42 études ou caprices

The 42 études ou caprices ("42 études or capriccios") for solo violin were composed by Rodolphe Kreutzer around 1796. While Kreutzer was a prolific composer with some 50 stage works and dozens of other pieces to his credit, he is best known as a pedagogue. Together with Pierre Baillot and Pierre Rode, he was at the center of the development of the French school of violin playing around the turn of the 19th century, which defined much of the 19th-century (and hence the modern) approach to playing the violin.

The 42 études have remained a core part of the teaching repertoire since their publication, and are today perhaps the most common set of studies for intermediate and advanced students of the violin. They were written to demonstrate the possibilities of the Tourte bow, which was then innovative but has since been universally adopted, meaning Kreutzer's studies are highly applicable to the development of modern bowing technique. Another of Kreutzer's important didactic goals was developing fluency in contraction and extension of the left hand, which is also crucial to modern students of the violin.

The earliest extant edition of the collection, from 1807, comprises 40 pieces. Kreutzer's authorship is broadly accepted for two other études, nos. 13 and 25, that were included in some early editions. The etudes broadly form a logical pedagogic progression, though the relatively difficult Etude No. 1 appears out of place, perhaps placed at the beginning for publication to make the studies look more challenging at first glance. It is generally considered that the correct place to start is with Etude No. 2, which is the simplest study, and some editions, such as Frigyes Sándor's edition, re-order the pieces to correct this.

Incipits 1–17

$\relative a' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "1. Adagio sostenuto" a1~ ( | a2.~ a8. e'16 ) e1 ~ ( | e2~ e,4 fis ) }$

$\relative c'' { \set Staff.midiInstrument = #"violin" \tempo "2. Allegro moderato" c16 e g f e f d e c e g f e f d e | c e g f e f d e c d e d c d b c }$

$\relative g'' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "3. Allegro moderato" g16 e (a) g f d g f e c (f) e d b e d | c a (d) c b g c b a f (b) a g e a g }$

$%etude4 \relative c' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "4." c4 d16-. (e-. f-. g-. a2) | b,4 c16-. (d-. e-. fis-. g2) }$

$%etude5 \relative g'' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "5. Allegro moderato" \key ees \major g8*2/3 bes aes g f es d f ees d c bes | ees g f ees d c b d c b a g }$

$%etude6 \relative c' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "6. Moderato" \key c \major c8*2/3-. g-. e'-. c-. g'-. e-. c'-. g-. e'-. c-. g'-. e-. | c'-. c,,-. d-. e-. f-. fis-. g-. a -. b-. c -. d-. e-. }$

$%etude7 \relative d'' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "7. Allegro assai" \key d \major d8-. d,-. fis'-. fis,-. a'-. a,-. g'-. g,-. fis'-. fis,-. e'-. e,-. d'-. d,-. cis'-. cis,-. }$

$%etude8 \relative e' { \set Staff.midiInstrument = #"violin" \time 6/8 \tempo "8. Allegro non troppo" \key e \major e16 gis b e gis b a fis dis b a fis | e16 gis b e gis b a fis dis b a fis | e gis b e gis, b e gis b, e gis b | }$

$%etude9 \relative f' { \set Staff.midiInstrument = #"violin" \time 3/4 \tempo "9. Allegro moderato" \key f \major f16 ( a g a f a g a f a g a f a g a f a g a f a g a ) | bes,( d c d bes d c d bes d c d | bes d c d bes d c d bes d c d) }$

$%etude10 \relative g { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "10." \key g \major g8 g''16 d b g d b g8 b''16 g d b g d | b8 d''16 b g d b g d8 g'16 d b d b g }$

$%etude11 \relative b'' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "11. Andante" \key e \major b8*2/3 (a gis gis fis e b' a gis gis fis e) fis ( e dis dis cis b fis' e dis dis cis b) }$

$%etude12 \relative a { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "12. Allegro moderato" \key a \minor a16 (c) e a c e, a c e a, c e a c, e a c e, a c e a, c e a2 }$

$%etude13 \relative a { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "13. Moderato" \key a \major a16 (e') cis' e, cis' e, cis' (e,) a,16 (e') cis' e, cis' e, cis' (e,) | a, (fis') d' fis, d' fis, d' (fis,) a, (fis') d' fis, d' fis, d' (fis,) }$

$%etude14 \relative e'' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "14. Moderato" \key a \major r16 e16\upbow \p (cis-"e cantabile" a' gis e b cis d fis, d' gis, a cis b d ) | cis (e16 a, a' gis e b cis d fis, d' gis, a cis b d ) }$

$%etude15 \relative bes' { \set Staff.midiInstrument = #"violin" \time 4/4 \tempo "15. Allegro non troppo" \key bes \major bes8\staccato \downbow \afterGrace c8\accent \trill ( { bes16 [c16] } bes8\staccato \afterGrace d8 \accent \trill { c16 [d16] } c8\staccato \afterGrace d8\accent \trill { c16 [d16] } c8\staccato \afterGrace ees8\accent \trill { d16 [ees16] } d8\staccato \afterGrace ees8\accent \trill { d16 [ees16] } d8\staccato \afterGrace f8\accent \trill { ees16 [f16] } ees8\staccato \afterGrace f8\accent \trill { ees16 [f16] } ees8\staccato \afterGrace g8\accent \trill { f16 [g16] } }$

