misogynoir

English

WOTD – 18 June 2022

Etymology

Blend of misogyny (contempt for, hatred of, or prejudice against women) + French noir (black), coined by the African-American feminist activist and scholar Moya Bailey and first published in a 2010 online essay: see the quotation below.[1][2]

Pronunciation

  • (Received Pronunciation) IPA(key): /mɪˌsɒd͡ʒəˈnwɑː/
  • (file)
  • (General American) IPA(key): /məˌsɑd͡ʒəˈnwɑɹ/
  • Rhymes: -ɑː(ɹ)
  • Hyphenation: mis‧o‧gy‧noir

Noun

misogynoir (uncountable)

  1. (neologism) Contempt for, hatred of, or prejudice against black women. [from 2010]
    • 2010 March 14, Moya Bailey, “They Aren’t Talking about Me …”, in Crunk Feminist Collective, archived from the original on 15 March 2022:
      My reorientation to the misogynoir ruling the radio took place when I tried to make the argument that “All the Way Turnt Up” was a great song because it didn’t objectify women. This was something I could get behind; a song simply extolling the youthful value of keeping the bass bumping in your vehicle. That was until I read the lyrics and found the choice lyric “three dike bitches, and they all wanna swallow.”
      Footnote 1 after the word misogynoir states: “Word I made up to describe the particular brand of hatred directed at black women in American visual & popular culture.”
    • 2013 spring, Aisha Durham, Brittany C. Cooper, Susana M. Morris, “The Stage Hip-Hop Feminism Built: A New Directions Essay”, in Signs: Journal of Women in Culture and Society, volume 38, number 3, Chicago, Ill.: University of Chicago Press, →ISSN, →OCLC, page 730:
      Hip-hop feminist studies continues to tackle black sexual politics by discussing and challenging the persistence and prevalence of hip-hop "misogynoir" (the hatred of black women and girls), respectability politics, and compulsory heterosexuality within the music and the culture at large.
    • 2014 September 24, Monica Cruz, “Someone Tell Kanye West to Stop Insulting Black Women”, in The Paper: Fordham University’s Student Journal of News, Analysis, Comment and Review, volume 43, number 6, Bronx, New York, N.Y.: Fordham University, →OCLC, page 9:
      Unfortunately, the idealization of white women is most often paired with the condemnation of black women, creating the intersectional problem of misogynoir: the combined racism and sexism black women face.
    • 2015 January, Treva B. Lindsey, “Let Me Blow Your Mind: Hip Hop Feminist Futures in Theory and Praxis”, in Urban Education, volume 50, number 1, Beverly Hills, Calif.: SAGE Journals, →DOI, →ISSN, →OCLC, archived from the original on 19 March 2015, pages 57–58:
      Drawing upon a history in which racism, heteropatriarchy, and inter-racial gender ideology rendered Black women invisible and marginalized, Pough compels Black feminists attempting to reject hip-hop feminism to revisit the historical record of Black women pushing back against Black male sexism and misogynoir in Black political, cultural, and social spaces.
    • 2016, Sonita R. Moss, “Beyoncé and Blue: Black Motherhood and the Binds of Racialized Sexism”, in Adrienne Trier-Bieniek, editor, The Beyoncé Effect: Essays on Sexuality, Race and Feminism, Jefferson, N.C.: McFarland & Company, →ISBN, page 157:
      [A] Black woman as the arbiter of racialized sexism against a young Black girl is an example of misogynoir.
    • 2022 December 21, VV Brown, “The Sun will protect Jeremy Clarkson. Who will protect women who suffer violence every day?”, in The Guardian:
      To me, his words seemed a form of “misogynoir” – discrimination prejudice, and violence aimed specifically at women of colour.

Hypernyms

Derived terms

Translations

References

  1. misogynoir, n.”, in Lexico, Dictionary.com; Oxford University Press, 2019–2022.
  2. Sonita R. Moss (2016) “Beyoncé and Blue: Black Motherhood and the Binds of Racialized Sexism”, in Adrienne Trier-Bieniek, editor, The Beyoncé Effect: Essays on Sexuality, Race and Feminism, Jefferson, N.C.: McFarland & Company, →ISBN, page 157:Moya Bailey coined the term misogynoir to “describe the particular brand of hatred directed at Black women in American visual & popular culture” (Bailey 2010).

Further reading

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