Aamis
Official poster of Aamis
Directed by	Bhaskar Hazarika
Written by	Bhaskar Hazarika
Produced by	Poonam Deol Shyam Bora
Starring	Lima Das Arghadeep Baruah
Cinematography	Riju Das
Edited by	Shweta Rai Chamling
Music by	Quan Bay
Production companies	Signum Productions, Metanormal, Wishberry Films
Release dates	28 April 2019 (2019-04-28) (TFF) 22 November 2019 (2019-11-22) (India)
Running time	108 minutes
Country	India
Language	Assamese

Aamis (English: Ravening)(Assamese: আমিষ, lit. 'Meat^[1]') is a 2019 Indian Assamese-language romantic horror film written and directed by Bhaskar Hazarika. The film stars debutantes Lima Das and Arghadeep Baruah in the lead, supported by Neetali Das, Sagar Saurabh, and Manash K Das.^[2]

Aamis received its world premiere at the Tribeca Film Festival where it was nominated in five categories in the festival's "International Narrative" section.^[3] The film was released in India on 22 November 2019.^[2][4][5]

Plot

Sumon is a PhD student who researches meat eating habits of people in northeastern India, and cooks various meat dishes for his friends as a hobby. Nirmali is a doctor who feels unsatisfied with her married life, and constantly covers up for her friend Jumi who is having an extramarital affair. One day, the two meet when she has to treat Sumon's friend for indigestion, and form an acquaintance over an interest in food. Sumon cooks meat dishes for Nirmali, and takes her to various food places as their friendship progresses. Soon, he starts obsessing over her, to the detriment of his career. Nirmali's marriage worsens, and she spends more time with Sumon, but does not reciprocate his feelings.

As his obsession gets out of hand, Sumon approaches his friend Elias, a vet, to cut a part of his flesh for research purposes. In truth, he plans to cook his flesh and serve it to Nirmali, as a way to make their bond stronger. Nirmali inadvertently eats the dish, assuming it to be something else, and enjoys it more than anything she has ever tasted. When Sumon reveals what it really was, she is disgusted at first, but as time passes on, she discovers that she has started to crave human flesh.

Their relationship takes a horrifying twist, as they feed each other their flesh in turns. Nirmali's addiction gets worse, and she begins to crave a large portion of human flesh to satiate her hunger for good. To help her, Sumon kills a rickshaw driver but is caught in the act immediately. The police discover his connection to Nirmali through his phone and apprehend her as well. Their arrest causes a sensation, with the people terming them cannibals. In the final scene, as they both are presented in front of the media outside the police station with their faces covered, they hold hands.

Cast

• Lima Das as Nirmali
• Arghadeep Baruah as Sumon
• Neetali Das as Jumi
• Sagar Saurabh as Elias Ahmad
• Manash K Das as Dilip
• Utkal Hazowari as Inspector
• Chandan Bhuyan as Bora
• Samarjyoti Sarkar as Rickshaw puller
• Siddharth Boro as Eddie
• Momee Borah as Mina
• Jishnu Kashyap as Pikoo
• Uddipta K Bhattacharya as Suman's Friend

Reception

Deborah Young for The Hollywood Reporter wrote "One would have liked the story to end on some unexpected note of unfettered imagination in keeping with the defiant spirit of what has gone before. The moralistic ending really takes it down a notch."^[6]

Anannya Baruah for HuffPost wrote "Meat isn’t just Nirmali and Sumon’s means of sublimating their desire and feeling better about not committing adultery; it has always been the object of caste, religious and regional discrimination—a rationalisation for the violent dehumanisation of certain bodies."^[7]

Allan Hunter for Screen Daily saw an echo of The Lunchbox movie and wrote "The delicate, decorous nature of the relationship is sweetly captured. Hazarika encourages our investment in the couple and how they might engineer a future together. Affection is expressed in shy smiles and lingering glances. Arghadeep is particularly good at conveying the doe-eyed devotion of Sumon. There is an echo of The Lunchbox in a film that might, initially at least, beguile food lovers and incurable romantics alike."^[8]

A critic from Hindustan Times wrote "A Serbian Film, Aamis is exactly what you get when you suffocate unsuspecting people under systems of oppression."^[9]

Deccan Chronicle wrote "The film devotes a lot of time to cooking, eating, chatting, texting, and the screenplay, full of dialogue and detailed cooking and eating scenes, delivers it all with a beaming smile and a powerful comment on the politics of food."^[10]

Shubhra Gupta of The Indian Express praised the director Hazarika and wrote "Not for the faint-hearted or squeamish, Aamis is an unusual, brilliant film, and Hazarika one of India’s most gifted filmmakers."^[11]

News18 wrote "There is a lot of meat eating; the food shots are lovingly composed. The film suggests that just like we all have different tastes and appetites when it comes to food, we also have varied moral palates and desires."^[12]

The Wire wrote “The assertions that ‘love by itself is enough’ or ‘love solves everything’ seem disconnected from the larger truth: that love can also be evil, that love – or say, obsession – can cross a line, too."^[13]

A critic from The Quint wrote "In a film where every frame is so thoughtfully done, the climax was a dampener. But there’s redemption in the final shot where both Sumon and Nirmili touch each other for the first time."^[14]

Ishrat Jahan Holy for The Business Standard wrote "Aamis is a bold genius of Bhaskar Hazarika and it relies on its slow revelations. As the film progresses, it gently comes out from its 'The Lunchbox'-esque atmosphere and takes the darkest possible turn."^[15]

Awards

Best director - Singapore South Asian International Film Festival (SAIFF)

References

External links

• Aamis at IMDb