misogynoir
English
WOTD – 18 June 2022
Etymology
Blend of misogyny (“contempt for, hatred of, or prejudice against women”) + French noir (“black”), coined by the African-American feminist activist and scholar Moya Bailey and first published in a 2010 online essay: see the quotation below.[1][2]
Pronunciation
- (Received Pronunciation) IPA(key): /mɪˌsɒd͡ʒəˈnwɑː/
Audio (Southern England) (file) - (General American) IPA(key): /məˌsɑd͡ʒəˈnwɑɹ/
- Rhymes: -ɑː(ɹ)
- Hyphenation: mis‧o‧gy‧noir
Noun
misogynoir (uncountable)
- (neologism) Contempt for, hatred of, or prejudice against black women. [from 2010]
- 2010 March 14, Moya Bailey, “They Aren’t Talking about Me …”, in Crunk Feminist Collective, archived from the original on 15 March 2022:
- My reorientation to the misogynoir ruling the radio took place when I tried to make the argument that “All the Way Turnt Up” was a great song because it didn’t objectify women. This was something I could get behind; a song simply extolling the youthful value of keeping the bass bumping in your vehicle. That was until I read the lyrics and found the choice lyric “three dike bitches, and they all wanna swallow.”
- 2013 spring, Aisha Durham, Brittany C. Cooper, Susana M. Morris, “The Stage Hip-Hop Feminism Built: A New Directions Essay”, in Signs: Journal of Women in Culture and Society, volume 38, number 3, Chicago, Ill.: University of Chicago Press, →ISSN, →OCLC, page 730:
- Hip-hop feminist studies continues to tackle black sexual politics by discussing and challenging the persistence and prevalence of hip-hop "misogynoir" (the hatred of black women and girls), respectability politics, and compulsory heterosexuality within the music and the culture at large.
- 2014 September 24, Monica Cruz, “Someone Tell Kanye West to Stop Insulting Black Women”, in The Paper: Fordham University’s Student Journal of News, Analysis, Comment and Review, volume 43, number 6, Bronx, New York, N.Y.: Fordham University, →OCLC, page 9:
- Unfortunately, the idealization of white women is most often paired with the condemnation of black women, creating the intersectional problem of misogynoir: the combined racism and sexism black women face.
- 2015 January, Treva B. Lindsey, “Let Me Blow Your Mind: Hip Hop Feminist Futures in Theory and Praxis”, in Urban Education, volume 50, number 1, Beverly Hills, Calif.: SAGE Journals, , →ISSN, →OCLC, archived from the original on 19 March 2015, pages 57–58:
- Drawing upon a history in which racism, heteropatriarchy, and inter-racial gender ideology rendered Black women invisible and marginalized, Pough compels Black feminists attempting to reject hip-hop feminism to revisit the historical record of Black women pushing back against Black male sexism and misogynoir in Black political, cultural, and social spaces.
- 2016, Sonita R. Moss, “Beyoncé and Blue: Black Motherhood and the Binds of Racialized Sexism”, in Adrienne Trier-Bieniek, editor, The Beyoncé Effect: Essays on Sexuality, Race and Feminism, Jefferson, N.C.: McFarland & Company, →ISBN, page 157:
- [A] Black woman as the arbiter of racialized sexism against a young Black girl is an example of misogynoir.
Hypernyms
Derived terms
Translations
contempt for, hatred of, or prejudice against black women
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References
- “misogynoir, n.”, in Lexico, Dictionary.com; Oxford University Press, 2019–2022.
- Sonita R. Moss (2016) “Beyoncé and Blue: Black Motherhood and the Binds of Racialized Sexism”, in Adrienne Trier-Bieniek, editor, The Beyoncé Effect: Essays on Sexuality, Race and Feminism, Jefferson, N.C.: McFarland & Company, →ISBN, page 157: “Moya Bailey coined the term misogynoir to “describe the particular brand of hatred directed at Black women in American visual & popular culture” (Bailey 2010).”
Further reading
- misogynoir on Wikipedia.Wikipedia
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