$%etude16 \relative d' { \time 12/8 \tempo "16. Moderato" \key d \major d8-. \f fis-. a-. \acciaccatura {e'8} d4 \sf \trill cis16 d16 d,8-. fis-. a-. \acciaccatura {e'8} d4 \sf \trill cis16 d16 cis8-. d-. e-. d-. cis-. b-. a-. e-. d-. cis-. d-. e-. }$

$%etude17 \relative b { \set Staff.midiInstrument = #"violin" \time 12/8 \tempo "17. Maestoso" \key bes \major bes8-. bes'4 \trill \acciaccatura {a8} bes8-. bes,-. bes'8-. d,8-. d'4 \trill \acciaccatura {c8} d8-. d,8-. d'8-. }$

List

The collection's contents is as follows:

No. 1 in A minor, Adagio sostenuto
No. 2 in C major, Allegro moderato
No. 3 in C major, Allegro moderato
No. 4 in C major, [Allegro]
No. 5 in E-flat major, Allegro moderato
No. 6 in C major, Moderato e sempre martellato
No. 7 in D major, Allegro assai
No. 8 in E major, Allegro non troppo

(arranged for saxophone)

No. 9 in F major, Allegro moderato
No. 10 in G major, Allegro
No. 11 in E major, Andante
No. 12 in A minor, Allegro moderato
No. 13 in A major, Moderato
No. 14 in A major, Moderato

No. 15 in B-flat major, Allegro non troppo
No. 16 in D major, Moderato
No. 17 in B-flat major, Maestoso (Moderato)
No. 18 in G major, Moderato
No. 19 in D major, Moderato
No. 20 in A major, Allegro
No. 21 in B minor,^[1] Moderato e sempre marcato
No. 22 in A-flat major, Moderato
No. 23 in B-flat major, Adagio (quasi Cadenza)
No. 24 in G minor, Allegro
No. 25 in G major, [Allegro moderato]
No. 26 in E-flat major, Moderato
No. 27 in D minor, Moderato
No. 28 in E minor, Grave

No. 29 in D major, Moderato
No. 30 in B-flat major, Moderato
No. 31 in C minor, Vivace
No. 32 in F major, Andante
No. 33 in F major, Andante
No. 34 in D major, Moderato
No. 35 in E-flat major, Marcia (Moderato)
No. 36 in E minor, Allegretto
No. 37 in F minor, Allegro vivace
No. 38 in D major, Moderato
No. 39 in A major, Allegretto
No. 40 in B-flat major, Allegro
No. 41 in F major, Adagio
No. 42 in D minor, Allegro (Fuga)

Certain editions put the études in a different order, as follows:^[2]

Ordering of études
First edition (1805), Johann André (1835), Fernidad David (1850) Friedrich Hermann (1870, 1880)	Hermann Schröder, Kistner (1889)	Lambert Massart, Alphonse Leduc (1893)	Edmund Singer, G. Schirmer (1894)	Henri Marteau, Steingräber Verlag (1913)	Frigyes Sándor, EMB (1960)
1	5	N/A	1	N/A	23
2	3	1	2	1	1
3	4	2	3	2	2
4	2	3	4	3	3
5	1	4	5	4	4
6	7	5	6	5	5
7	8	6	7	6	6
8	10	7	8	7	7
9	9	8	9	8	8
10	11	9	10	9	9
11	6	10	11	10	10
N/A	13	11	13	11	11
12	12	13	12	N/A	12
13	14	12	14	12	13
14	15	N/A	15	13	14
15	16	14	16	14	15
16	17	16	17	16	16
17	19	17	18	17	17
18	18	15	19	15	18
19	21	18	20	18	19
20	20	19	21	19	20
21	22	20	22	20	21
22	23	21	23	21	22
23	24	23	24	23	24
N/A	25	22	25	22	25
24	26	24	26	24	26
25	27	25	27	25	27
26	28	27	28	27	28
27	29	26	29	26	29
28	30	28	30	28	30
29	31	29	31	29	31
30	32	30	32	30	32
31	33	31	33	31	33
32	34	32	34	32	34
33	35	33	35	33	35
34	36	34	36	34	36
35	37	35	37	35	37
36	38	36	38	36	38
37	39	37	39	37	39
38	40	38	40	38	40
39	41	39	41	39	41
40	42	40	42	40	42

References

↑ On Benjamin Cutter's How to Study Kreutzer (1903) (refer to p. 39) it claims that the key of this étude is D major, however the tonality of the beginning and the recapitulation are both in minor keys. Elizabeth Wallfisch's recording of 40 Études ou Caprices pour Violon mentions the piece is in B minor Archived 2014-11-29 at the Wayback Machine.
↑ "Études ou caprices (Kreutzer, Rodolphe) - IMSLP: Free Sheet Music PDF Download". imslp.org. Retrieved 2023-02-10.

External links

42 études ou caprices: Scores at the International Music Score Library Project
Kreutzer: 42 Etudes – Cihat Askin at AllMusic

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] On Benjamin Cutter's How to Study Kreutzer (1903) (refer to p. 39) it claims that the key of this étude is D major, however the tonality of the beginning and the recapitulation are both in minor keys. Elizabeth Wallfisch's recording of 40 Études ou Caprices pour Violon mentions the piece is in B minor Archived 2014-11-29 at the Wayback Machine.

[2] "Études ou caprices (Kreutzer, Rodolphe) - IMSLP: Free Sheet Music PDF Download". imslp.org. Retrieved 2023-02-10.

[1]

[2]

Incipits 1–17

List

References

Further reading

External links