Édouard Risler.

Joseph-Édouard Risler (23 February 1873 – 22 July 1929) was a French pianist.[1]

Biography

Risler was born in Baden-Baden (Germany) of a German mother and an Alsatian father. He studied under Louis Diémer, Théodore Dubois and Émile Decombes at the Conservatoire de Paris from 1883 to 1890. He was recorded by Theo Wangemann at the 1889 Paris Expo, one of the first musical recordings.[2] In 1891 he became a good friend of Emmanuel Chabrier and visited and corresponded with the older composer.[3] He then completed his studies in Germany with Klindworth, d'Albert and Stavenhagen. He was the répétiteur at the Festpielhaus, Bayreuth in 1896.

He soon made a mark on the music world as one of the important French pianists of his time, open to the music of his time as well as the romantic German repertoire. He gave several major cycles: the 32 sonatas of Ludwig van Beethoven from October to December 1905, at the Salle Pleyel, the complete works of Frédéric Chopin and The Well-Tempered Clavier of Johann Sebastian Bach.

From 1906, Risler devoted much time to teaching and became professor at the Paris Conservatoire in 1923. He married Émilie Girette, an amateur singer for whom Gabriel Fauré had written several of his songs. He corresponded regularly with Reynaldo Hahn and played in the première of the Sonatine in C major of Hahn in April 1908, at the Salle Érard. He died in Paris in 1929.

Emmanuel Chabrier dedicated his Bourrée fantasque to him,[n 1] and Enrique Granados the Coloquio en la reja, extract of Goyescas.

Risler made a piano transcription of Richard Strauss's Till Eulenspiegel's Merry Pranks.[n 2]

Premieres given by Risler

Risler premiered the following works:

Discography of Risler

Risler's recordings consist of only 18 sides produced in 1917 by Pathé,[4] which were released in full by Marston Records in 2007 as "Édouard Risler: Pathé Paper-Label Discs, Paris 1917". They were also released in full by the Symposium label in 2002 and (at least in the most part) by The Piano Library in 1999.

Notes and references

Notes

  1. ↑ Risler made an arrangement of the piece for two pianos, four hands, premiered by him and Cortot on 11 May 1911.
  2. ↑ A live recording by Francesco Libetta, given on 26 July 2002 at the International Piano Festival de La Roque-d'Anthéron, was issued on VAI DVD 4375.

References

  1. ↑ From French Wikipedia
  2. ↑ Stephan Puille, "Prince Bismarck and Count Moltke Before the Recording Horn: The Edison Phonograph in Europe, 1889-1890" Thomas Edison National Historical Park. Translated by Patrick Feaster. German original (with foreword): "Fürst Bismarck und Graf Moltke vor dem Aufnahmetrichter: Der Edison-Phonograph in Europa, 1889-1890" Retrieved February 5, 2012
  3. ↑ Delage R. Emmanuel Chabrier. Fayard, Paris, 1999.
  4. ↑ www.marstonrecords.com http://www.marstonrecords.com/risler/risler_liner.htm. Retrieved 2010-06-17. {{cite web}}: Missing or empty |title= (help)
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