre for Contemporary Asian Art, included Anna Wong, and addressed the "lack of public recognition of Asian Canadian artists who emerged in Vancouver during the 1960s and 1970s."[16] Wong's work was included in the exhibition The Ornament of a House: Fifty Years of Collecting, at the Burnaby Art Gallery in 2017, and within a publication of the same title.[17]

The Burnaby Art Gallery hosted Wong's retrospective exhibition Anna Wong: Traveller on Two Roads[18][19][20][21][22] in 2018, the exhibition has since travelled to the Nanaimo Art Gallery in 2021, accompanied by a full-colour publication of the same title in two bilingual editions (English/French/Chinese), with essays from Keith Wallace and Zoë Chan.

Art style

Wong's work has been noted for its dense layering, break from traditional printmaking processes and hybridity of themes and techniques.[3][23] Her Hong Kong era brush paintings have been described as "rendering precise, fine lines and soft washes of colour...[adhering] to the nature-based repertoire of imagery conventionally found in Chinese brush painting."[3] Wong took well after her teacher, which has also been attributed to her years learning calligraphy at the Mon Keang School, run by the Wong's Benevolent Association, from age 6.[3][11] Curator Zoë Chan has connected Chinese brush painting closely with writing and has discussed how this combination of the visual and textual are visible throughout the rest of Wong's art practice.[3]

After enrolling in VSA, she began creating ink line drawings that combined her calligraphic influence with the lessons of her teachers such as Ann Kipling. Chan has called these early works "Lighthearted and lyrical in tone...[suggesting] playful, even trippy reconfigurations of various language systems."[3] Curator Keith Wallace notes that these works gradually became more dense and abstract, especially as she began printmaking in her second year of school.[3] As Wallace writes, these works also gradually incorporated "ovoids and circles and squares that merge into one another...her work from this time demonstrated an interest in symbolic shapes representative of the universal, the cosmic and the mythical."[3]

Wong's work returned to natural motifs after she began at the Pratt Graphic Centre, which included imagery of plants and animals, and often included text through the use of multiple different techniques including lithography, silkscreen and photo transfers.[3][24][25] Her prints based on her travels to China further incorporated multiple printmaking techniques while also adding other mixed media elements such as ribbon, silk, paper and ink stamps.[3][9] These were combined with photo transfers from photographs she took on her trips whose subjects included people on bicycles, graffiti, ancient Chinese sites, such as the Great Wall, and household items.[3] Later in her life, Wong mostly worked on the quilts she had been producing since the 1970s.[26] Her quilts incorporated the techniques and subject matter of her previous works, such as plants and text, which were printed directly onto fabric. She then had them sewn together by an Amish community in Pennsylvania.[3][26][9]

Selected exhibitions

2018, Anna Wong: Traveller on Two Roads, Burnaby Art Gallery, Burnaby, Canada

2002, Chinatown Modern, Centre A, Vancouver, Canada[27]

1987, Richmond Art Gallery, Richmond, Canada

1984, Republic of China International Print Exhibition, Taipei City Museum of Fine Arts, Taipei, Taiwan

1982, Canadian Contemporary Printmakers, Bronx Museum of the Arts, New York, USA[9]

1980, National Art Museum of China, Beijing, China

1978, Anna Wong, Equinox Gallery, Vancouver, Canada[26]

1975, Graphics: Lithographs & Serigraphs, Canadian Consulate General, New York, USA

1972, Plantae Occidentalis: 200 Years of Botanical Art in British Columbia, UBC Botanical Gardens, Vancouver, Canada[28]

1967, Joy and Celebration, UBC Fine Arts Gallery (now Morris and Helen Belkin Art Gallery), Vancouver, Canada

1966, Two Exhibitions: British Columbia Watercolours, Prints and Drawings, UBC Fine Arts Gallery (now Morris and Helen Belkin Art Gallery), Vancouver, Canada

[3]

Collections

Anna Wong's work is held in public collections in Canada, including the Vancouver Art Gallery, Burnaby Art Gallery,[29] Richmond Art Gallery,[30] Confederation Centre Art Gallery, Dunlop Art Gallery,[31] and the Art Gallery of Guelph.

References

  1. ↑ McMann, Evelyn de Rostaing (2003). Biographical Index of Artists in Canada. Toronto: University of Toronto Press. p. 247. ISBN 9780802027900.
  2. 1 2 Woodend, Dorothy (2018-11-16). "Looking at the Magnificent Art of Anna Wong". The Tyee. Retrieved 2021-07-24.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 Anna Wong : traveller on two roads = périple sur deux chemins. Ellen Van Eijnsbergen, Jennifer Cane, Zoë Chan, Keith Wallace, Burnaby Art Gallery. Burnaby, British Columbia, Canada. 2018. ISBN 978-1-927364-31-4. OCLC 1101814990.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  4. ↑ Fisher, Gavin; Chau, Elaine (9 April 2016). "Chinatown tailor shop honoured as a pillar in Vancouver Chinese-Canadian community". CBC News. Archived from the original on 29 April 2018. Retrieved 2018-02-22.
  5. ↑ "At Chinatown's Venerable Modernize Tailors, Mia Wu Brings Back the Art of the Bespoke Suit". MONTECRISTO. Retrieved 2022-03-18.
  6. ↑ "#647 Finding Anna Wong". The British Columbia Review. 2019-11-03. Retrieved 2022-03-18.
  7. 1 2 "Anna Wong at the Art Gallery". Richmond Review. 1987-07-10. p. 20. Archived from the original on 2018-09-21. Retrieved 2018-02-22 – via Newspapers.com.
  8. ↑ Lowndes, Joan (May 18, 1971). "Prints by Anna Wong show American influence". Vancouver Sun.
  9. 1 2 3 4 Canadian Contemporary Printmakers. New York: The Bronx Museum. 1982.
  10. ↑ Lowndes, Joan (November 19, 1971). "We are in a great age of print making". Vancouver Sun.
  11. 1 2 Wilson, Peter (January 28, 1995). "Layers of learning and brush with discipline". Vancouver Sun.
  12. ↑ New York Media, LLC (28 April 1975). "Art". New York Magazine. 8 (17): 36.
  13. ↑ "Print Review Magazine", Number 4, 1975, New York: Pratt Graphics Centre and Kennedy Galleries, Inc., Pg.32
  14. ↑ New York Magazine, 17 July 1972, Pg. 14
  15. ↑ "Exhibits of Contemporary Works By a Group of Canadian Chinese Artists". Richmond Review. 1986-03-12. p. 31. Archived from the original on 2018-09-21. Retrieved 2018-02-22 – via Newspapers.com.
  16. ↑ "Chinatown Modern | Centre A". centrea.org. Archived from the original on 2018-09-21. Retrieved 2018-07-25.
  17. ↑ Cane, Jennifer, Ed. and Ellen van Eijnsbergen, The Ornament of a House: Fifty Years of Collecting, Burnaby: Burnaby Art Gallery, 2017, Pg. 80. ISBN 9781927364239
  18. ↑ "Anna Wong: Traveller on Two Roads – Canadian Art". Canadian Art. Archived from the original on 2018-09-21. Retrieved 2018-07-25.
  19. ↑ "Anna Wong: Traveller on Two Roads spans a life of work that's visually and emotionally arresting". Georgia Straight Vancouver's News & Entertainment Weekly. 2018-09-20. Archived from the original on 2018-09-20. Retrieved 2018-09-20.
  20. ↑ staff, NOW. "Learn about this master Canadian printmaker in a new Burnaby Art Gallery exhibition". Burnaby Now. Archived from the original on 2018-09-21. Retrieved 2018-09-20.
  21. ↑ "Anna Wong Art Exhibit Burnaby Art Gallery". Global News. Archived from the original on 2018-09-21. Retrieved 2018-09-20.
  22. ↑ "Exhibition illuminates the life and legacy of Chinese Canadian artist, Anna Wong | Ricepaper Magazine". ricepapermagazine.ca. 3 September 2018. Archived from the original on 2018-09-21. Retrieved 2018-09-20.
  23. ↑ Gallery, Nanaimo Art (2021-01-27), Keith Wallace on "Anna Wong: Traveller on Two Roads", retrieved 2022-03-24
  24. ↑ Lowndes, Joan (May 18, 1971). "Prints by Anna Wong show American Influence". Vancouver Sun.
  25. ↑ Kembar, Norah (1978). "Anna Wong". Artscanada. 35 (3): 67.
  26. 1 2 3 Scott, Andrew (June 22, 1978). "Portrait artist's pictures overwhelming". Vancouver Sun.
  27. ↑ "Chinatown Modern | Centre A". Retrieved 2022-03-24.
  28. ↑ House, Maria Newberry (1979). Plantae Occidentalis: 200 Years of Botanical Art in British Columbia. Vancouver: Botanical Garden, University of British Columbia.
  29. ↑ "Anna Wong". City of Burnaby. Archived from the original on 2018-09-21. Retrieved 2018-02-23.
  30. ↑ "Richmond Art Gallery". artgallery-collections.richmond.ca. Retrieved 2022-03-17.
  31. ↑ "Dunlop Art Gallery". collection.dunlopartgallery.org. Archived from the original on 2018-09-21. Retrieved 2018-07-19.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.